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Señor, apiádate de nosotros (Kyrie Eleison)
Appears in 7 hymnals First Line: Señor, apiádate de nosotros (O Lord, have mercy upon your people) Topics: La experiencia con Cristo Arrepentimiento, confesión y perdón; Recursos Para el Culto Oraciones de petición; Recursos Para el Culto Oraciones de petición; Recursos Para el Culto Responsos; Recursos Para el Culto Responsos; Resources for Worship Prayers of Petition; Resources for Worship Prayers of Petition; Resources for Worship Responses Scripture: Psalm 123:3 Used With Tune: PIEDAD
Señor, apiádate de nosotros (Kyrie Eleison)
[Señor, apiádate de nosotros]
Appears in 1 hymnal Composer and/or Arranger: J. Barnby Tune Key: C Major Incipit: 55555 Used With Text: Kyrie
[Señor, apiádate de nosotros]
[Señor, apiádate de nosotros]
Appears in 1 hymnal Composer and/or Arranger: J. B. Dykes Tune Key: F Major or modal Incipit: 34333 Used With Text: Kyrie
[Señor, apiádate de nosotros]
Señor, apiádate de nosotros
Author: Anónimo Hymnal: El Himnario Presbiteriano #490 (1999) Meter: Irregular Lyrics: Señor, apiádate de nosotros,
Cristo, apiádate de nosotros.
Oh Cristo, danos la vida eterna.
Señor, apiádate de nosotros,
Cristo, apiádate de nosotros.
Oh Cristo, danos la vida eterna.
Señor, apiádate de nosotros,
Cristo, apiádate de nosotros. Topics: Cantos Litúrgicos Señor, ten piedad Scripture: Psalm 51:1 Languages: Spanish Tune Title: SEÑOR, APIÁDATE
Señor, apiádate de nosotros
Señor, Apiádate de Nosotros (Lord, Have Mercy upon Us)
Author: Gertrude Suppe Hymnal: Celebremos II #35 (1983) First Line: Señor, apiádate de nosotros (O Lord, have mercy upon your people) Scripture: Psalm 123:3 Languages: English; Spanish Tune Title: [Señor, apiádate de nosotros]
Señor, Apiádate de Nosotros (Lord, Have Mercy upon Us)
Señor, apiádate de nosotros
Author: Anónimo Hymnal: El Himnario #490 (1998) Meter: Irregular Topics: Otros Cantos; Cantos Litúrgicos Señor, ten piedad; Liturgical Music Kyrie Scripture: Psalm 51:1 Languages: Spanish Tune Title: SEÑOR, APIÁDATE
Señor, apiádate de nosotros
Anonymous
Person Name: Anónimo Author of "Señor, apiádate de nosotros" in El Himnario Presbiteriano In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Joseph Barnby
1838 - 1896 Person Name: J. Barnby Composer of "[Señor, apiádate de nosotros]" in Himnario provisional con los cánticos Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barnby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873).
Bert Polman
Joseph Barnby
John Bacchus Dykes
1823 - 1876 Person Name: J. B. Dykes Composer of "[Señor, apiádate de nosotros]" in Himnario provisional con los cánticos As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern.
Bert Polman
John Bacchus Dykes
