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Text Identifier:"^thy_sins_i_bore_on_calvarys_tree$"

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Jesus Calls Thee

Appears in 6 hymnals First Line: Thy sins I bore on Calvary's tree Refrain First Line: O sinner, come, sinner, come Used With Tune: [Thy sins I bore on Calvary's tree]

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[Thy sins I bore on Calv'ry's tree]

Appears in 1 hymnal Composer and/or Arranger: P. P. Bilhorn Incipit: 55112 17755 72443 Used With Text: Calvary
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[Thy sins I bore on Calvary's tree]

Appears in 3 hymnals Composer and/or Arranger: Theo. E. Perkins Incipit: 51721 65655 17217 Used With Text: Jesus Calls Thee
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[Thy sins I bore on Calvary's tree]

Appears in 1 hymnal Composer and/or Arranger: I. Baltzell Incipit: 53331 21765 52225 Used With Text: Come Home, Poor Sinner

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Jesus Calls Thee

Hymnal: Songs Tried and Proved #41 (1896) First Line: Thy sins I bore on Calvary's tree Refrain First Line: O sinner, come, sinner, come Languages: English Tune Title: [Thy sins I bore on Calvary's tree]
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Come Home, Poor Sinner

Author: Anon. Hymnal: Carols of Praise #67 (1895) First Line: Thy sins I bore on Calvary's tree Refrain First Line: Come home, come home Languages: English Tune Title: [Thy sins I bore on Calvary's tree]
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Jesus Calls Thee

Hymnal: The Epworth Hymnal No. 2 #83 (1891) First Line: Thy sins I bore on Calvary's tree Refrain First Line: O sinner come, sinner come Languages: English Tune Title: [Thy sins I bore on Calvary's tree]

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Anonymous

Author of "Jesus Calls Thee" In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

P. P. Bilhorn

1865 - 1936 Person Name: P. P. B. Arranger of "Calvary" in Soul Winning Songs Pseudonyms: W. Ferris Britcher, Irene Durfee; C. Ferris Holden, P. H. Rob­lin (a an­a­gram of his name) ================ Peter Philip Bilhorn was born, in Mendota, IL. His father died in the Civil War 3 months before he was born. His early life was not easy. At age 8, he had to leave school to help support the family. At age 15, living in Chicago, he had a great singing voice and sang in German beer gardens there. At this time, he and his brother also formed the Eureka Wagon & Carriage Works in Chicago, IL. At 18 Peter became involved in gospel music, studying under George F. Root and George C. Stebbins. He traveled to the Dakotas and spent some time sharing the gospel with cowboys there. He traveled extensively with D. L. Moody, and was Billy Sunday's song leader on evangelistic endeavors. His evangelistic work took him into all the states of the Union, Great Britain, and other foreign countries. In London he conducted a 4000 voice choir in the Crystal Palace, and Queen Victoria invited him to sing in Buckinghm Palace. He wrote some 2000 gospel songs in his lifetime. He also invented a folding portable telescoping pump organ, weighing 16 lbs. It could be set up in about a minute. He used it at revivals in the late 19th century. He founded the Bilhorn Folding Organ Company in Chicago. IL, and his organ was so popular it was sold all over the world. He edited 10 hymnals and published 11 gospel songbooks. He died in Los Angeles, CA, in 1936. John Perry

I. Baltzell

1832 - 1893 Composer of "[Thy sins I bore on Calvary's tree]" in Carols of Praise Baltzell, Isaiah. (near Frederick, Maryland, November 26, 1832--January 16, 1893, Frederick). He was educated in the common schools, and at New Windsor Academy, Carroll County, Maryland. In 1859 he married Cecilia Caroline James at Mountain Jackson, Virginia. Originally a Lutheran, he joined the United Brethren Church in 1847, was licensed to preach by the Virginia Conference in 1854, and ordained in 1856. In 1862 he joined the Pennsylvania Conference. He was presiding elder from 1875 to 1880, and from 1883 to 1889. He was a delegate to three General Conferences, and was a trustee of Otterbein University. In 1873 he was appointed by the General Conference a member of the committee to superintend the publication of Hymns for the Sanctuary. His first compilation was Revival Songster (Baltimore, 1859). He was joint editor, with G.W.M. Rigor, or Choral Gems (1871); joint editor, with E.S. Lorenz, of Heavenly Carols, Songs of Grace, Gates of Praise, Songs of Cheer, Songs of the Kingdom, Holy Voices, Songs of Refreshing, Notes of Triumph, Garnered Sheaves, Songs of the Morning, and The Master's Praise. He was also author of music and services for special occasions, and the editor and publisher of Carols of Praise. See: Shuey, W.A. (1892). Manual of the United Brethren Publishing House; Historical and Descriptive: 243-244. Some of his hymns bear the pseudonym Amicus. --Harry Eskew, DNAH Archives
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