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Text Identifier:"^o_son_of_man_thou_madest_known$"

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Texts

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O Son of God, Thou Madest Known

Author: Milton S. Littlefield, 1864-1934 Appears in 63 hymnals Topics: Christ's Humanity; Christ's Life; Christ the Way; Discernment; Duty; Hope; Kingdom of God; Obedience; Vocations; Work; Worth Scripture: Psalm 90:16-17 Used With Tune: BROOKFIELD

Tunes

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MARYTON

Meter: 8.8.8.8 Appears in 488 hymnals Composer and/or Arranger: H. Percy Smith, 1825-1898 Tune Key: E Flat Major Incipit: 33343 22255 43117 Used With Text: O Son of Man, Thou Madest Known
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MENDON

Appears in 380 hymnals Composer and/or Arranger: Samuel Dyer Incipit: 17151 71213 16212 Used With Text: O Son of Man, thou madest known
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CANONBURY

Appears in 669 hymnals Composer and/or Arranger: Robert Schumann Incipit: 53334 32123 56712 Used With Text: O Son of Man, thou madest known

Instances

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Published text-tune combinations (hymns) from specific hymnals

O Son of Man, Thou Madest Known

Author: Milton S. Littlefield Hymnal: Favorite Hymns No. 2 #257 (1942) Languages: English Tune Title: [O Son of Man, Thou madest known]
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O Son of Man, Thou Madest Known

Author: Milton S. Littlefield, 1864-1934 Hymnal: African Methodist Episcopal Church Hymnal #128 (2011) Meter: 8.8.8.8 Lyrics: 1 O Son of Man, Thou madest known, Through quiet work in shop and home, The sacredness of common things, The chance of life that each day brings. 2 O Workman true, may we fulfill In daily life Thy Father’s will; In duty’s call, Thy call we hear To fuller life through work sincere. 3 Thou Master Workman, grant us grace The challenge of our tasks to face; By loyal scorn of second best, By effort true, to meet each test. 4 And thus we pray in deed and word, Thy kingdom come on earth, O Lord; In work that gives effect to prayer, Thy purpose for Thy world we share. Amen. Topics: Jesus Christ Life and Ministry; Jesus Life and Ministry Scripture: Matthew 6:10 Languages: English Tune Title: MARYTON
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O Son of Man, Thou Madest Known

Author: Milton S. Littlefield Hymnal: The Cyber Hymnal #5329 Meter: 8.8.8.8 Lyrics: 1. O Son of Man, Thou madest known, Through quiet work in shop and home, The sacredness of common things, The chance of life that each day brings. 2. O workman true, may we fulfill In daily life Thy Father’s will; In duty’s call, Thy call we hear To fuller life, through work sincere. 3. Thou master workman, grant us grace The challenge of our tasks to face; By loyal scorn of second best, By effort true, to meet each test. 4. And thus we pray in deed and word, Thy kingdom come on earth, O Lord; In work that gives effect to prayer, Thy purpose for Thy world we share. Languages: English Tune Title: BROOKFIELD

People

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Authors, composers, editors, etc.

Henry Percy Smith

1825 - 1898 Person Name: H. Percy Smith, 1825-1898 Composer of "MARYTON" in African Methodist Episcopal Church Hymnal Henry Percy Smith (b. Malta, 1825; d. Bournemouth, Hampshire, England, 1898) was educated at Balliol College, Oxford, England, and ordained a priest in the Church of England in 1850. He served five churches, including St. Michael's York Town in Farnborough (1851-1868), Great Barton in Suffolk (1868-1882), Christ Church in Cannes, France (1882-1892), and the Cathedral in Gibraltar (1892-1898). MARYTON is his only tune found in contemporary hymnals and is thought to be the only tune he published. Bert Polman

Samuel Dyer

1785 - 1835 Arranger of "MENDON" in At Worship Rv Samuel Dyer United Kingdom 1785-1835. Born in White Chapel, Hampshire, the family moved to Wellshire, England, where he was ordained and served as a Baptist minister. In 1806 the family moved to Coventry, and Samuel emigrated to the U.S. in 1811. He married Renee Novak. He taught music and directed choirs in New York City and Philadelphia, PA. He later moved to Baltimore, MD, and wrote, conducted singing schools in the south and east, and conducted the New York Sacred Music Society. He published “New selection of sacred music” (1817), “Anthems” (1822 & 1834), and “The Philadelphia collection of sacred music” (1828). He died in Hoboken, NJ. John Perry

