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Text Identifier:"^o_when_shall_i_see_jesus_and_reign_with$"

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Christian soldier

Appears in 465 hymnals First Line: Oh! when shall I see Jesus Lyrics: 1 Oh, when shall I see Jesus, And dwell with him above, To drink the flowing fountains Of everlasting love? When shall I be deliver'd From this vain world of sin? And with my blessed Jesus, Drink endless pleasures in? 2 But now I am a soldier, My captain's gone before, He's given me my orders And tells me not to fear; And if I hold out faithful, A crown of life he'll give, And all his valiant soldiers Eternal life shall have. 3 Through grace I am determined To conquer though I die; And then away to Jesus, On wings of love I'll fly: Farewell to sin and sorrow, I bid them all adieu; And you, my friends, prove faithful, And on your way pursue. 4 And if you meet with troubles And trials on the way, Then cast your care on Jesus, And don't forget to pray. Gird on the heavenly armour Of faith, and hope, and love, And when your race is ended, You'll reign with him above. 5 Oh! do not be discouraged, For Jesus is your Friend; And if you lack for knowledge, He'll not refuse to lend; Neither will he upbraid you, Though often you request, He'll give you grace to conquer, And take you home to rest. Used With Tune: CHRISTIAN SOLDIER

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[O when shall I see Jesus]

Appears in 115 hymnals Composer and/or Arranger: R. M. McIntosh Incipit: 32111 77665 32123 Used With Text: O When Shall I See Jesus?
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MISSIONARY HYMN

Appears in 811 hymnals Composer and/or Arranger: L. Mason Incipit: 13556 53171 43321 Used With Text: O, when shall I see Jesus
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YARMOUTH

Appears in 34 hymnals Composer and/or Arranger: Charles W. Bannister; Lowell Mason (1792-1872) Incipit: 51153 23321 17151 Used With Text: O when shall I see Jesus

Instances

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Published text-tune combinations (hymns) from specific hymnals

O When Shall I See Jesus?

Author: M. W. Leftwich Hymnal: Christian hymns #64 (1889) First Line: O when shall I see Jesus, and reign with Him above Languages: English Tune Title: [O when shall I see Jesus, and reign with Him above]
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O When Shall I See Jesus?

Author: W.M. Leftwich Hymnal: Triumphant Songs No.1 #134 (1887) First Line: O when shall I see Jesus Refrain First Line: Christ is all the world to me Lyrics: 1 O when shall I see Jesus, And reign with him above; And drink the flowing fountain, Of everlasting love? Refrain: Christ is all the world to me, And his glory I shall see; And before I’d leave my Savior, I’d lay me down and die. 2 When shall I be delivered From this vain world of sin, And with my blessed Jesus, Drink endless pleasures in? [Refrain] 3 But, now I am a soldier; My Captain’s gone before; He’s given me my orders, And bid me not give o’er. [Refrain] 4 And if I hold out faithful, A crown of life he’ll give; And all his valiant soldiers Shall ever with him live. [Refrain] 5 Whene’er you meet with troubles And trials on your way, Oh, cast your care on Jesus, And don’t forget to pray. [Refrain] 6 Gird on the heavenly armor Of faith, and hope, and love; And when the combat’s ended, You’ll reign with him above. [Refrain] Languages: English Tune Title: [O when shall I see Jesus]
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O, When Shall I See Jesus

Author: John Leland, early 19th C. Hymnal: The Worshiping Church #278 (1990) Meter: 13.11.13.11 with refrain First Line: O when shall I see Jesus and reign with him above Refrain First Line: O, shout "glory!" I shall mount above the skies Lyrics: 1 O, when shall I see Jesus and reign with him above, and shall hear the trumpet sound in that morning, and from the flowing fountain drink everlasting love, and shall hear the trumpet sound in that morning? [Refrain:] O, shout "glory!" I shall mount above the skies, when I hear the trumpet sound in that morning. 2 Gird on the gospel armor of faith and hope and love, and you'll hear the trumpet sound in that morning. And when the combat's ended he'll carry you above, and you'll hear the trumpet sound in that morning. (Refrain) 3 Our ears shall hear with gladness the host of heaven siing, and shall hear the trumpet sound in that morning. Our tongues shall speak the glories of our immortal King, and shall hear the trumpet sound in that morning. (Refrain) Topics: Heaven; Jesus Christ Return (Coming in Glory); Music and Singing Scripture: Ephesians 6:11 Languages: English Tune Title: THE MORNING TRUMPET

