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Hosanna en el cielo (Hosanna in the Heavens)
Author: Dianne Marie Zandstra Appears in 1 hymnal First Line: Santo, santo, santo es el Señor (Holy, holy, holy is the Lord; God of all creation)
Hosanna en el cielo (Hosanna in the Heavens)
Holy, Holy, Holy
Appears in 1 hymnal First Line: Holy, holy, holy, holy, holy Lord God of hosts Lyrics: Holy, holy, holy, holy, holy Lord God of hosts.
Heaven and earth are filled with your glory.
Hosanna in the highest.
Blessed is He who comes in the name of the Lord, of the Lord.
Hosanna in the highest, hosanna in the highest. Topics: Service Music Sanctus Used With Tune: [Holy, holy, holy, holy, holy Lord God of hosts]
Holy, Holy, Holy
Holy, holy, holy Lord (Sanctus)
Appears in 226 hymnals First Line: Holy, holy, holy Lord, God of power and might Topics: liturgical Sanctus Text Sources: Traditional liturgical text
Holy, holy, holy Lord (Sanctus)
[Holy, holy, holy Lord, God of power and might]
Appears in 1 hymnal Composer and/or Arranger: Elise Eslinger Tune Sources: After NICAEA Tune Key: C Major Incipit: 11335 55666 54511 Used With Text: The Great Thanksgiving : Musical Setting A
[Holy, holy, holy Lord, God of power and might]
[Holy, holy, holy Lord God of hosts]
Appears in 24 hymnals Composer and/or Arranger: Franz Peter Schubert, 1797-1828; Richard Proulx, b. 1937 Tune Key: E Flat Major Incipit: 33234 43222 31233 Used With Text: Holy, holy, holy Lord, God of power and might
[Holy, holy, holy Lord God of hosts]
[Holy, holy, holy Lord]
Appears in 1 hymnal Composer and/or Arranger: James A. Kriewald Tune Key: E Flat Major Incipit: 11651 23116 51233 Used With Text: The Great Thanksgiving : Musical Setting B
[Holy, holy, holy Lord]
Holy, Holy, Holy
Hymnal: Lift Every Voice and Sing II #255 (1993) First Line: Holy, holy, holy, holy, holy Lord God of hosts Lyrics: Holy, holy, holy, holy, holy Lord God of hosts.
Heaven and earth are filled with your glory.
Hosanna in the highest.
Blessed is He who comes in the name of the Lord, of the Lord.
Hosanna in the highest, hosanna in the highest. Topics: Service Music Sanctus Languages: English Tune Title: [Holy, holy, holy, holy, holy Lord God of hosts]
Holy, Holy, Holy
Hosanna en el cielo (Hosanna in the Heavens)
Author: Dianne Zandstra, n. 1952 Hymnal: Santo, Santo, Santo #142 (2019) First Line: Santo, santo, santo es el Señor (Holy, holy, holy is the Lord) Topics: Alabanza; Praise; Año Cristiano Domingo de Ramos; Christian Year Palm Sunday Scripture: Mark 11:1-10 Languages: English; Spanish Tune Title: [Santo, santo, santo es el Señor]
Hosanna en el cielo (Hosanna in the Heavens)
Lord God of Hosts
Author: Charlotte G. Homer Hymnal: Progressive Sunday School Songs #165 (1923) First Line: Holy Lord God of Hosts, we bend before Thee Lyrics: 1 Holy Lord God of Hosts, we bend before Thee;
Earth and sea in humility adore thee.
Thou alone art of ev’ry gift the Giver,
Strong and mighty from evil to deliver,
Hear our prayer, as before Thy throne we fall,
King of kings, everlasting Lord of all.
2 Holy Lord God of Hosts, forever glorious;
Over darkness and death Thou art victorious.
Cherubim, Seraphim and angels, praising,
Fill Thy courts, never-ending praises raising,
Bend Thine ear, Holy One, our pray’r attend;
Thou art worthy of praise, world without end.
3 Holy Lord, God of Hosts, in deep contrition
We would yield to Thy will complete submission.
Cast us not from Thy presence, we implore Thee,
Lift us up from the dust to stand before Thee.
Holy Lord God, we cry to Thee again,
Bend Thine ear; hear our pray’r, Amen, Amen. Topics: Adoration Languages: English Tune Title: [Holy Lord God of Hosts, we bend before Thee]
Lord God of Hosts
Anonymous
Person Name: Anónima Composer of "[Santo, santo, santo es el Señor]" in Santo, Santo, Santo In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Conrad Kocher
1786 - 1872 Person Name: Konrad Kocher Composer of "DIX" in The Cyber Hymnal Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838).
Bert Polman
Conrad Kocher
Louis Bourgeois
1510 - 1561 Person Name: Louis Bourgeois Composer (attributed to) of "OLD 100TH" in The Cyber Hymnal Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation.
The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholarly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciated by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life.
Bert Polman
Louis Bourgeois
