The Hours of Day Are Over

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The hours of day are over

Author: John Ellerton
Published in 39 hymnals

Representative Text

1 The hours of day are over,
The evening calls us home;
Once more to Thee, O Father,
With thankful hearts we come.
For all Thy countless blessings
We praise Thy holy Name,
And own Thy love unchanging,
Through days and years the same.

2 For this, O Lord, we bless Thee,
For this we thank Thee most:
The cleansing of the sinful,
The saving of the lost,
The Teacher ever present,
The Friend for ever nigh,
The home prepared by Jesus
For us above the sky.

3 Lord, gather all Thy children
To meet Thee there at last,
When earthly tasks are ended,
And earthly days are past;
With all our dear ones round us
In that eternal home,
Where death no more shall part us,
And night shall never come.

Amen.

Source: Common Service Book of the Lutheran Church #575

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Author: John Ellerton

John Ellerton (b. London, England, 1826; d. Torquay, Devonshire, England, 1893) Educated at King William's College on the Isle of Man and at Trinity College, Cambridge, England, he was ordained in the Church of England in 1851. He served six parishes, spending the longest time in Crewe Green (1860-1872), a church of steelworkers and farmers. Ellerton wrote and translated about eighty hymns, many of which are still sung today. He helped to compile Church Hymns and wrote its handbook, Notes and Illustrations to Church Hymns (1882). Some of his other hymn texts were published in The London Mission Hymn Book (1884). Bert Polman… Go to person page >

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Text Information

Text Information

First Line:	The hours of day are over
Title:	The Hours of Day Are Over
Author:	John Ellerton
Language:	English
Copyright:	Public Domain

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Notes

The hours of work are over. Altered from "The hours of school are over," p. 1152, ii.

--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

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Tune

AGNUS DEI (54565)

CHENIES (Matthews)

TOURS

The tune was named after its composer and published in the British volume The Hymnary (1872). TOURS has four broad phrases. Its repetitions of melodic and rhythmic units make it accessible and loved. The harmony suggests a stately tempo. Berthold Tours (b. Rotterdam, the Netherlands, 1838; d. Fulham…

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