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The Lord be with You
Appears in 28 hymnals Used With Tune: [The Lord be with you]
The Lord be with You
[The Lord be with you]
Appears in 4 hymnals Tune Key: F Major Incipit: 33333 3 Used With Text: The Lord be with you
[The Lord be with you]
THE LORD BE WITH YOU
Appears in 8 hymnals Tune Sources: Traditional Incipit: 51175 11177 65711 Used With Text: The Lord be with you. And with thy spirit
THE LORD BE WITH YOU
[The Lord be with you]
Appears in 3 hymnals Composer and/or Arranger: Thomas Tallis, d. 1585 Tune Key: C Major Incipit: 35555 Used With Text: The Lord Be With You
[The Lord be with you]
The Lord be with you. And with thy spirit
Hymnal: Hymns of the Christian Life #530 (1925) Languages: English Tune Title: [The Lord be with you. And with thy spirit]
The Lord be with you. And with thy spirit
The Lord be with you. And with thy spirit
Hymnal: Services for Congregational Worship. The New Hymn and Tune Book #554a (1914) Languages: English Tune Title: THE LORD BE WITH YOU
The Lord be with you. And with thy spirit
The Lord be with you. And with thy spirit
Hymnal: Services for Congregational Worship. The New Hymn and Tune Book #554b (1914) Languages: English Tune Title: THE LORD BE WITH YOU
The Lord be with you. And with thy spirit
Healey Willan
1880 - 1968 Person Name: Healey Willan, 1880-1968 Arranger of "[The Lord be with you]" in Common Praise (1998) Healey Willan (b. Balham, London, England, October 12, 1880; d. Toronto, Ontario, February 16, 1968), theory teacher, composer and organist, was born into an Anglo-Catholic family in England and served several churches in the London area, becoming known especially for his adaptations of Gregorian chant to be able to be sung in English translation. In 1913 he moved to Canada where he led the theory department and was organist at the Toronto Conservatory of Music. He also was organist at St. Paul’s, Canada’s largest Anglican church, and after 1921 at the smaller Church of St. Mary Magdalene. By invitation, he composed an anthem for the coronation of Queen Elizabeth II, a singular honor for one not residing in England.
Emily Brink
Healey Willan
John Merbecke
1510 - 1585 Composer of "[The Lord be with you]" in The New English Hymnal John Marbeck, Merbeck or Merbecke (c. 1510 – c. 1585) was an English theological writer and musician who produced a standard setting of the Anglican liturgy. He is also known today for his setting of the Mass, Missa Per arma justitiae.
Probably a native of Beverley in Yorkshire, Merbecke appears to have been a boy chorister at St. George's Chapel, Windsor, and was employed as an organist there from about 1541. Two years later he was convicted with four others of heresy and sentenced to be burnt at the stake, but received a pardon owing to the intervention of Stephen Gardiner, Bishop of Winchester. An English Concordance of the Bible which Merbecke had been preparing at the suggestion of Richard Turner, was however confiscated and destroyed. A later version of this work, the first of its kind in English, was published in 1550 with a dedication to Edward VI.
In the same year, Merbecke published his Booke of Common Praier Noted, intended to provide for musical uniformity in the use of the First Prayer Book of Edward VI. This set the liturgy to semi-rhythmical melodies partly adapted from Gregorian chant; it was rendered obsolete when the Prayer Book was revised in 1552. Merbecke wrote several devotional and controversial works of a strongly Calvinistic character, and a number of his musical compositions are preserved in manuscript in the British Library, and at Oxford and Cambridge. He died, probably while still organist at Windsor, about 1585.
His son, Roger Marbeck (1536–1605), was a noted classical scholar and physician.
In the first half of the 19th century, the Oxford Movement inspired renewed interest in liturgical music within the Church of England. John Jebb first drew attention to Merbecke's Prayer Book settings in 1841. In 1843, William Dyce published plain song music for all the Anglican services, which included nearly all of Merbecke's settings, adapted for the 1662 edition of the Book of Common Prayer then in use. During the latter half of the 19th century, many different editions of Merbecke's settings were published, especially for the Communion Service, with arrangements by noted musicians such as Sir John Stainer, Charles Villiers Stanford and Basil Harwood, Merbecke's Communion setting was very widely sung by choirs and congregations throughout the Anglican Communion until the 1662 Book of Common Prayer began to be supplanted by more modern liturgy in the late 20th century. Parts of his service, notably the Nicene Creed, have been adapted to "modern" wording. His setting has also been adapted for the liturgy of many other denominations; the Roman Catholic Church used it for the new English language rite following the Second Vatican Council of 1962-65.
His complete Latin Church music was recorded by The Cardinall's Musick under the direction of Andrew Carwood in 1996.
A voluntary choir for young men and women at Southwark Cathedral in London is named the Merbecke Choir in his honour, because Merbecke's heresy trial had been partly held at the church in 1543.
Merbecke is honoured, together with William Byrd and Thomas Tallis, with a feast day in the liturgical calendar of the Episcopal Church (United States) on 21 November.
--en.wikipedia.org/wiki/
John Merbecke
Martin Shaw
1875 - 1958 Person Name: Martin Edward Fallas Shaw, 1875-1958 Composer of "[The Lord be with you]" in New English Praise Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music.
Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915).
Bert Polman
Martin Shaw
