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Text Identifier:"^now_sing_we_a_song_for_the_harvest$"

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Now sing we a song for the harvest

Author: J. W. Chadwick Appears in 40 hymnals Used With Tune: CALVERT

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BEECHKNOWE

Appears in 8 hymnals Composer and/or Arranger: H. De La Haye Blackith Tune Key: C Major Incipit: 51765 65513 45651 Used With Text: Now Sing we a Song for the Harvest
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BEECHEN GROVE

Appears in 6 hymnals Composer and/or Arranger: Samuel Reay Incipit: 51365 43212 34456 Used With Text: A Song for the Harvest
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ST. SULIEN

Appears in 3 hymnals Composer and/or Arranger: Edwin Arthur (1874- ) Incipit: 53312 12315 275 Used With Text: Now sing we a song for the harvest

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Now Sing We a Song for the Harvest

Author: John W. Chadwick Hymnal: Youth Hymnal #9 (1935) Languages: English Tune Title: [Now sing we a song for the harvest]
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Now Sing We a Song for the Harvest

Author: John W. Chadwick Hymnal: Devotion and Praise #34 (1937) Languages: English Tune Title: [Now sing we a song for the harvest]
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Now Sing we a Song for the Harvest

Hymnal: Concordia #100 (1918) Lyrics: 1 Now sing we a song for the harvest, Thanksgiving and honor and praise, For all that the bountiful Giver Hath given to gladden our days: 2 For grasses of upland and lowland, For fruits of the garden and field, For gold which the mine and the prairie To delver and husband-man yield. 3 And thanks for the harvest of beauty, For that which the hands cannot hold, The harvest eyes only can gather, And only our hearts can enfold: 4 We reap it on mountain and moorland, We glean it from meadow and lea, We garner it in from the cloud-land, We bind it in sheaves from the sea. 5 But now we sing deeper and higher, Of harvests that eye cannot see; They ripen on mountains of duty Are reaped by the brave and the free. 6 O Thou who art Lord of the harvest, The Giver who gladdens our days, Our hearts are forever repeating Thanksgiving and honor, and praise. Topics: Church Festivals Thanksgiving Languages: English Tune Title: BEECHKNOWE

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David Evans

1874 - 1948 Person Name: Edwin Arthur (1874- ) Composer of "ST. SULIEN" in The Church School Hymnal for Youth David Evans (b. Resolven, Glamorganshire, Wales, 1874; d. Rosllannerchrugog, Denbighshire, Wales, 1948) was an important leader in Welsh church music. Educated at Arnold College, Swansea, and at University College, Cardiff, he received a doctorate in music from Oxford University. His longest professional post was as professor of music at University College in Cardiff (1903-1939), where he organized a large music department. He was also a well-known and respected judge at Welsh hymn-singing festivals and a composer of many orchestral and choral works, anthems, service music, and hymn tunes. Bert Polman

