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Text Identifier:"^o_gracious_master_to_thy_love$"

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BRADFORD (Messiah)

Appears in 190 hymnals Composer and/or Arranger: George Frederick Handel (1685-1759) Incipit: 51321 64343 51276 Used With Text: O gracious Master, to Thy love

Instances

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Published text-tune combinations (hymns) from specific hymnals
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O gracious Master, to Thy love

Author: Anon. Hymnal: Hymnal, Amore Dei. Rev. ed. #a339 (1903) Languages: English
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O gracious Master, to Thy love

Author: Anon. Hymnal: Hymnal, Amore Dei #339 (1890) Languages: English
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O gracious Master, to Thy love

Author: Anon. Hymnal: Hymnal Amore Dei #339 (1897) Languages: English Tune Title: BRADFORD (Messiah)

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Anonymous

Person Name: Anon. Author of "O gracious Master, to Thy love" in Hymnal Amore Dei In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

George Frideric Handel

1685 - 1759 Person Name: George Frederick Handel (1685-1759) Composer of "BRADFORD (Messiah)" in Hymnal Amore Dei George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman
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