Robert Schumann

1810 - 1856 Composer of "CANONBURY" in The Beacon Hymnal Robert Alexander Schumann DM Germany 1810-1856. Born at Swickau, Saxony, Germany, the last child of a novelist, bookseller, and publisher, he began composing music at age seven. He received general music instruction at the local high school and worked to create his own compositions. Some of his works were considered admirable for his age. He even composed music congruent to the personalities of friends, who took note of the anomaly. He studied famous poets and philosophers and was impressed with the works of other famous composers of the time. After his father’s death in 1826, he went to Leipzig to study law (to meet the terms of his inheritance). In 1829 he continued law studies in Heidelberg, where he became a lifelong member of Corps Saxo-Borussia Heidelberg. In 1830 he left the study of law to return to music, intending to pursue a career as a virtuoso pianist. His teacher, Friedrich Wieck, assured him he could become the finest pianist in Europe, but an injury to his right hand (from a practicing method) ended that dream. He then focused his energies on composition, and studied under Heinrich Dorn, a German composer and conductor of the Leipzig opera. Schumann visited relatives in Zwickau and Schneeberg and performed at a concert given by Clara Wieck, age 13 at the time. In 1834 he published ‘A new journal for music’, praising some past composers and deriding others. He met Felix Mendelssohn at Wieck’s house in Leigzig and lauded the greatness of his compositions, along with those of Johannes Brahms. He also wrote a work, hoping to use proceeds from its sale towards a monument for Beethoven, whom he highly admired. He composed symphonies, operas, orchestral and chamber works, and also wrote biographies. Until 1840 he wrote strictly for piano, but then began composing for orchestra and voice. That year he composed 168 songs. He also receive a Doctorate degree from the University of Jena that year. An aesthete and influential music critic, he was one of the most regarded composers of the Romantic era. He published his works in the ‘New journal for music’, which he co-founded. In 1840, against the wishes of his father, he married Clara Wieck, daughter of his former teacher, and they had four children: Marie, Julie, Eugenie, and Felix. Clara also composed music and had a considerable concert career, the earnings from which formed a substantial part of her father’s fortune. In 1841 he wrote 2 of his 4 symphonies. In 1843 he was awarded a professorship in the Conservatory of Music, which Mendelssohn had founded in Leipzig that same year, When he and Clara went to Russia for her performances, he was questioned as to whether he also was a musician. He harbored resentment for her success as a pianist, which exceeded his ability as a pianist and reputation as a composer. From 1844-1853 he was engaged in setting Goethe’s Faust to music, but he began having persistent nervous prostration and developed neurasthenia (nervous fears of things, like metal objects and drugs). In 1846 he felt he had recovered and began traveling to Vienna, Prague, and Berlin, where he was received with enthusiasm. His only opera was written in 1848, and an orchestral work in 1849. In 1850 he succeeded Ferdinand Hiller as musical director at Dusseldorf, but was a poor conductor and soon aroused the opposition of the musicians, claiming he was impossible on the platform. From 1850-1854 he composed a wide variety of genres, but critics have considered his works during this period inferior to earlier works. In 1851 he visited Switzerland, Belgium, and returned to Leipzig. That year he finished his fourth symphony. He then went to Dusseldorf and began editing his complete works and making an anthology on the subject of music. He again was plagued with imaginary voices (angels, ghosts or demons) and in 1854 jumped off a bridge into the Rhine River, but was rescued by boatmen and taken home. For the last two years of his life, after the attempted suicide, Schumann was confined to a sanitarium in Endenich near Bonn, at his own request, and his wife was not allowed to see him. She finally saw him two days before he died, but he was unable to speak. He was diagnosed with psychotic melancholia, but died of pneumonia without recovering from the mental illness. Speculations as to the cause of his late term maladies was that he may have suffered from syphilis, contracted early in life, and treated with mercury, unknown as a neurological poison at the time. A report on his autopsy said he had a tumor at the base of the brain. It is also surmised he may have had bipolar disorder, accounting for mood swings and changes in his productivity. From the time of his death Clara devoted herself to the performance and interpretation of her husband’s works. John Perry
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