William Channing Gannett

1840 - 1923 Person Name: W. C. Gannett Author of "Now sing we a song for the harvest" in The Home and School Hymnal Gannett, William Channing, M.A., s. of Dr. Ezra Stiles Gannett, was b. at Boston, March 13, 1840, and educated at Harvard College, 1860, and the Divinity School, Cambridge. Entered the Unitarian Ministry in 1868, and after filling several pastorates he became Pastor of the Unitarian Church at Rochester, N.Y., 1889. Mr. Gannett's hymns, mainly written for special occasions, were included in great part in The Thought of God in Hymns and Poems, Boston, 1st Series 1885,2nd Series 1894, the combined production of F. L. Hosmer (q.v.) and himself. Of Mr. Gannett's hymns the following are in common use:— 1. Bring, 0 morn, thy music [God Everlasting.] Written in 1893, and printed in A Chorus of Faith, being an account and resume of the Parliament of Religions, held in Chicago, 1893. Included in The Thought of God, 2nd Series, 1894, and again in several hymnals. 2. Clear in memory's silent reaches. [Memory.] Written in 1877 for a Free Religious Assoc. Festival, and published in The Thought of God, 1st Series, 1885. 3. Prom heart to heart, from creed to creed. [Faith.] Written in 1875 for the 150th anniversary of the First Religious Society in Newburyport, and given in The Thought of God, 1ist Series, 1885. Usually st. ii. is omitted. 4. He hides within the lily. [Divine Providence.] "Consider the lilies, how they grow." Written in 1873, and printed for use at the Free Religious Assoc. Festival, May 30th, 1873. Published in The Thought of God, &c, 1st Series, 1885, in 4 stanzas of 8 lines. The most widely used of the author's hymns. 5. I hear it often in the dark. [The Voice of God.] Written at Milwaukee, in 1870, and published in The Thought of God, &c, 1st Series, 1885. Sometimes it begins with st. iii., "0 God within, so close to me," as in Hymns for Church and Home, Boston, 1895. 6. Praise to God and thanksgiving. [ Harvest.] Written in 1872 for a Harvest Festival at St. Paul's, Minn., of which he was then Pastor, and included in The Thought of God &c, 1st Series, 1885. in the Boston Pilgrim Hymnal, 1904, it begins "Praise to God, and thanks we bring." 7. Sleep, my little Jesus. [ Christmas Carol.] Written for the Sunday School, St. Paul's, Minn., in 1882, and given in The Thought of God, 2nd Series, 1894, as "Mary's Manger Song." 8. The Lord is in His holy place. [Dedication of a Place of Worship.] Written for the Dedication of the Rev. C. W. Wendte's Church, Chicago, April 24, 1873, and pub. in The Thought of God, &c, 1st Series, 1885. It is one of the most popular and widely used of the author's hymns. 9. The morning hangs its signal. [Morning.] This is dated by the author "Chicago, July 30, 1886," and printed in Love to God and Love to Man, being No. 28 ot the Chicago "Unity Mission" series of hymns (N.D.). Also included in The Thought of God, &c, 2nd Series, 1894. Although in some sense a Morning hymn, it is adapted for use in Advent. It is usually known as “The Crowning Day." 10. The Truth is the Voice of God. In the "Unity Mission" Series, No. 28 (see above), this is given as No. 33, with the title "Truth and Righteousness and Love," in 4 stanzas of 4 lines and a refrain of 4 lines. These annotations are based upon manuscript notes kindly supplied by the author. The use made of Mr. Gannett's hymns shows that their poetic beauty and loving sympathy with all things beautiful and pure, are widely appreciated in America and to a limited extent in Great Britain also. --John Julian, Dictionary of Hymnology, New Supplement (1907)

J. W. Elliott

1833 - 1915 Composer of "KEMSING" in The Church Hymnary J.W. Elliott was a popular composer of the Victorian period, and is best known for his nursery rhyme music and for his work on hymnals in the 1870s. He was born James William Elliott, in Warwick, England, on February 13, 1833. As a child, he sang as a chorister in the Leamington Parish Church. In those days, choristers were given lessons in all facets of church music, including organ lessons, counterpoint studies, and more in exchange for providing an extraordinary level of service to their parish church (services throughout the week, all holidays, extra services, etc.). The result is that most choristers who completed their studies received an excellent music education, and James was no exception. After starting his career as an organist and choirmaster for a countryside church, his talent became obvious. He moved to London, where he assisted Sir Arthur Sullivan (of Gilbert and Sullivan fame) in editing Church Hymns. In addition, James worked for a music publisher. His compositions include two operettas, numerous anthems, service music, works for instruments including the very popular harmonium, and most particularly for Nursery Rhymes and Nursery Songs, his children’s music score that sets many of the Nursery Rhymes to delightful music. Several of his hymn tunes are still in use today in many hymnals, most notably his hymn tune “Day of Rest.” He was heavily involved in the preparation of the musical edition of Church Hymns in 1874, the Choral Service Book of 1892, and transcriptions of hymn tunes using harmonies different than the traditional ones found in hymnals. He died in St. Marylebone, London, on February 5, 1915. --www.nursery-songs.com/