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Wolfgang Amadeus Mozart

1756 - 1791 Person Name: W. A. Mozart Composer of "[O when shall I see Jesus]" in Select Songs for the Singing Service Wolfgang Amadeus Mozart Austria 1756-1791. Born at Salzburg, Austria, the son of Leopold Mozart, a minor composer and violinist, and youngest of seven children, he showed amazing ability on violin and keyboard from earliest childhood, even starting to compose music at age four when his father would play a piece and Mozart would play it exactly as did his father. At five, he composed some of his own music, which he played to his father, who wrote it down. When Mozart was eight, he wrote his first symphony, probably transcribed by his father. In his early years his father was his only teacher, teaching his children languages and academic subjects, as well as fundamentals of their strict Catholic faith. Some of his early compositions came as a surprise to his father, who eventually gave up composing himself when he realized how talented his son was. His family made several European journeys and he and his sister, Nanneri, performed as child prodigies, at the court of Prince-elector Maximillian II of Bavaria in Munich, and at the Imperial Courts in Vienna and Prague. A long concert tour followed, for 3.5 years, taking the family to courts in Munich, Mannheim, Paris, London, Dover, The Hague, Amsterdam, Utrecht, Mechelen, and again to Paris, and back home via Zurich, Donaueschingen, and Munich. During these trips Mozart met many musicians, acquainting himself with the works of other composers. He met Johann Christian Bach in London in 1764. Family trips were challenging, and travel conditions were primitive. They had to wait for invitations and reimbursements from nobility, and they endured long, near-fatal illnesses far from home. First Leopold (1764) got sick, then both children (1765). They traveled again to Vienna in 1767 and stayed there over a year. After a year back in Salzburg, Leopold and Wolfgang went to Italy (1769-1771), Leopold wished to display his son’s abilities as a performer and maturing composer. In Bologna, Italy, Wolfgang was accepted as a member of the famous Academia Filamonica. In Rome he heard Gregorio Allegri’s Miserere twice in performance. Back in the Sistine Chapel, Mozart wrote the whole performance out from memory, thus producing the first unauthorized copy of this closely guarded property of the Vatican. In the next few years Mozart wrote several operas performed with success in Italy, but his father’s hopes of securing a professional appointment for his son were not realized. At age 17 he was engaged as a musician at the Salzburg court, but grew restless and traveled in search of a better position. After returning to Salzburg, Mozart was employed as a court musician by the ruler of Salzburg, Prince Archbishop Hieronymus Colloredo. This gave Mozart ample opportunity to develop relationships with other musicians and his admirers, resulting in his development of new symphonies, sonatas, string quartets, masses, serenades, and some minor operas. In 1775 he wrote his only violin concertos, five in all. Again, he was discontent with work in Salzburg and traveled to find more opportunity to write operas. He and his father again visited Munich and Vienna, but neither visit was successful with the exception of his opera ‘La finta giardiniera’ in Munich. In 1777 he resigned his Salzburg position and went to Augsburg, Mannheim, Paris, and Munich again. In Mannheim he met and fell in love with Aloysia Weber, one of four daughters of a musical family. He could find no real employment there and left for Paris in 1778. He might have had a position as organist at Versailles, but he was not interested in that. He fell into debt and started pawning valuables. During these events his mother died. Meanwhile his father was still trying to find him a position in Salzburg. After checking out several other European cities and Munich, he again encountered Aloysia, but she was no longer interested in him, so he returned to Salzburg, having written another symphony, concerto, and piano sonata, and took the new appointment his father had found. However, he was still in discontent. Visiting Vienna in 1781, he was dismissed from his Salzburg position. He wrote another opera, ‘Idomeneo’, in 1781, that was successful in Munich. Two months later he was summoned to Vienna, where his employer, Archbishop Colloredo, wanted him around due to his notoriety. Mozart wished to meet the emperor and perform for him, and finally got that opportunity. It resulted in a part-time position and substantial commissions. Colloredo became a nemesis to Mozart’s career, finally releasing Mozart from his employ with a literal kick in the pants, much against his father’s wishes. However, he was now independent. Mozart then decided to settle in Vienna as a free lance performer and composer. He lived with the Fridolin Weber family, who had moved from Mannheim to Vienna. Fridolin, the father, had died, and they were taking in lodgers to make ends meet. His career there went well, and he performed as a pianist before the Emperor, establishing himself as the finest keyboard player in Vienna. He wrote another opera in 1782, again achieving success. Mozart had now become a prolific and influential composer of the Classical period and was known throughout Europe. Aloysia was now married to actor, Joseph Lange, and Mozart’s interest shifted to her sister, Constanze. In 1782 he married Constanze Weber Mozart Nissen. The marriage started out with a brief separation, and there was a problem getting Mozart’s father’s permission, which finally came. They had six children, but only two survived infancy: Carl and Franz. He lived in Vienna and achieved some notoriety, composing many of his best-known symphonies, concertos, and operas. In 1782-83 he became intimately acquainted with Johann Sebastian Bach and George Friederic Handel, as his friend, Gottfried van Swieten, owned many manuscripts of the Baroque masters, which Mozart studied intently. He altered his style of composition as a result. That year Mozart and his wife visited his father and sister, and he composed a liturgical piece, a Mass, with a singing part for his wife. He also met Joseph Hadyn in Vienna in 1784 and they became friends. They even played together in a string quartet from time to time. Mozart wrote six quartets dedicated to Hadyn. In 1785 Hadyn told Leopold Mozart, “Your son is the greatest composer known to me by person and repute, he has taste, and what is more, the greatest skill in composition”. Over the next several years Mozart booked several piano concertos in various places as a sole performer to delighted audiences, making substantial remuneration for his work. He and his wife then adopted a more luxurious lifestyle. They moved to an expensive apartment and he bought a fine fortepiano and billiard table. They sent their son, Karl, to an expensive boarding school and also kept servants. In 1784 Mozart became a Freemason and even composed Masonic music. Over the next several years he did little operatic writing and focused on his career as a piano soloist and writer of concertos. He again began operatic collaboration in 1785, creating ‘The marriage of Figaro’, then ‘Don Giovanni’ in 1787. That year his father died. Also that year he obtained a steady post under Emperor Joseph II as his chamber composer. This was part-time employment that was important when hard times arrived. However, Joseph aimed at keeping Mozart from leaving Vienna for better work. The Austrio-Turkish War made life difficult for musicians, and his aristocracy support had declined. He moved to save on expenses, but that did not help much, and he was reduced to borrowing funds from his friends, and pleading for loans. During this period he produced his last three symphonies. In 1789 he then set up on a journey to Leipzig, Dresden, and Berlin hoping to improve his fortunes. In 1790 he was highly productive, producing concertos, an opera, ‘The magic flute’, a series of string quintets, a motet, and an (unfinished) Requiem. Finances began to improve and he begin paying back his debts. Public reaction to his works also brought him great satisfaction. In 1791, while in Prague for the premiere of his opera, ‘La clemenza di Tito’, he fell ill. He continued professional functions for a short time, but had to go home and be nursed by his wife over the next couple of months. He died at Vienna, Austria, at the age of 35, a small thin man with undistinguishing characteristics. He was buried in a modest grave, having had a small funeral. Beethoven composed his early works in the shadow of Mozart, and Joseph Hadyn wrote “posterity will not see such a talent (as Mozart) again in 100 years”. 600+ works. Side note: Mozart enjoyed billiards, dancing, and had a pet canary, a starling, a dog, and a horse for recreational riding. He liked off-color humor. He wore elegant clothing when performing and had a modest tenor voice. John Perry

