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To thee, O God, we raise our voice

Appears in 14 hymnals Topics: National; Opening of School; Worship Used With Tune: NUN DANKET

NUN DANKET

Appears in 602 hymnals Incipit: 55566 53432 32155 Used With Text: To thee, O God, we raise our voice

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Published text-tune combinations (hymns) from specific hymnals

Author: Arthur T. Pierson Hymnal: The Cyber Hymnal #16293 Meter: 6.7.6.7.6.6.6.6 Lyrics: 1 To Thee, O God, we raise Our voice, in choral singing; We come, with prayer and praise, Our hearts’ oblations bringing; Thou art our fathers’ God, And ever shalt be ours: Our lips and lives shall laud Thy name, with all our powers. 2 Thy goodness, like the dew On Hermon’s hill descending, Is every morning new, And tells of love unending. We bless Thy tender care That led our wayward feet, Past every fatal snare, To streams and pastures sweet. 3 We bless Thy Son, who bore The cross, for sinners dying; Thy Spirit we adore, The precious blood applying. Let work and worship send Their incense unto Thee, Till song and service blend, Beside the crystal sea. Languages: English Tune Title: NUN DANKET

To Thee, O God, we raise

Author: Arthur T. Pierson Hymnal: The Lutheran Hymnary #44 (1913) Meter: 6.7.6.7.6.6.6.6 Lyrics: 1 To Thee, O God, we raise Our voice, in choral singing; We come, with prayer and praise, Our hearts' oblations bringing; Thou art our fathers' God, And ever shalt be ours: Our lips and lives shall laud Thy name, with all our powers. 2 Thy goodness, like the dew On Hermon's hill descending, Is every morning new, And tells of love unending. We bless Thy tender care That led our wayward feet, Past every fatal snare, To streams and pastures sweet. 3 We bless Thy Son, who bore The cross, for sinners dying; Thy Spirit we adore, The precious blood applying. Let work and worship send their incense unto Thee, Till song and service blend, Beside the crystal sea. Topics: Beginning of Service; Worship in General Beginning of Service; Beginning of Service; Praise and Prayer Tune Title: [To Thee, O God, we raise Our voice]

To thee, O God, we raise our voice

Hymnal: A Selection of Spiritual Songs #13 (1881) Topics: National; Opening of School; Worship Languages: English Tune Title: NUN DANKET

