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When the Mists Have Rolled Away
Author: Annie Herbert Appears in 192 hymnals First Line: When the mists have rolled in splendor Refrain First Line: We shall know as we are known Topics: Closing; Heaven Used With Tune: [When the mists have rolled in splendor]
When the Mists Have Rolled Away
[When the mists have rolled in splendor]
Appears in 76 hymnals Composer and/or Arranger: Ira D. Sankey Incipit: 34555 55176 55555 Used With Text: When the Mists Have Rolled Away
[When the mists have rolled in splendor]
ROUSSEAU'S HYMN
Appears in 492 hymnals Composer and/or Arranger: J. J. Rousseau Incipit: 33211 22321 55433 Used With Text: When the mists have rolled in splendor
ROUSSEAU'S HYMN
[When the mists have rolled in splendor]
Appears in 48 hymnals Composer and/or Arranger: J. H. Anderson Tune Key: E Flat Major Incipit: 54333 33234 56532 Used With Text: We Shall Know
[When the mists have rolled in splendor]
When the Mists Have Rolled in Splendor
Author: Annie Herbert Hymnal: The Majestic Hymnal, number two #400 (1959) First Line: When the mists have rolled in splendor Refrain First Line: We shall know as we are known Topics: The Christian Aspiration and Longing; The Christian Aspiration and Longing Languages: English Tune Title: [When the mists have rolled in splendor]
When the Mists Have Rolled in Splendor
When the Mists have Rolled Away
Author: Annie Herbert Hymnal: Hallowed Hymns, New and Old #128 (1908) First Line: When the mists have rolled in splendor Refrain First Line: We shall know as we are known Lyrics: 1 When the mists have rolled in splendor
From the beauty of the hills,
And the sunlight falls in gladness
On the river and the rills:
We recall our Father's promise
In the rainbow of the spray:
We shall know each other better
When the mists have rolled away.
Chorus:
We shall know as we are known,
Never more to walk alone,
In the dawning of the morning
Of that bright and happy day:
We shall know each other better
When the mists have rolled away.
2 Oft we tread the path before us
With a weary, burden'd heart;
Oft we toil amid the shadows,
And our fields are far apart;
But the Saviour's "Come, ye blessed,"
All our labor will repay,
When we gather in the morning
Where the mists have rolled away. [Chorus]
3 We shall come with joy and gladness,
We shall gather 'round the throne;
Face to face with those that love us,
We shall know as we are known:
And the song of our redemption
Shall resound thro' endless day,
When the shadows have departed
And the mists have rolled away. [Chorus] Topics: Comfort; Heaven; Hope Languages: English Tune Title: [When the mists have rolled in splendor]
When the Mists have Rolled Away
When the Mists Have Rolled Away
Author: Annie H. Barker Hymnal: Timeless Truths #945 Meter: 8.7.8.7 D with refrain First Line: When the mists have rolled in splendor Refrain First Line: We shall know, as we are known Lyrics: 1 When the mists have rolled in splendor
From the beauty of the hills,
And the sunlight falls in gladness
On the rivers and the rills,
We recall our Father’s promise
In the rainbow of the spray:
We shall know each other better
When the mists have rolled away.
Refrain:
We shall know, as we are known,
Nevermore to walk alone,
In the dawning of the morning
Of that bright and happy day,
We shall know each other better,
When the mists have rolled away.
2 Oft we tread the path before us
With a weary, burdened heart;
Oft we toil amid the shadows,
And our fields are far apart;
But the Savior’s “Come, ye blessed”
All our labor will repay,
When we gather in the morning
Where the mists have rolled away. [Refrain]
3 We shall come with joy and gladness,
We shall gather round the throne;
Face to face with those that love us,
We shall know as we are known;
And the song of our redemption
Shall resound through endless day,
When the shadows have departed,
And the mists have rolled away. [Refrain] Topics: Anticipation Scripture: 1 Corinthians 13:12 Tune Title: [When the mists have rolled in splendor]
When the Mists Have Rolled Away
S. J. Vail
1818 - 1884 Composer of "[When the mists have roll'd in splendor]" in Gospel Praise Book. In his youth Silas Jones Vail learned the hatter's trade at Danbury, Ct. While still a young man, he went to New York and took employment in the fashionable hat store of William H. Beebe. Later he established himself in business as a hatter at 118 Fulton Street, where he was for many years successful. But the conditions of trade changed, and he could not change with them. After his failure in 1869 or 1870 he devoted his entire time and attention to music. He was the writer of much popular music for use in churches and Sunday schools. Pieces of music entitled "Scatter Seeds of Kindness," "Gates Ajar," "Close to Thee," "We Shall Sleep, but not Forever," and "Nothing but Leaves" were known to all church attendants twenty years ago. Fanny Crosby, the blind authoress, wrote expressly for him many of the verses he set to music.
