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He who bore witness by a good confession
Appears in 2 hymnals Matching Instances: 2 Text Sources: Editors of New English Hymnal, 1986; freely based on the Latin, 9th century
He who bore witness by a good confession
ISTE CONFESSOR (I)
Appears in 9 hymnals Matching Instances: 1 Tune Sources: Mode ii Tune Key: e minor Incipit: 13117 13312 21 Used With Text: He who bore witness by a good confession
ISTE CONFESSOR (I)
AD TUUM NOMEN
Appears in 6 hymnals Matching Instances: 1 Composer and/or Arranger: Martin Shaw, 1875-1958 Tune Sources: Chartres Antiphoner, 1784 Tune Key: G Major Used With Text: He who bore witness by a good confession
AD TUUM NOMEN
He who bore witness by a good confession
Hymnal: The New English Hymnal #220a (1986) Topics: The Christian Year Festivals and Other Holidays: General; Confessors Languages: English Tune Title: ISTE CONFESSOR (I)
He who bore witness by a good confession
He who bore witness by a good confession
Hymnal: The New English Hymnal #220b (1986) Topics: The Christian Year Festivals and Other Holidays: General; Confessors Tune Title: AD TUUM NOMEN
He who bore witness by a good confession
Martin Shaw
1875 - 1958 Person Name: Martin Shaw, 1875-1958 Harmonizer of "AD TUUM NOMEN" in The New English Hymnal Martin F. Shaw was educated at the Royal College of Music in London and was organist and choirmaster at St. Mary's, Primrose Hill (1908-1920), St. Martin's in the Fields (1920-1924), and the Eccleston Guild House (1924-1935). From 1935 to 1945 he served as music director for the diocese of Chelmsford. He established the Purcell Operatic Society and was a founder of the Plainsong and Medieval Society and what later became the Royal Society of Church Music.
Author of The Principles of English Church Music Composition (1921), Shaw was a notable reformer of English church music. He worked with Percy Dearmer (his rector at St. Mary's in Primrose Hill); Ralph Vaughan Williams, and his brother Geoffrey Shaw in publishing hymnals such as Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). A leader in the revival of English opera and folk music scholarship, Shaw composed some one hundred songs as well as anthems and service music; some of his best hymn tunes were published in his Additional Tunes in Use at St. Mary's (1915).
Bert Polman
Martin Shaw
