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Text Identifier:"^we_hail_thy_presence_glorious$"

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We hail thy presence glorious

Author: Richard Parsons, 1882-1948 Meter: 7.6.7.6.7.6.7.6 Appears in 8 hymnals Topics: Sacraments and Other Rites Holy Communion Used With Tune: OFFERTORIUM

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OFFERTORIUM

Meter: 7.6.7.6.7.6.7.6 Appears in 18 hymnals Composer and/or Arranger: Michael Haydn, 1737-1806 Tune Key: D Major Incipit: 34511 76715 53234 Used With Text: We hail thy presence glorious

Instances

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Published text-tune combinations (hymns) from specific hymnals

We hail thy presence glorious

Author: Richard Godfrey Parsons, 1882-1948 Hymnal: Complete Anglican Hymns Old and New #714 (2000) Meter: 7.6.7.6.7.6.7.6 Topics: Christian unity; Communion; Holy Communion; The Body of Christ; Year B Easter 5; Year B Proper 14; Year B Proper 15; Year B Proper 25; Year B Second Sunday Before Lent; Year B Sunday Next Before Lent; Year C Proper 11; Year C Sunday Next Before Lent; Years A, B, and C Day of Thanksgiving for Holy Communion; Years A, B, and C Presentation of Christ in the Temple Scripture: 1 Corinthians 10:16-17 Languages: English Tune Title: OFFERTORIUM

We hail thy presence glorious

Author: Richard Parsons, 1882-1948 Hymnal: The New English Hymnal #310 (1986) Meter: 7.6.7.6.7.6.7.6 Topics: Sacraments and Other Rites Holy Communion Languages: English Tune Title: OFFERTORIUM
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We hail thy presence glorious

Author: Richard Godfrey Parsons, 1882-1948 Hymnal: CPWI Hymnal #626 (2010) Meter: 7.6.7.6 D Lyrics: 1 We hail thy presence glorious, O Christ our great High Priest, o'er sin and death victorious, at thy thanksgiving feast: as thou art interceding for us in heaven above, thy church on earth is pleading thy perfect work of love. 2 Through thee in every nation thine own their hearts upraise, offering one pure oblation, one sacrifice of praise: with thee in blest communion the living and the dead are joined in closest union, one Body and one Head. 3 O living bread from heaven, Jesu, our Saviour good, who thine own self hast given to be our souls' true food; for us thy body broken hung on the cross of shame: this bread its hallowed token, we break in thy dear name. *4 O stream of love unending, poured from the one true vine, with our weak nature blending the strength of life divine; our thankful faith confessing in thy life-blood outpoured, we drink this cup of blessing and praise thy name, O Lord. 5 May we thy word believing, thee through thy gifts receive, that, thou within us living, we all to God may live; draw us from earth to heaven till sin and sorrow cease, forgiving and forgiven, in love and joy and peace. Topics: Sacraments and Other Occasions Holy Communion Languages: English Tune Title: OFFERTORIUM

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Michael Haydn

1737 - 1806 Person Name: Michael Haydn, 1737-1806 Composer of "OFFERTORIUM" in Complete Anglican Hymns Old and New Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

R. G. Parsons

1882 - 1948 Person Name: Richard Godfrey Parsons, 1882-1948 Author of "We hail thy presence glorious" in Complete Anglican Hymns Old and New
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