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When shall thy name be known
Author: William Hiley Bathurst Appears in 2 hymnals
When shall thy name be known
When Shall Thy Name Be Known?
Author: William H. Bathurst Hymnal: The Cyber Hymnal #9550 Meter: 6.6.8.6 First Line: When shall Thy name be known Lyrics: 1 When shall Thy name be known,
Great God, in every land;
And nations bow before Thy throne,
And bless Thy fostering hand?
2 When will the day arise
On our benighted race,
To shed on all below the skies
The beams of saving grace?
3 The promise has been made
That all shall know Thy name;
O grant us then Thy needful aid,
Thy wandering flock reclaim.
4 Let earth’s remotest bound
The joyful tidings hear,
That a Redeemer hath been found
To bring salvation near.
5 O let Thy grace complete
The work it has begun,
And put all foes beneath the feet
Of Thy victorious Son. Languages: English Tune Title: LAKE ENON
When Shall Thy Name Be Known?
When shall thy name be known
Hymnal: The Sabbath School Harp #60 (1837)
When shall thy name be known
William Hiley Bathurst
1796 - 1877 Person Name: William H. Bathurst Author of "When Shall Thy Name Be Known?" in The Cyber Hymnal Bathurst, William Hiley , M.A., son of the Rt. Hon. Charles Bragge (afterwards Bathurst) some time M.P. for Bristol, born at Clevedale, near Bristol, Aug. 28, 1796, and educated at Winchester, and Christ Church, Oxford, graduating B.A. in 1818. From 1820 to 1852 he held the Rectory of Barwick-in-Elmet, near Leeds. Resigning the Rectory in the latter year, through his inability to reconcile his doctrinal views with the Book of Common Prayer, he retired into private life, and died at Lydney Park, Gloucestershire, Nov. 25, 1877. His works include, The Georgics of Virgil: Translated by W. H. B., 1849; Metrical Musings; or, Thoughts on Sacred Subjects in Verse, 1849; and Psalms and Hymns for Public and Private Use, 1831 (2nd ed. 1842). This last contains 141 versions of Psalms, and 206 hymns. All the latter, and many of the former are original. Of his hymns, those in most extensive use are, "Hark! the distant isles proclaim," "Holy Spirit from on high,” "Jesus, Thy Church with longing eyes,” "Eternal Spirit, by whose power," "O for a faith that will not shrink” and “O Saviour, may we never rest." In addition to these and a few others (all of which are annotated under their first lines), the following are in common use, but mainly in America:—
1. Before Thy cross, my dying Lord. Faith.
2. Before Thy mercy-seat, O Lord. Holy Scriptures.
3. Behold what unspeakable love. Heaven.
4. Does the Lord of Glory speak? Holy Scripture.
5. Ere the world with light invested. Holy Spirit.
6. Except the Lord our labours bless. Ps. cxxvii.
1. Full of weakness and of sin. The Creator Spirit desired.
8. Glory to the Almighty Father. Praise.
9. Holy Lord, our hearts prepare. Preparation for Prayer.
10. Holy Spirit from on high. Holy Spirit's direction implored.
11. How blest are they who feel the weight. Repentance.
12. How strange that souls whom Jesus feeds. Conflict.
13. How sweet it is in early youth. Youthful Piety.
14. How sweet the hour of closing day. Death.
15. Led by a Father's gentle hand. Communion of Saints
16. Lord, a better heart bestow. Lent.
17. Lord, bid the light arise. To the Holy Spirit.
18. Lord, shed Thy glory as of old. Whitsuntide.
19. Lord, what blessed consolation. Safety of the Church.
20. Lord, when our offerings we present. Offertory.
21. 0 for a beam of heavenly light. Lent.
22. 0 for that flame of living tire. Holy Spirit.
23. 0 give thanks unto the Lord. Ps. cv.
24. Shepherd of Israel, from above. On behalf of Children.
25. This day the Lord hath called His own. Sunday.
26. When the world my heart is rending. Heaven.
27. Why search ye in the narrow tomb? Ascension.
28. Ye servants of the living God. Praise.
All these hymns were given in his Psalms & Hymns , &c, 1831 (Preface dated November 15th, 1830), and repeated, without alteration, in the 2nd ed., 1842. They are characterized by simplicity of language, and directness of aim; but do not in any instance rise above the ordinary level of passable hymn-writing. In some American collections Bathurst's name is contracted to "Bath," and this is regarded either as a complete surname or as a Bath Collection. The contraction was given by Bickersteth in his Christian Psalmody, 1833.
--John Julian, Dictionary of Hymnology (1907)
===================
Bathurst, William H., p. 117, ii. Additional hymns from his Psalms & Hymns, 1831, are in common use as follows:—
1. Great God, when I approach Thy throne. Redemption.
2. How bright a day was that which saw. The First Sabbath.
3. How frail and fallible I am. Jesus Unchangeable.
4. In Jesus' name with one accord. Divine Worship.
5. Lord, I claim Thee for my own. Ps. lxiii.
6. Lord shew Thy glory as of old. This is not "Lord shed Thy glory, &c," as stated at p. 118, i., 18.
7. Lord, when I lift my voice to Thee. Ps. ci.
8. O Lord, defend us as of old. Ps. lxxiv.
9. O Lord, how long shall heathens hold. Ps. lxxix.
10. 0 Lord, look down with pitying eye. Intercession for the Jews. Begins with st. iv. of “0 how is Zion's glory gone."
11. Praise God, O my soul. Ps. cxlvi.
12. Saviour, at Thy feet we bow. United Prayer.
13. 'Tis past, that agonizing hour. Ascension.
14. The Lord look'd all around. Universal Corruption.
15. To the Source of every blessing. Praise to the Father.
16. What can relieve the troubled soul? Christ the Comforter.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
William Hiley Bathurst
I. B. Woodbury
1819 - 1858 Person Name: Isaac Baker Woodbury Composer of "LAKE ENON" in The Cyber Hymnal Woodbury, Isaac Baker. (Beverly, Massachusetts, October 23, 1819--October 26, 1858, Columbia, South Carolina). Music editor. As a boy, he studied music in nearby Boston, then spent his nineteenth year in further study in London and Paris.
He taught for six years in Boston, traveling throughout New England with the Bay State Glee Club. He later lived at Bellow Falls, Vermont, where he organized the New Hampshire and Vermont Musical Association. In 1849 he settled in New York City where he directed the music at the Rutgers Street Church until ill-health caused him to resign in 1851. He became editor of the New York Musical Review and made another trip to Europe in 1852 to collect material for the magazine. in the fall of 1858 his health broke down from overwork and he went south hoping to regain his strength, but died three days after reaching Columbia, South Carolina.
He published a number of tune-books, of which the Dulcimer, of New York Collection of Sacred Music, went through a number of editions. His Elements of Musical Composition, 1844, was later issued as the Self-instructor in Musical Composition. He also assisted in the compilation of the Methodist Hymn Book of 1857.
--Leonard Ellinwood, DNAH Archives
I. B. Woodbury