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People

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Johann Crüger

1598 - 1662 Composer of "[To Thee, O God, we raise Our voice]" in The Lutheran Hymnary Johann Crüger (b. Grossbriesen, near Guben, Prussia, Germany, 1598; d. Berlin, Germany, 1662) Crüger attended the Jesuit College at Olmutz and the Poets' School in Regensburg, and later studied theology at the University of Wittenberg. He moved to Berlin in 1615, where he published music for the rest of his life. In 1622 he became the Lutheran cantor at the St. Nicholas Church and a teacher for the Gray Cloister. He wrote music instruction manuals, the best known of which is Synopsis musica (1630), and tirelessly promoted congregational singing. With his tunes he often included elaborate accompaniment for various instruments. Crüger's hymn collection, Neues vollkomliches Gesangbuch (1640), was one of the first hymnals to include figured bass accompaniment (musical shorthand) with the chorale melody rather than full harmonization written out. It included eighteen of Crüger's tunes. His next publication, Praxis Pietatis Melica (1644), is considered one of the most important collections of German hymnody in the seventeenth century. It was reprinted forty-four times in the following hundred years. Another of his publications, Geistliche Kirchen Melodien (1649), is a collection arranged for four voices, two descanting instruments, and keyboard and bass accompaniment. Crüger also published a complete psalter, Psalmodia sacra (1657), which included the Lobwasser translation set to all the Genevan tunes. Bert Polman =============================== Crüger, Johann, was born April 9, 1598, at Gross-Breese, near Guben, Brandenburg. After passing through the schools at Guben, Sorau and Breslau, the Jesuit College at Olmütz, and the Poets' school at Regensburg, he made a tour in Austria, and, in 1615, settled at Berlin. There, save for a short residence at the University of Wittenberg, in 1620, he employed himself as a private tutor till 1622. In 1622 he was appointed Cantor of St. Nicholas's Church at Berlin, and also one of the masters of the Greyfriars Gymnasium. He died at Berlin Feb. 23, 1662. Crüger wrote no hymns, although in some American hymnals he appears as "Johann Krüger, 1610,” as the author of the supposed original of C. Wesley's "Hearts of stone relent, relent" (q.v.). He was one of the most distinguished musicians of his time. Of his hymn tunes, which are generally noble and simple in style, some 20 are still in use, the best known probably being that to "Nun danket alle Gott" (q.v.), which is set to No. 379 in Hymns Ancient & Modern, ed. 1875. His claim to notice in this work is as editor and contributor to several of the most important German hymnological works of the 16th century, and these are most conveniently treated of under his name. (The principal authorities on his works are Dr. J. F. Bachmann's Zur Geschichte der Berliner Gesangbücher 1857; his Vortrag on P. Gerhard, 1863; and his edition of Gerhardt's Geistliche Lieder, 1866. Besides these there are the notices in Bode, and in R. Eitner's Monatshefte für Musik-Geschichte, 1873 and 1880). These works are:— 1. Newes vollkömmliches Gesangbuch, Augspur-gischer Confession, &c, Berlin, 1640 [Library of St. Nicholas's Church, Berlin], with 248 hymns, very few being published for the first time. 2. Praxis pietatis melica. Das ist: Ubung der Gottseligkeit in Christlichen und trostreichen Gesängen. The history of this, the most important work of the century, is still obscure. The 1st edition has been variously dated 1640 and 1644, while Crüger, in the preface to No. 3, says that the 3rd edition appeared in 1648. A considerable correspondence with German collectors and librarians has failed to bring to light any of the editions which Koch, iv. 102, 103, quotes as 1644, 1647, 1649, 1650, 1651, 1652, 1653. The imperfect edition noted below as probably that of 1648 is the earliest Berlin edition we have been able to find. The imperfect edition, probably ix. of 1659, formerly in the hands of Dr. Schneider of Schleswig [see Mützell, 1858, No. 264] was inaccessible. The earliest perfect Berlin edition we have found is 1653. The edition printed at Frankfurt in 1656 by Caspar Röteln was probably a reprint of a Berlin edition, c. 1656. The editions printed at Frankfurt-am-Main by B. C. Wust (of which the 1666 is in the preface described as the 3rd) are in considerable measure independent works. In the forty-five Berlin and over a dozen Frankfurt editions of this work many of the hymns of P. Gerhardt, J. Franck, P. J. Spener, and others, appear for the first time, and therein also appear many of the best melodies of the period. 3. Geistliche Kirchen-Melodien, &c, Leipzig, 1649 [Library of St. Katherine's Church, Brandenburg]. This contains the first stanzas only of 161 hymns, with music in four vocal and two instrumental parts. It is the earliest source of the first stanzas of various hymns by Gerhardt, Franck, &c. 4. D. M. Luther's und anderer vornehmen geisU reichen und gelehrten Manner Geistliche Lieder und Psalmen, &c, Berlin, 1653 [Hamburg Town Library], with 375 hymns. This was edited by C. Runge, the publisher, and to it Crüger contributed some 37 melodies. It was prepared at the request of Luise Henriette (q.v.), as a book for the joint use of the Lutherans and the Re¬formed, and is the earliest source of the hymns ascribed to her, and of the complete versions of many hymns by Gerhardt and Franck. 5. Psalmodia Sacra, &c, Berlin, 1658 [Royal Library, Berlin]. The first section of this work is in an ed. of A. Lobwasser's German Psalter; the second, with a similar title to No. 4, and the date 1657, is practically a recast of No. 4,146 of those in 1653 being omitted, and the rest of the 319 hymns principally taken from the Praxis of 1656 and the hymn-books of the Bohemian Brethren. New eds. appeared in 1676, 1700, 1704, 1711, and 1736. [Rev. James Mearns, M.A.] -- Excerpt from John Julian, Dictionary of Hymnology (1907) ======================= Crüger, Johann, p. 271, ii. Dr. J. Zahn, now of Neuendettelsau, in Bavaria, has recently acquired a copy of the 5th ed., Berlin, 1653, of the Praxis. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Arthur T. Pierson

