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The Lord is king for evermore (Alleluia, alleluia, alleluia)

Author: The Grail Appears in 15 hymnals First Line: The Lord is King, with majesty enrobed Topics: Creation; Faithfulness of God; Glory of God; Holiness; Law of God; Christ the King Sunday Scripture: Psalm 93 Used With Tune: GELINEAU PSALM 93

Tunes

Tune authorities

[Alleluia, alleluia, alleluia]

Appears in 24 hymnals Composer and/or Arranger: A. Gregory Murray, OSB; Richard Proulx; Joseph Gelineau, SJ Tune Sources: Psalm tone 8-g Tune Key: B Flat Major Incipit: 56121 Used With Text: Psalm 93: The Lord Is King for Evermore

[The Lord is king for evermore]

Appears in 8 hymnals Composer and/or Arranger: JG; RP; AGM Tune Key: B Flat Major Incipit: 51625 Used With Text: Psalm (92) 93

GELINEAU PSALM 93

Appears in 1 hymnal Composer and/or Arranger: Joseph Gelineau 1920-; Anthony Gregory Murray 1905- Tune Key: G Major or modal Incipit: 11244 44222 21 Used With Text: The Lord is king for evermore

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Instances

Published text-tune combinations (hymns) from specific hymnals

Psalm 93: The Lord Is King for Evermore

Hymnal: RitualSong #126a (1996) First Line: The Lord is King, with majesty enrobed Refrain First Line: The Lord is King for evermore Topics: Christ the King Year B; Christ the King; Creation; Holiness; Justice; Majesty and Power; Morning; Praise; Providence Scripture: Psalm 93 Languages: English Tune Title: [The Lord is King for evermore]

Psalm 93: The Lord Is King for Evermore

Hymnal: RitualSong #126b (1996) First Line: The Lord is King, with majesty enthroned Refrain First Line: Alleluia, alleluia, alleluia Topics: Christ the King Year B; Christ the King; Creation; Holiness; Justice; Majesty and Power; Morning; Praise; Providence Scripture: Psalm 93 Languages: English Tune Title: [Alleluia, alleluia, alleluia]

Psalm 93: The Lord Is King for Evermore

Author: The Grail Hymnal: Gather Comprehensive #88a (1994) First Line: The Lord is king, with majesty enrobed Refrain First Line: The Lord is King for evermore Topics: Seasons and Feasts Christ the King Scripture: Psalm 93 Languages: English Tune Title: [The Lord is king for evermore]

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People

Authors, composers, editors, etc.

Richard Proulx

1937 - 2010 Arranger (psalm tone) of "[Alleluia, alleluia, alleluia]" in RitualSong Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Joseph Gelineau

1920 - 2008 Person Name: Joseph Gelineau, SJ Composer (Gelineau tone) of "[Alleluia, alleluia, alleluia]" in RitualSong Joseph Gelineau (1920-2008) Gelineau's translation and musical settings of the psalms have achieved nearly universal usage in the Christian church of the Western world. These psalms faithfully recapture the Hebrew poetic structure and images. To accommodate this structure his psalm tones were designed to express the asymmetrical three-line/four-line design of the psalm texts. He collaborated with R. Tournay and R. Schwab and reworked the Jerusalem Bible Psalter. Their joint effort produced the Psautier de la Bible de Jerusalem and recording Psaumes, which won the Gran Prix de L' Academie Charles Cros in 1953. The musical settings followed four years later. Shortly after, the Gregorian Institute of America published Twenty-four Psalms and Canticles, which was the premier issue of his psalms in the United States. Certainly, his text and his settings have provided a feasible and beautiful solution to the singing of the psalms that the 1963 reforms envisioned. Parishes, their cantors, and choirs were well-equipped to sing the psalms when they embarked on the Gelineau psalmody. Gelineau was active in liturgical development from the very time of his ordination in 1951. He taught at the Institut Catholique de Paris and was active in several movements leading toward Vatican II. His influence in the United States as well in Europe (he was one of the founding organizers of Universa Laus, the international church music association) is as far reaching as it is broad. Proof of that is the number of times "My shepherd is the Lord" has been reprinted and reprinted in numerous funeral worship leaflets, collections, and hymnals. His prolific career includes hundreds of compositions ranging from litanies to responsories. His setting of Psalm 106/107, "The Love of the Lord," for assembly, organ, and orchestra premiéred at the 1989 National Association of Pastoral Musicians convention in Long Beach, California. --www.giamusic.com