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Text Identifier:"^there_is_an_eye_that_never_sleeps$"

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There is an eye that never sleeps

Author: James C. Wallace Appears in 187 hymnals Topics: Christian Living Prayer Used With Tune: EVAN

Tunes

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EVAN

Meter: 8.6.8.6 Appears in 822 hymnals Composer and/or Arranger: William H. Havergal Tune Key: A Flat Major Incipit: 55132 16555 13125 Used With Text: There Is an Eye That Never Sleeps
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AZMON

Appears in 1,087 hymnals Composer and/or Arranger: Carl Gotthelf Glaser Tune Key: A Major Incipit: 51122 32123 34325 Used With Text: There is an Eye that Never Sleeps
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WINCHESTER, OLD

Appears in 360 hymnals Composer and/or Arranger: T. Este Incipit: 13321 44323 55453 Used With Text: There Is an Eye That Never Sleeps

Instances

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There Is An Eye That Never Sleeps

Author: James C. Wallace, 1793-1841 Hymnal: Hymnal for Church and Home #216 (1927) Meter: 8.6.8.6 Lyrics: 1 There is an eye that never sleeps Beneath the wing of night; There is an ear that never shuts When sink the beams of light. 2 There is an arm that never tires, When human strength gives way; There is a love that never fails, When earthly loves decay. 3 But there's a pow'r which man can wield When mortal aid is vain, That eye, that arm, that love to reach, That list'ning ear to gain. 4 That pow'r is pray'r, which soars on high, Thro' Jesus, to the throne; And moves the hand which moves the world, To bring salvation down! Topics: Watchfulness and Prayer Languages: English Tune Title: [There is an eye that never sleeps]
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There Is An Eye That Never Sleeps

Author: James C. Wallace, 1793-1841 Hymnal: Hymnal for Church and Home (2nd ed.) #216 (1928) Meter: 8.6.8.6 Lyrics: 1 There is an eye that never sleeps Beneath the wing of night; There is an ear that never shuts When sink the beams of light. 2 There is an arm that never tires, When human strength gives way; There is a love that never fails, When earthly loves decay. 3 But there's a pow'r which man can wield When mortal aid is vain, That eye, that arm, that love to reach, That list'ning ear to gain. 4 That pow'r is prayer, which soars on high, Through Jesus, to the throne; And moves the hand which moves the world, To bring salvation down! Topics: Watchfulness and Prayer Languages: English Tune Title: [There is an eye that never sleeps]

An Eye That Never Sleeps

Author: Ira Hicks Hymnal: Crowning Hymns No. 11 #0 (1931) First Line: There is an eye that never sleeps Refrain First Line: There is an eye that never sleeps Languages: English Tune Title: [There is an eye that never sleeps]

People

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Authors, composers, editors, etc.

William B. Bradbury

1816 - 1868 Composer of "BROWN" in The Seventh-Day Adventist Hymn and Tune Book William Batchelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Thomas Augustine Arne

1710 - 1778 Person Name: Th. A. Arne (1710-1778) Composer of "ARLINGTON" in The Woman's Hymnal Dr. Thomas Augustine Arne was born March 12, 1710, in London; became early celebrated as a composer, and established his reputation by settling Milton's "Comus" to music - light, airy, and original; he composed many songs, and nearly all his attempts were successful; died March 5, 1778, aged 68. A Dictionary of Musical Information by John W. Moore, Boston: Oliver, Ditson & Company, 1876

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Composer of "ST. AGNES" in The Young People's Hymnal No. 3 As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman
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