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Text Identifier:"^o_blessed_is_the_man_to_whom_is_freely_p$"

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MARTYRDOM

Appears in 976 hymnals Composer and/or Arranger: H. Wilson Incipit: 51651 23213 53213 Used With Text: O blessed is the man to whom is freely pardoned
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SALZBURG (HAYDN)

Meter: 8.6.8.6 Appears in 84 hymnals Composer and/or Arranger: Johann Michael Haydn, 1737-1806 Tune Key: E Flat Major Incipit: 13554 33211 17154 Used With Text: O blessed is the man to whom

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Psalm 32: O blessed is the man to whom

Hymnal: Scottish Psalter and Paraphrases #P34 (1800) Meter: 8.6.8.6 First Line: O blessed is the man to whom Lyrics: 1O blessed is the man to whom is freely pardoned All the transgression he hath done, whose sin is covered. 2Bless’d is the man to whom the Lord imputeth not his sin, And in whose sp’rit there is no guile, nor fraud is found therein. 3When as I did refrain my speech, and silent was my tongue, My bones then waxed old, because I roared all day long. 4For upon me both day and night thine hand did heavy lie, So that my moisture turned is in summer’s drought thereby. 5I thereupon have unto thee my sin acknowledged, And likewise mine iniquity I have not covered: I will confess unto the Lord my trespasses, said I; And of my sin thou freely didst forgive th’ iniquity. 6For this shall ev’ry godly one his prayer make to thee; In such a time he shall thee seek, as found thou mayest be. Surely, when floods of waters great do swell up to the brim, They shall not overwhelm his soul, nor once come near to him. 7Thou art my hiding-place, thou shalt from trouble keep me free: Thou with songs of deliverance about shalt compass me. 8I will instruct thee, and thee teach the way that thou shalt go; And, with mine eye upon thee set, I will direction show. 9Then be not like the horse or mule, which do not understand; Whose mouth, lest they come near to thee, a bridle must command. 10Unto the man that wicked is his sorrows shall abound; But him that trusteth in the Lord mercy shall compass round. 11Ye righteous, in the Lord be glad, in him do ye rejoice: All ye that upright are in heart, for joy lift up your voice. Scripture: Psalm 32 Languages: English
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O blessed is the man to whom

Hymnal: The Irish Presbyterian Hymnbook #P32 (2004) Meter: 8.6.8.6 Lyrics: 1 O blessed is the man to whom is freely pardoned all the transgression he hath done, whose sin is covered. 2 blest is the man to whom the Lord imputeth not his sin, and in whose spirit there is no guile, nor fraud is found therein. 3 When I from speaking did refrain, and silent was my tongue, my bones then waxed old, because I cried out all day long. 4 Because on me both day and night thine hand did heavy lie, so that my moisture turned is in summer’s drought thereby. 5 I thereupon have unto thee my sin acknowledged, and likewise mine iniquity I have not covered: I will confess unto the Lord my trespasses, said I; and of my sin thou freely didst forgive the iniquity. 6 For this shall every godly one his prayer make to thee; in such a time he shall thee seek, as found thou mayest be. Surely, when floods of waters great do swell up to the brim, they shall not overwhelm his soul, nor once come near to him. 7 Thou art my hiding-place, thou shalt from trouble keep me free: thou with songs of deliverance about shalt compass me. 8 I will instruct thee, and thee teach the way that thou shalt go; and, with mine eye upon thee set, I will direction show. 9 Then be not like the horse or mule, which do not understand; whose mouth, that they may come to thee, a bridle must command. 10 Unto the man that wicked is his sorrows shall abound; but him that trusteth in the Lord mercy shall compass round. 11 Ye righteous, in the Lord be glad, in him do ye rejoice: all ye that upright are in heart, for joy lift up your voice. Scripture: Psalm 32 Languages: English Tune Title: SALZBURG (HAYDN)

O blessed is the man to whom is freely pardoned

Hymnal: The Book of Psalms Rendered in Metre and Set to Music #ad171 (1950)

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Authors, composers, editors, etc.

Hugh Wilson

1766 - 1824 Person Name: H. Wilson Composer of "MARTYRDOM" in The Stirling Three Hundred Hugh Wilson (b. Fenwick, Ayrshire, Scotland, c. 1766; d. Duntocher, Scotland, 1824) learned the shoemaker trade from his father. He also studied music and mathematics and became proficient enough in various subjects to become a part-­time teacher to the villagers. Around 1800, he moved to Pollokshaws to work in the cotton mills and later moved to Duntocher, where he became a draftsman in the local mill. He also made sundials and composed hymn tunes as a hobby. Wilson was a member of the Secession Church, which had separated from the Church of Scotland. He served as a manager and precentor in the church in Duntocher and helped found its first Sunday school. It is thought that he composed and adapted a number of psalm tunes, but only two have survived because he gave instructions shortly before his death that all his music manuscripts were to be destroyed. Bert Polman

Michael Haydn

1737 - 1806 Person Name: Johann Michael Haydn, 1737-1806 Composer of "SALZBURG (HAYDN)" in The Irish Presbyterian Hymnbook Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry