Search Results

Text Identifier:father_o_hear_us_savior_draw_near_us

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Texts

text icon
Text authorities

Father, O Hear Us

Appears in 4 hymnals First Line: Father, O hear us, Savior draw near us

Tunes

tune icon
Tune authorities

[Father, O hear us, Savior draw near us]

Appears in 14 hymnals Tune Sources: Arr. from George Frederick Handel Tune Key: D Major Incipit: 33344 25443 66 Used With Text: Father, O Hear Us

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals

Father, O Hear Us

Hymnal: The Mennonite Hymnary, published by the Board of Publication of the General Conference of the Mennonite Church of North America #609 (1940) First Line: Father, O hear us, Savior draw near us Tune Title: [Father, O hear us, Savior draw near us]
Page scan

Father! O hear us, Savior drawn near us

Hymnal: The Mozart Collection of Sacred Music #226 (1846)
Page scan

Father, O hear, us

Hymnal: Scripture and Song in Worship #62a (1909) Languages: English Tune Title: [Father, O hear, us]

People

person icon
Authors, composers, editors, etc.

George Frideric Handel

1685 - 1759 Person Name: Georg Friedrich Händel Composer of "FATHER, O HEAR US" in The School Hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman