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Search Results

Text Identifier:"^praise_to_him_by_whose_kind_favor$"

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Praise to Him by whose kind favor

Author: Anon. Appears in 31 hymnals Lyrics: 1 Praise to Him by whose kind favor Heavenly truth has reached our ears; May its sweet reviving savor Fill our hearts and calm our fears. 2 Truth! how sacred is the treasure! Teach us, Lord, its worth to know; Vain the hope and short the pleasure Which from other sources flow. 3 What of truth we have been hearing, Fix, O Lord, in every heart; In the day of thy appearing May we share thy people's part 4 Till we leave this world forever, May we live beneath thine eye; This our aim, our sole endeavor, Thine to live, or thine to die. Topics: Worship Closing Hymns Used With Tune: WILMOT

Tunes

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WILMOT

Appears in 273 hymnals Composer and/or Arranger: C. M. von Weber, 1786-1826 Tune Key: B Flat Major Incipit: 13215 13215 61533 Used With Text: Praise to him by whose kind favor
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HOPE

Appears in 34 hymnals Composer and/or Arranger: Mendelssohn Tune Key: C Major Incipit: 53217 21653 51172 Used With Text: Praise for Truth

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Praise to Him by whose kind favor

Author: Anon. Hymnal: The Seventh-Day Adventist Hymn and Tune Book #277 (1886) Lyrics: 1 Praise to Him by whose kind favor Heavenly truth has reached our ears; May its sweet reviving savor Fill our hearts and calm our fears. 2 Truth! how sacred is the treasure! Teach us, Lord, its worth to know; Vain the hope and short the pleasure Which from other sources flow. 3 What of truth we have been hearing, Fix, O Lord, in every heart; In the day of thy appearing May we share thy people's part 4 Till we leave this world forever, May we live beneath thine eye; This our aim, our sole endeavor, Thine to live, or thine to die. Topics: Worship Closing Hymns Tune Title: WILMOT
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Praise to him, by whose kind favor

Hymnal: Hymns of the "Jubilee Harp" #a388 (1868) Languages: English

People

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Author of "Praise to Him by whose kind favor" in The Seventh-Day Adventist Hymn and Tune Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

Carl Maria von Weber

1786 - 1826 Person Name: C. M. von Weber, 1786-1826 From of "WILMOT" in The Hymnal Carl Maria von Weber; b. 1786, Oldenburg; d. 1826, London Evangelical Lutheran Hymnal, 1908

Felix Mendelssohn-Bartholdy

1809 - 1847 Person Name: Mendelssohn Composer of "HOPE" in Christ in Song Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes. Bert Polman
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