John Leland

1754 - 1841 Author of "O, when shall I see Jesus" in The Brethren Hymnal Leland, John, an American Baptist minister, was born at Grafton, Massachusetts, on May 15th, 1754, and began to preach at the age of 20. From 1776 to 1790 he was in Virginia, and thereafter in Massachusetts, mostly at Cheshire. He died Jan. 14, 1841. His Sermons, Addresses, Essays and Autobiography were published by his niece, Miss L. F. Greene, at Lanesboro, Massachusetts, in 1845. His influence seems to have been equalled by his peculiarities. We hear of his "restless activity and roving disposition"; his "mad devotion to politics," wherein he had much local and temporary weight; his "ready wit and endless eccentricities;" as also of his high character. Of the hymns which have been ascribed to him, some on doubtful authority, the following are the most important:— 1. The day is past and gone, The evening, &c. Evening. This is in universal American use, and Leland's claim to the authorship has never been disputed, although it is supported by no known particulars. It was first made widely known by the invaluable Hartford Selection (Congregational) of 1799. Its first appearance, so far as known, was in Philomela, or, A Selection of Spiritual Songs, by George Roberts, Petersburg,1792, No. 82. 2. 0 when shall I see Jesus! The Christian Race. This vigorous lyric is ascribed by Dr. Hitchcock, in Hymns and Songs of Praise, 1874, to Leland. It has generally been regarded as anonymous, and is of uncertain date, cir. 1807, or probably earlier. 3. Christians, if your hearts are warm. Holy Baptism. Adult. The only hymn by Leland which can be authenticated by date and circumstances is this familiar doggerel:— "Christians, if your hearts are warm, Ice and snow can do no harm." Dr. Belcher says, in his Historical Sketches of Hymns, &c, 1859, that it was written for one of Leland's large baptisms in Virginia, 1779. [Rev. Frank M. Bird, M.A.] -- John Julian, Dictionary of Hymnology (1907)

B. F. White

1800 - 1879 Composer of "THE MORNING TRUMPET" in The Southern Harmony, and Musical Companion (New ed. thoroughly rev. and much enl.) Benjamin F. White (b. Spartanburg, SC, 1800; d. Atlanta, GA, 1879), was coeditor of The Sacred Harp (1844). He came from a family of fourteen children and was largely self-taught. Eventually White became a popular singing-school teacher and editor of the weekly Harris County newspaper. Bert Polman
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