1837 - 1911 Author of "To Thee, O God, we raise " in The Lutheran Hymnary Rv Arthur Tappan Pierson DD USA 1837-1911. Born at New York City, NY, he professed faith in Christ at age 13 upon attending a Methodist revival meeting. He was educated at Hamilton College, Clinton, NY, (1857), and Union Theological Seminary (1869). He married Sarah Frances Benedict in 1860, and they had seven children: Helen, Laura, Louise, Delavan, Farrand, Edith, and Anna. He entered Presbyterian ministry in 1860. He pastored successfully at the Congregational Church, Winsted, CT, (summers of 1859 & 1869), Binghampton, NY (1860-1863), Waterford, NY (1863-1869) Fort Street Presbyterian Church, Detroit, M (1869-1882)I, and at Bethany Presbyterian Church, Philadelphia, PA (1883-1889), where he ran a missionary training school and developed a national reputation as a promoter of missions. While at Detroit, the largest Presbyterian Church in town, the church burned down in 1876, and services were held in a local opera house. Pierson realized he had become prideful and greedy, seeking approval of the rich. As a result, he led his wealthy congregation to reach out to the poor of Detroit. He banished the practice of pew rents, and committed to accepting his salary on a faith basis. A revival broke out as a result. In 1885, at a Bible conference sponsored by D L Moody, Pierson called on Protestant churches to launch a worldwide missionary campaign. In 1886 he authored “The crisis of missions”, the major missions promotional book of the era. He spoke on missions to a group of YMCA collegians at a summer conference convened by Moody in MA. As a result, 100 young men volunteered to be foreign missionaries, and the Student Volunteer Movement for Foreign Missions (SVM) was born. In 1889-90 he nade a missionary tour of the UK. He was editor of the ‘Missionary Review of the world’ (1888-1911), and he lectured on missions at Rutgers College in 1891 and was Duff lecturer in Scotland in 1892. He was a consulting editor for the original “Scofield Reference Bible” (1909), for his friend, C I Scofield. He was also a friend of Dwight L Moody, George Muller, Adoniram Judson Gordon, and Charles H Spurgeon, whom he succeeded in the pulpit of the Metropolitan Tabernacle, London, England, 1891-1893, when Spurgeon suffered from Bright’s disease and asked him to fill his pulpit while he recovered. When Spurgeon died, Pierson was asked to stay on in the pulpit, which he did for two more years. It is notable that Spurgeon asked Pierson to fill his pulpit, when Pierson, a Presbyterian, had not been baptized as a believer. In 1896 Pierson became convinced that believer baptism was correct, and he was then baptized by Spurgeon’s brother, James, at the age of 58. This caused Pierson’s excommunication from the Presbyterian Church, but he continued to worship as a Presbyterian. Pierson spoke with Moody at the Northfield, England, Conferences, and was also a speaker at the Keswick convention, where holiness piety was promoted. Pierson was influential in convincing several Nobel Peace Prize winners to give their lives to missions. Filling several pulpit positions around the world as an urban pastor, he cared passionately for the poor. He was also a pioneer advocate of faith missions, determined to see the world evangelized in his generation. Prior to 1870 there had been only about 2000 missionaries from the U.S. in full-time service, roughly 10% engaged in work among native Americans. In the 1880s a great movement of foreign missions began, in part due to the work of Pierson. He acted as elder statesman of the student missionary movement and was the leading evangelical advocate of foreign missions in the late 19th century. When liberalism began seeping through mainline denominations, Pierson joined other concerned Christian leaders in publishing “The fundamentals”, a series of booklets designed to answer the critics of Christianity. Because of his apologetic abilities, Pierson was invited to write five of the major articles. Each booklet was distributed freely to pastors throughout America, marking the beginning of the Fundamental-Modernist Controversy in American churches. Eventually the booklets were combined into a twelve volume set, available today as a five-volume set. Pierson was called “the Father of Fundamentalism”. In 1898 he wrote a book, “In Christ Jesus”, concluding that a preposition followed by a proper name was the key to understanding the entire New Testament. He was an advocate of ‘day-age creationism’. He pastored at Christ Church, London, England (1902-1903). After retiring, he continued to preach at churches at home and abroad. He visited Korea in 1910 where he taught the Bible in a few churches and was instrumental in founding the Pierson Memorial Bible Institute (presently Pyeongtaek University). Many pastors and scholars came from it. That year he set out to tour missions in East Asia, but grew ill and returned to Brooklyn, NY where he died. It is said that he preached 13,000+ sermons, wrote over 50 books, and he gave Bible lectures as part of a transatlantic preaching ministry that made him famous in Scotland, England, and Korea. All of Pierson’s children professed conversion to Christianity as teens and served as missionaries, pastors, or lay leaders. John Perry =========== Pierson, Arthur Tappan, D.D., was born in New York city, March 6, 1837, and educated at Hamilton College. He entered the Presbyterian ministry in 1830, and was pastor successively in Binghampton and in Waterford, New York, and Fort Street, Detroit; his last charge being the Bethany Presbyterian Church, Philadelphia. (Duffield's English Hymns, 1886, p. 576.) Dr. Pierson's hymns include:— 1. Once I was dead in sin. Praise for Salvation. 2. The Gospel of Thy grace. The Love of God in Christ. 3. To Thee, O God [Lord], we raise. Divine Beneficence. 4. With harps and with viols there stand a great throng. The New Song. Of these hymns, No. 3 is in Hymns and Songs of Praise, N. Y., 1874, and the Laudes Domini, N. Y., 1884; and Nos. 1, 2, 4, are in I. D. Sankey's Sacred Songs and Solos. -- John Julian, Dictionary of Hymnology (1907)