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Praise the Lord, Jerusalem

Appears in 3 hymnals Lyrics: Praise the Lord, Jerusalem. Topics: Body and Blood of Christ A Scripture: Psalm 147 Used With Tune: [Praise the Lord, Jerusalem]

Appears in 2 hymnals Composer and/or Arranger: Chrysogonus Waddell, OCSO; Richard Proulx; Joseph Gelineau, SJ Tune Key: G Major or modal Incipit: 55234 Used With Text: Psalm 147: Praise the Lord

[Glorifica al Señor, Jerusalén]

Appears in 1 hymnal Composer and/or Arranger: RK Tune Key: D Major Incipit: 55512 32316 Used With Text: Glorifica al Señor, Jerusalén (Praise the Lord, Jerusalem)

Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 147: Praise the Lord

Hymnal: RitualSong #199 (1996) First Line: O praise the Lord, Jerusalem! Refrain First Line: Praise the Lord, Jerusalem Topics: Body and Blood Year A; Body and Blood of Christ; Commandments; Eucharist; Food; Hunger; Interfaith; Law; Morning; Peace; Praise; Word of God Scripture: Psalm 147:12-15 Languages: English Tune Title: [Praise the Lord, Jerusalem]

Praise the Lord, Jerusalem

Hymnal: Worship (3rd ed.) #862 (1986) Lyrics: Praise the Lord, Jerusalem. Topics: Body and Blood of Christ A Scripture: Psalm 147 Languages: English Tune Title: [Praise the Lord, Jerusalem]

Glorifica al Señor, Jerusalén (Praise the Lord, Jerusalem)

Hymnal: Oramos Cantando = We Pray In Song #901 (2013) Topics: Most Holy Body and Blood of Christ A; Santísimo Cuerpo y Sangre de Cristo A Scripture: Psalm 147 Languages: English; Spanish Tune Title: [Glorifica al Señor, Jerusalén]

People

Authors, composers, editors, etc.

Richard Proulx

1937 - 2010 Composer (psalm tone) of "[Praise the Lord, Jerusalem]" in RitualSong Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Praise the Lord, Jerusalem]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com