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The Work is Thine, O Christ

Author: J. Horstmann; S. Preiswerk; F. Zaremba Appears in 15 hymnals First Line: The work is Thine, O Christ our Lord Used With Tune: DIE SACH' IST DEIN

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EVANGELICAL HYMN

Appears in 61 hymnals Composer and/or Arranger: Franz Joseph Haydn, 1732-1809 Incipit: 51113 32243 42171 Used With Text: The work is Thine, O Christ, our Lord

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The Work Is Thine

Author: S. Preiswerk; F. von Zaremba; Julius H. Horstmann Hymnal: The Cyber Hymnal #8447 First Line: The work is Thine, O Christ, our Lord Lyrics: 1 The work is Thine, O Christ, our Lord, The cause for which we stand; And being Thine, ’twill overcome Its foes on every hand. Yet grains of wheat, before they grow, Are buried in the earth below; All that is old doth perish there, To form a life both new and fair; So too are we From self and sin made free. 2 Thro’ suffering Thou, O Christ, did go Unto Thy throne above; And leadest now the self same way Those true in faith and love; So lead us, then, tho’ sufferings wait, To share Thy kingdom’s heav’nly state, Thy death has broken Satan’s might, And leads the faithful to the light; Eternal light, From darkness into light. 3 Thou hast, O Savior, led the way Thro’ agony and death; O give, we pray, yet more and more Thy Spirit’s living breath; Send messengers o’er land and sea To bring Thy children all to Thee; Thy name can save, Thy name makes free; We consecrate ourselves to Thee As servants true, As servants strong and true. Languages: English Tune Title: [The work is Thine, O Christ, our Lord]
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The Work is Thine

Author: Rev. J. H. Horstmann Hymnal: Christian Hymns #61 (1908) First Line: The work is Thine, O Christ our Lord Languages: English Tune Title: [The work is Thine, O Christ our Lord]

The work is thine, O Christ

Author: Samuel Preiswerk; Felician von Zaremba; Julius H. Horstmann Hymnal: Hymnal #396 (1992) First Line: The work is thine, O Christ our Lord Languages: English Tune Title: DIE SACH' IST DEIN

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Michael Haydn

1737 - 1806 Person Name: Johann Michael Haydn Composer of "DIE SACH IST DEIN" in The Mennonite Hymnal Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

S. Preiswerk

1799 - 1871 Author (verses 1 and 2) of "The Work is Thine, O Christ" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Preiswerk, Samuel, son of Alexander Preiswerk, pastor at Rümlingen, in the canton of Basel, was born at Rümlingen, Sept. 19, 1799. After studying at the Universities of Basel, Tübingen, and Erlangen, he was for some time curate in charge at Benken, in the canton of Basel. In 1824 he was appointed preacher at the Basel Orphanage, and in 1829 tutor of Hebrew at the Basel mission house. In 1830 he was chosen as pastor of Muttenz, near Basel, but on the outbreak of the Revolution of 1832 had to leave. After being from 1834 to 1837 professor of Old Testament Exegesis and Oriental languages in the Evangelical Theological Institution at Geneva, he returned to Basel, where he was instituted, in 1843, as pastor of St. Leonard's church, and in 1859 as antistes, or highest dignitary in the Cathedral. He died at Basel, Jan. 13, 1871 (0. Kraus, 1879, p. 400; Allgemeine Deutsche Biographiexxvi. 552, &c). Preiswerk was a distinguished preacher. He was one of the editors of the Basel Gesang-Buch, 1854. His hymns were written at various times, generally to be used at Mission and other meetings in which he was to take part. Sixteen were included in a collection edited by two of his friends and published at Basel, 1844, as the Evangelischer Lieder Kranz (271 hymns old and new). Nine of his hymns are in Knapp's Evanglischer Lieder-Schatz, ed. 1850. The only one translation into English is:— Das ist der Gemeine Starke. Missions. In 1844, as above, No. 98, p. 124, in 5 stanzas of 4lines. Included in Knapp's Evanglischer Lieder-Schatz, 1850, No. 1160 (1865, No. 1200). Translated as:— Hark, the Church proclaims her honour. In full by Miss Winkworth in her Lyra Germanica, 2nd ser., 1858, p. 59, and her Chorale Book for England, 1863, No. 104 (she misquotes the first line as Dies ist der Gemeinde Stärke). Repeated in the Psalms & Hymns, Bedford, 1859, and the Ohio Lutheran Hymnal, 1880. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology (1907)

Felician Martin von Zaremba

1794 - 1874 Person Name: F. Zaremba Author (verse 3) of "The Work is Thine, O Christ" in The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America Felician Martin von Zaremba was born in Zaroy bei Grodno, Poland (modern Hrodna in Belarus). He studied in Dorpat and Moscow. He gave up a diplomatic career after contacts with the Pietist movement and became a missionary with the Basel Mission and worked with August Heinrich Dittrich in the Caucusus in the 19th Century. Czar Alexander I was sympathetic to evangelical missions, but his successor Nicholas I ended the Caucusus mission by mandate in 1833. Zaremba worked, however, from 1822-1838 in the region, moving into Armenia. He founded an evangelical printing press and college in Armenia. He coined the expression: "The Orient can only be reached by the Orient." He moved twice back and forth between the Caucasus and Basel, working with and for the mission agency, and died in Basel. He authored three books. Fred Foster (historian) via email
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