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Text Identifier:"^when_jesus_saw_the_fishermen$"

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When Jesus Saw the Fishermen

Author: Edith Agnew Meter: 8.6.8.6 Appears in 8 hymnals Topics: Call and Vocation Scripture: Matthew 4:18-22 Used With Tune: ST. STEPHEN

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ST. STEPHEN

Meter: 8.6.8.6 Appears in 3 hymnals Composer and/or Arranger: Richard L. Van Oss Tune Key: G Major Incipit: 51177 11551 172 Used With Text: When Jesus Saw the Fishermen
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THE SEVEN JOYS OF MARY

Meter: 8.6.8.6 D Appears in 11 hymnals Composer and/or Arranger: John L. Bell (b. 1949) Tune Sources: English carol melody Tune Key: G Major Incipit: 51112 32113 37671 Used With Text: When Jesus saw the fishermen

Instances

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Published text-tune combinations (hymns) from specific hymnals

When Jesus Saw the Fishermen

Author: Edith Agnew Hymnal: Sing a New Creation #105 (2022) Meter: 8.6.8.6 Topics: Call and Vocation Scripture: Matthew 4:18-22 Languages: English Tune Title: ST. STEPHEN

When Jesus Saw the Fishermen

Author: Edith Agnew Hymnal: Songs for Life #144 (1995) Meter: 8.6.8.6 Scripture: Matthew 4:18-22 Languages: English Tune Title: ST. STEPHEN

When Jesus Saw the Fishermen

Author: Edith Agnew Hymnal: Singing Our Faith #165 (2001) Meter: 8.6.8.6 Topics: Jesus Christ Languages: English Tune Title: ST. STEPHEN

People

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Authors, composers, editors, etc.

Richard L. VanOss

b. 1953 Person Name: Richard L. Van Oss Composer of "ST. STEPHEN " in Songs for Life

Edith J. Agnew

1897 - 1988 Person Name: Edith Agnew (b. 1897) Author of "When Jesus saw the fishermen" in Church Hymnary (4th ed.)

John L. Bell

b. 1949 Person Name: John L. Bell (b. 1949) Arranger of "THE SEVEN JOYS OF MARY" in Church Hymnary (4th ed.) John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink