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Hosanna en el cielo (Hosanna in the Heavens)
Author: Dianne Zandstra, n. 1952 Appears in 1 hymnal First Line: Santo, santo, santo es el Señor (Holy, holy, holy is the Lord) Topics: Alabanza; Praise; Año Cristiano Domingo de Ramos; Christian Year Palm Sunday Scripture: Mark 11:1-10 Used With Tune: [Santo, santo, santo es el Señor]
Hosanna en el cielo (Hosanna in the Heavens)
Holy, Holy, Holy
Appears in 1 hymnal First Line: Holy, holy, holy, holy, holy Lord God of hosts Lyrics: Holy, holy, holy, holy, holy Lord God of hosts.
Heaven and earth are filled with your glory.
Hosanna in the highest.
Blessed is He who comes in the name of the Lord, of the Lord.
Hosanna in the highest, hosanna in the highest. Topics: Service Music Sanctus Used With Tune: [Holy, holy, holy, holy, holy Lord God of hosts]
Holy, Holy, Holy
[Holy, holy, holy Lord, God of power and might]
Appears in 1 hymnal Composer and/or Arranger: Elise Eslinger Tune Sources: After NICAEA Tune Key: C Major Incipit: 11335 55666 54511 Used With Text: The Great Thanksgiving : Musical Setting A
[Holy, holy, holy Lord, God of power and might]
[Holy, holy, holy Lord God of hosts]
Appears in 24 hymnals Composer and/or Arranger: Franz Peter Schubert, 1797-1828; Richard Proulx, b. 1937 Tune Key: E Flat Major Incipit: 33234 43222 31233 Used With Text: Holy, holy, holy Lord, God of power and might
[Holy, holy, holy Lord God of hosts]
[Holy, holy, holy Lord]
Appears in 1 hymnal Composer and/or Arranger: James A. Kriewald Tune Key: E Flat Major Incipit: 11651 23116 51233 Used With Text: The Great Thanksgiving : Musical Setting B
[Holy, holy, holy Lord]
Holy, Holy, Holy
Hymnal: Lift Every Voice and Sing II #255 (1993) First Line: Holy, holy, holy, holy, holy Lord God of hosts Lyrics: Holy, holy, holy, holy, holy Lord God of hosts.
Heaven and earth are filled with your glory.
Hosanna in the highest.
Blessed is He who comes in the name of the Lord, of the Lord.
Hosanna in the highest, hosanna in the highest. Topics: Service Music Sanctus Languages: English Tune Title: [Holy, holy, holy, holy, holy Lord God of hosts]
Holy, Holy, Holy
Hosanna en el cielo (Hosanna in the Heavens)
Author: Dianne Zandstra, n. 1952 Hymnal: Santo, Santo, Santo #142 (2019) First Line: Santo, santo, santo es el Señor (Holy, holy, holy is the Lord) Topics: Alabanza; Praise; Año Cristiano Domingo de Ramos; Christian Year Palm Sunday Scripture: Mark 11:1-10 Languages: English; Spanish Tune Title: [Santo, santo, santo es el Señor]
Hosanna en el cielo (Hosanna in the Heavens)
Lord God of Hosts
Author: Charlotte G. Homer Hymnal: Progressive Sunday School Songs #165 (1923) First Line: Holy Lord God of Hosts, we bend before Thee Lyrics: 1 Holy Lord God of Hosts, we bend before Thee;
Earth and sea in humility adore thee.
Thou alone art of ev’ry gift the Giver,
Strong and mighty from evil to deliver,
Hear our prayer, as before Thy throne we fall,
King of kings, everlasting Lord of all.
2 Holy Lord God of Hosts, forever glorious;
Over darkness and death Thou art victorious.
Cherubim, Seraphim and angels, praising,
Fill Thy courts, never-ending praises raising,
Bend Thine ear, Holy One, our pray’r attend;
Thou art worthy of praise, world without end.
3 Holy Lord, God of Hosts, in deep contrition
We would yield to Thy will complete submission.
Cast us not from Thy presence, we implore Thee,
Lift us up from the dust to stand before Thee.
Holy Lord God, we cry to Thee again,
Bend Thine ear; hear our pray’r, Amen, Amen. Topics: Adoration Languages: English Tune Title: [Holy Lord God of Hosts, we bend before Thee]
Lord God of Hosts
Anonymous
Person Name: Anónima Composer of "[Santo, santo, santo es el Señor]" in Santo, Santo, Santo In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Conrad Kocher
1786 - 1872 Person Name: Konrad Kocher Composer of "DIX" in The Cyber Hymnal Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838).
Bert Polman
Conrad Kocher
E. J. Hopkins
1818 - 1901 Person Name: Edward J. Hopkins Composer of "ST. ATHANASIUS" in Hymns to the Living God Dr Edward John Hopkins MusDoc United Kingdom 1818-1901. Born at Westminster, England, the son of a clarinetist with the Royal Opera House orchestra, he became an organist (as did two of his brothers) and a composer. In 1826 he became a chorister of the Chapel Royal and sang at the coronation of King William IV in Westminster Abbey. He also sang in the choir of St. Paul’s Cathedral, a double schedule requiring skill and dexterity. On Sunday evenings he would play the outgoing voluntary at St. Martin’s in-the-field. He left Chapel Royal in 1834 and started studying organ construction at two organ factories. He took an appointment at Mitcham Church as organist at age 16, winning an audition against other organists. Four years later he became organist at the Church of St. Peter, Islington. In 1841 he became organist at St. Luke’s, Berwick St., Soho. Two Years later he was organist at Temple Church, which had a historic organ (built in 1683). He held this position for 55 years. In 1845 he married Sarah Lovett, and they had four sons and five daughters. He was closely associated with the Bach Society and was organist for the first English performances of Bach’s St. Matthew Passion. In 1855 he collaborated with Edward Rimbault publishing “The organ, its history and construction” (3 editions 1855-70-77). In 1864 he was one of the founders of the “College of organists”. In 1882 he received an honorary Doctorate of Music from the Archbishop of Canterbury. He composed 30+ hymn tunes and some psalm chants, used by the Church of England. He died in London, England.
John Perry
E. J. Hopkins
