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Text Identifier:at_the_name_of_jesus_every_knee_noel

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At the Name of Jesus

Author: Caroline M. Noel Meter: 6.5.6.5 D Appears in 253 hymnals First Line: At the Name of Jesus Every knee shall bow (Noel)

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KING'S WESTON

Meter: 6.5.6.5 D Appears in 91 hymnals Composer and/or Arranger: Ralph Vaughan Williams Tune Key: d minor Incipit: 12321 71234 51345 Used With Text: At the Name of Jesus
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PRINCETHORPE

Meter: 6.5.6.5 D Appears in 75 hymnals Composer and/or Arranger: William Pitts, 1829-1903 Tune Key: F Major Incipit: 31425 43234 321 Used With Text: At the Name of Jesus
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EVELYNS

Meter: 6.5.6.5 D Appears in 32 hymnals Composer and/or Arranger: William H. Monk Tune Key: E Major Incipit: 35651 54321 11343 Used With Text: At the Name of Jesus

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Canticle of Christ's Obedience

Author: Catharine M. Noel Hymnal: The United Methodist Hymnal #167b (1989) First Line: At the name of Jesus every knee shall bow Refrain First Line: At the name of Jesus every knee shall bow Lyrics: Response 2: At the name of Jesus every knee shall bow. Topics: Canticles Languages: English Tune Title: [At the name of Jesus every knee shall bow]
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At the Name of Jesus

Author: C. M. Noel Hymnal: Victorious Life Hymns #87 (1919) First Line: At the Name of Jesus Every knee shall bow Topics: Christ Tune Title: [At the Name of Jesus Every knee shall bow]

At the name of Jesus every knee shall bow

Author: Caroline Maria Noel Hymnal: Rosche's Junior Church Choir No.2 #d3 (1915)

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S. Baring-Gould

1834 - 1924 Person Name: Gould Composer of "EUDOXIA" in The Coronation Hymnal Baring-Gould, Sabine, M.A., eldest son of Mr. Edward Baring-Gould, of Lew Trenchard, Devon, b. at Exeter, Jan. 28, 1834, and educated at Clare College, Cambridge, B.A. 1857, M.A. 1860. Taking Holy Orders in 1864, he held the curacy of Horbury, near Wakefield, until 1867, when he was preferred to the incumbency of Dalton, Yorks. In 1871 he became rector of East Mersea, Essex, and in 1881 rector of Lew Trenchard, Devon. His works are numerous, the most important of which are, Lives of the Saints, 15 vols., 1872-77; Curious Myths of the Middle Ages, 2 series, 1866-68; The Origin and Development of Religious Belief, 2 vols., 1869-1870; and various volumes of sermons. His hymns, original and translated, appeared in the Church Times; Hymns Ancient & Modern, 1868 and 1875; The People's Hymnal, 1867, and other collections, the most popular being "Onward, Christian soldiers," "Daily, daily sing the praises," the translation "Through the night of doubt and sorrow," and the exquisite Easter hymn, "On the Resurrection Morning." His latest effort in hymnology is the publication of original Church Songs, 1884, of which two series have been already issued. In the Sacristy for Nov. 1871, he also contributed nine carols to an article on "The Noels and Carols of French Flanders.” These have been partially transferred to Chope's and Staniforth's Carol Books, and also to his Church Songs. --John Julian, Dictionary of Hymnology (1907) ================== Baring-Gould, S., p. 114, i. Other hymns in common use are:— 1. Forward! said the Prophet. Processional. Appeared in the New Mitre Hymnal, 1874. 2. My Lord, in glory reigning. Christ in Glory. In Mrs. Brock's Children's Hymn Book, 1881. 3. Now severed is Jordan. Processional. Appeared in the S. Mary, Aberdeen, Hymnal, 1866, the People's Hymnal, 1867, &c. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Henry Thomas Smart

1813 - 1879 Person Name: Henry Smart Composer of "AT THE NAME OF JESUS" in Songs of Praise and Prayer Henry Smart (b. Marylebone, London, England, 1813; d. Hampstead, London, 1879), a capable composer of church music who wrote some very fine hymn tunes (REGENT SQUARE, 354, is the best-known). Smart gave up a career in the legal profession for one in music. Although largely self taught, he became proficient in organ playing and composition, and he was a music teacher and critic. Organist in a number of London churches, including St. Luke's, Old Street (1844-1864), and St. Pancras (1864-1869), Smart was famous for his extemporiza­tions and for his accompaniment of congregational singing. He became completely blind at the age of fifty-two, but his remarkable memory enabled him to continue playing the organ. Fascinated by organs as a youth, Smart designed organs for impor­tant places such as St. Andrew Hall in Glasgow and the Town Hall in Leeds. He composed an opera, oratorios, part-songs, some instrumental music, and many hymn tunes, as well as a large number of works for organ and choir. He edited the Choralebook (1858), the English Presbyterian Psalms and Hymns for Divine Worship (1867), and the Scottish Presbyterian Hymnal (1875). Some of his hymn tunes were first published in Hymns Ancient and Modern (1861). Bert Polman

Anonymous

Person Name: Anon. Composer of "FRANCONIA" in Mawl a chân = praise and song In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.