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Text Identifier:"^o_a_goodly_thing_is_the_cooling_spring$"

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[O, a goodly thing is the cooling spring]

Appears in 2 hymnals Composer and/or Arranger: J. H. Hall Incipit: 55331 55611 66511 Used With Text: The Merry Spring

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The Merry Spring

Hymnal: Crowning Day No. 4 #218 (1900) First Line: O, a goodly thing is the cooling spring Refrain First Line: Merry, merry little spring Lyrics: 1 O, a goodly thing is the cooling spring, By the rocks where the moss doth grow; There is health in the tide, and there’s music beside, In the brooklet’s bounding flow. Refrain: Merry, merry little spring, Sparkle on, sparkle on; Merry, merry little spring, Sparkle on for me. Ripple, ripple, silv’ry brook, Ripple on, ripple on; Ripple, ripple, silv’ry brook, Ripple on for me. 2 And as pure as heaven is the water given, And its stream is forever new; ‘Tis distilled in the sky, and it drops from on high In the show’rs and gentle dew. [Refrain] 3 Let them say ‘tis weak, but its strength I’ll seek, And rejoice while I own its sway; For it murmurs to me in the echo of glee, And laughs as it bounds away. [Refrain] 4 O I love to drink from the foaming brink Of the bubbling, the cooling spring; For the bright drops that shine more refreshing than wine, And its praise, its praise we’ll sing. [Refrain] Languages: English Tune Title: [O, a goodly thing is the cooling spring]
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The Merry Spring

Hymnal: Temperance Day Number 6 #35 (1910) First Line: O, a goodly thing is the cooling spring Refrain First Line: Merry, merry little spring Topics: Temperance Languages: English Tune Title: [O, a goodly thing is the cooling spring]

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J. H. Hall

1855 - 1941 Composer of "[O, a goodly thing is the cooling spring]" in Crowning Day No. 4 Jacob Henry Hall, 1855-1941 Born: Jan­u­a­ry 2, 1855, near Har­ris­on­burg, Vir­gin­ia. Died: De­cem­ber 22, 1941. Buried: Day­ton, Vir­gin­ia. Son of farm­er George G. Hall and Eliz­a­beth Thom­as Hall, Ja­cob at­tend­ed sing­ing schools taught by Tim­o­thy Funk when he was a boy. As his love of mu­sic pro­gressed, he earned mo­ney by trap­ping quail and bought a Ger­man ac­cor­di­on; he soon learned to play one part while sing­ing an­o­ther. Af­ter he and his bro­ther joint­ly pur­chased an or­gan, he taught him­self to play hymn tunes, Gos­pel songs, and an­thems. He went on to stu­dy mu­sic the­ory, har­mo­ny, and com­po­si­tion in Har­ris­on­burg and else­where, and in 1877 at­tend­ed a Nor­mal Mu­sic School in New Mar­ket, Vir­gin­ia, taught by Ben­ja­min Un­seld and P. J. Merges. Af­ter­ward, he par­tnered with H. T. Wart­man for two years to con­duct sing­ing schools and con­ven­tions. In 1890, Hall at­tend­ed Da­na’s Mu­sical In­sti­tute in War­ren, Ohio, and a nor­mal school run by George & F. W. Root at Sil­ver Lake, New York. He lat­er served as prin­ci­pal of the Na­tion­al Nor­mal School of Mu­sic. Hall’s works in­clude: Hall’s Songs of Home, 1885 The Star of Beth­le­hem (Day­ton, Vir­gin­ia: Rue­bush-Kief­fer Com­pa­ny) Musical Mil­lion (as­sis­tant ed­it­or) Spirit of Praise, with Will­iam Kirk­pat­rick & Charles Case (Day­ton, Vir­gin­ia: The Rue­bush-Kieff­er Com­pa­ny, 1911) Hall’s Quar­tettes for Men, 1912 Biography of Gos­pel Song and Hymn Writ­ers/em> (New York: Flem­ing H. Re­vell Com­pa­ny, 1914) Sources-- Hall, pp. 329-34 Lyrics-- Glorious Morn­ing Dawns, The O Thou Whose Match­less Pow­er Con­trols --hymntime.com/tch
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