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Author: Jacques Berthier; Malcolm Naea Chun Meter: Irregular with refrain Appears in 4 hymnals First Line: Stay with me, remain with me Refrain First Line: Stay with me, remain here with me/Noho pu noho mai me ia'u Used With Tune: STAY WITH ME

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[Stay with me, remain here with me]

Appears in 23 hymnals Composer and/or Arranger: Jacques Berthier, 1923-1994 Tune Key: d minor Incipit: 33223 332 Used With Text: Stay with me

Instances

Published text-tune combinations (hymns) from specific hymnals

Stay with Me

Author: Taizé Community Hymnal: RitualSong (2nd ed.) #590 (2016) First Line: Stay here and keep watch with me Refrain First Line: Stay with me, remain here with me Topics: Holy Thursday Scripture: Matthew 26:36-42 Languages: English; German; Spanish Tune Title: [Stay here and keep watch with me]

Stay with me

Hymnal: Complete Anglican Hymns Old and New #942 (2000) First Line: Stay here and keep watch with me Refrain First Line: Stay with me, remain her with me Topics: Hope and Consolation Chants; Lent Chants; Passiontide Chants; Suffering and Sorrow Chants; Year A Palm Sunday: Liturgy of the Passion; Year B Palm Sunday: Liturgy of the Passion; Year C Palm Sunday: Liturgy of the Passion Scripture: Matthew 26:36-42 Languages: English Tune Title: [Stay with me, remain here with me]

Stay with Me

Author: Taizé Community Hymnal: Worship (4th ed.) #484 (2011) First Line: Stay here and keep watch with me Topics: Holy Thursday Scripture: Matthew 26:36-42 Languages: English; German; Spanish Tune Title: [Stay with me]

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People

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Jacques Berthier

1923 - 1994 Author of "Stay with Me" in Sing the Faith Jacques Berthier (b. Auxerre, Burgundy, June 27, 1923; d. June 27, 1994) A son of musical parents, Berthier studied music at the Ecole Cesar Franck in Paris. From 1961 until his death he served as organist at St. Ignace Church, Paris. Although his published works include numerous compositions for organ, voice, and instruments, Berthier is best known as the composer of service music for the Taizé community near Cluny, Burgundy. Influenced by the French liturgist and church musician Joseph Gelineau, Berthier began writing songs for equal voices in 1955 for the services of the then nascent community of twenty brothers at Taizé. As the Taizé community grew, Berthier continued to compose most of the mini-hymns, canons, and various associated instrumental arrangements, which are now universally known as the Taizé repertoire. In the past two decades this repertoire has become widely used in North American church music in both Roman Catholic and Protestant traditions. Bert Polman