--Vail, Henry H. (Henry Hobart). Genealogy of some of the Vail family descended from Jeremiah Vail at Salem, Mass., 1639, p. 234.
S. J. Vail
Ira David Sankey
1840 - 1908 Person Name: Ira D. Sankey Composer of "[When the mists have rolled in splendor]" in Timeless Truths Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
James R. Murray
1841 - 1905 Person Name: J. R. M. Composer of "[When the mists have rolled in splendor]" in Royal Gems L.P.M. (1905, April 12). Obituary. New Church Messenger, p.209.
Murray.--At Cincinnati, March 10, 1905, James Ramsey Murray. Funeral services in the Church of the New Jersualem, March 13th.
James R. Murray was widely known in the musical world as the author of many songs and song books, and in the New Church in Chicago and Cincinnati as an affectionate, intelligent, and loyal New Churchman.
He was born in Andover (Ballard Vale), Mass., March 17, 1841. In early life he developed musical talent, and composed many minor pieces for local and special occasions. Later at North Reading, Mass., he attended Dr. George F. Root's School of Music, and was associated with William Bradbury and Dr. Lowell Mason. He enlisted in the Fourteenth Regiment of infantry, commonly known as the Essex County Regiment, and afterwards was changed to the First Regiment, Massachusetts Heavy Artillery, which was engaged in most of the battles fought by the Second Army Corps up to the surrender of General Lee.
"Daisy Deane," the first and most popular of his early song successes, was composed in 1863 in Virginia while in camp, words by his cousin, Thomas F. Winthrop. This song is known all over the world, and the Salvation Army is using an arrangement of it for one of their war cry songs.
In 1868 Mr. Murray married Isabella Maria Taylor of Andover; and they removed to Chicago. Here three children were born to them, two passing early to their heavenly home, the youngest, Winthrop Root Murray, is still living. It was during these first years in Chicago that Mr. and Mrs. Murray became interested in the New Church, while he was engaged with Root and Cady as editor of the Long Visitor, afterwards merged with the Musical Visitor. After the great fire of 1871 Mr. and Mrs. Murray returned East, where he was engaged in teaching in Lawrence and Andover, and as organist at the Old South Church in Andover. In 1881 they removed to Cincinnati and Mr. Murray became the editor of the Musical Viistor [sic] and head of the publication department of the John Church Company. Among the most popular of his books are "Pure Diamonds," "Royal Gems," "The Prize" and "Murray's Sacred Songs." The following titles will recall some of his best loved sacred songs: "At Last," "Calm on the Listening Ear of Night," "I Shall Be Satisfied," "There Shall No Evil Befall Thee," "Thine, O Lord, Is the Greatness," "The Way Was Mine," "How Beautiful Upon the Mountains," "Angels from the Realms of Glory."
His last great labor in the publishing department of the John Church Company was the seeing through the press five volumes of Wagner's music dramas, with full score and original German text, and an English translation. The immense and careful labor involved in the preparation of these volumes, with a really smooth and excellent English translation, had perhaps, as it was done under pressure, something to do with Mr. Murray's breakdown. Although for some reason Mr. Murray's name does not appear on the title page of these volumes, his friends knew of the place the work held in his affections and ambition.
Mr. Murray was a member of the Church Council of the Cincinnati Society for the last four years and took a deep interest in the building of the New Church, and in the inauguration of services, with all the changes looking to the improvement of the musical part of the service. The vested choir, organized by Mr. and Mrs. Lawson, which Mr. Murray as councilman had urged from the beginning, in their entrance to the church each Sunday singing the processional hymn participated in the funeral service, with a congregation of brethren and friends, all moved by deep love and profound respect for the consistent life and faith of a worthy Churchman and beloved friend.
--DNAH Archives
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For a discussion of Murray and the tune MUELLER, see: Stulken, M.K. (1981). Hymnal companion to the Lutheran Book of Worship. Philadelphia : Fortress Press, p.170.
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Also available in the DNAH Archives:
1. An excerpt from Christie, George A. (1927). New Free Church. In Music in Andover. Papers read at "Fagot Party" of the Andover Natural History Society.
2. Unsourced essay about Murray written soon after his death, likely from Andover, Mass., perhaps authored by Charlotte Helen Abbott.
James R. Murray
