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Love Came Down at Christmas
Author: Christina Georgina Rossetti Meter: 6.7.6.7 Appears in 68 hymnals
Love Came Down at Christmas
LOVE CAME DOWN
Appears in 3 hymnals Composer and/or Arranger: Malcolm Archer Incipit: 11551 55533 55311 Used With Text: Love came down at Christmas
LOVE CAME DOWN
Love came down at Christmas
Author: Christina Georgina Rossetti, 1830-1894 Hymnal: Complete Anglican Hymns Old and New #427b (2000) Meter: 6.7.6.7 Lyrics: 1 Love came down at Christmas,
Love all lovely, Love divine;
Love was born at Christmas,
star and angels gave the sign.
2 Worship we the Godhead,
Love incarnate, Love divine;
worship we our Jesus:
but wherewith for sacred sign?
3 Love shall be our token,
love be yours and love be mine,
love to God and all men,
love for plea and gift and sign. Topics: Christmas Languages: English Tune Title: LOVE CAME DOWN
Love came down at Christmas
Love Came Down at Christmas
Author: Christina G. Rossetti Hymnal: The New Century Hymnal #165 (1995) Meter: 6.7.6.7 Lyrics: 1 Love came down at Christmas,
Love all lovely, Love divine;
Love was born at Christmas;
star and angels gave the sign.
2 Worship we the Godhead,
Love incarnate, Love divine;
Worship we our Jesus,
but where is God's sacred sign?
3 Love shall be our token;
love be yours and love be mine;
Love to God and neighbor,
love for plea and gift and sign. Topics: Christmas; Eternal Life; Jesus Christ Epiphany and Youth; Year A Christmas Day 1; Year A Christmas Day 2; Year A Epiphany; Year B Christmas Day 1; Year B Christmas Day 2; Year B Epiphany; Year C Christmas Day 1; Year C Christmas Day 2; Year C Epiphany Scripture: Luke 2:8-18 Languages: English Tune Title: WHITNEY
Love Came Down at Christmas
Love Came Down at Christmas
Author: Christina Georgina Rossetti Hymnal: The Christmas Miracle #1 (1919) Topics: Christmas Languages: English Tune Title: [Love came down at Christmas]
Love Came Down at Christmas
Christina Georgina Rossetti
1830 - 1894 Person Name: Christina Rossetti Author of "Love Came Down at Christmas" in Psalms and Hymns to the Living God Rossetti, Christina Georgina, daughter of Gabriel, and sister of Dante Gabriel and William Michael Rossetti, was born in London, Dec. 5, 1830, and received her education at home. Her published works include:—
(1) Goblin Market, and Other Poems, 1862; (2) The Prince's Progress, and Other Poems, 1866 ; (3) Poems, mainly a reprint of Nos. 1 and 2, 1875; (4) A Pageant, and Other Poems, 1881, &c.
In addition, Miss Rossetti has published several prose works, as:— Annus Domini (a book of prayers for every day in the year), 1874; Letter and Spirit of the Decalogue, 1883, and others. She has written very few hymns avowedly for church worship, but several centos have been compiled from her poems, and have passed into several hymn-books. These include:—
1. Dead is thy daughter, trouble not the Master. The raising of Jairus's daughter. From her Goblin Market, &c, 1862, into Lyra Mystica, 1865.
2. God the Father, give us grace. Invocation of the Holy Trinity. From Lyra Mystica into the Savoy Hymnary, for use in the Chapel Koyai, Savoy (see No. 8 below).
3. I bore with thee long weary days and nights. The Love of Christ. From her Goblin Market, &c, 1862, into Lyra Messianica, 1864.
4. I would have gone, God bade me stay. Resignation. From her Poems, Hymns, 1884, &c. 1875, into Horder's Congregational Hymns.
5. Once I thought to sit so high. A Body hast Thou prepared Me, or Passiontide. Contributed to Lyra Eucharistica, 1863.
6. The Advent moon shines cold and clear. Advent. From her Goblin Market, &c, 1862.
7 The flowers that bloom in sun and shade. The Eternity of God. In Mrs. C. Brock's Children's Hymn Book, 1881.
8. What are these that glow from afar? Martyrs. Part of the poem "We meet in joy though we part in sorrow," which appeared in Lyra Mystica, 1865, and then in Miss Rossetti's Prince's Progress, &c, 1866. It is the most widely used of her hymns. No. 2 above is also from the same poem.
Miss Rossetti's verses are profoundly suggestive and lyrical, and deserve a larger place than they occupy in the hymnody of the church. Her sonnets are amongst the finest in the English language. [Rev.W. Garrett Horder]
--John Julian, Dictionary of Hymnology (1907)
==============
Rossetti, Christina G., p. 978, i. The following hymns by Miss Rossetti have recently come into common use:—
1. A burdened heart that bleeds and bears. [Lent.] In her Time Flies: A Reading Diary, ed. 1897, p. 59, for March 26; and her Verses, &c., ed. 1898, p. 113. Included in Church Hymns, 1903.
2. Give me the lowest place, not that I dare. [Humility.] From her Prince's Progress, 1866, p. 216.
3. In the bleak midwinter. [Christmas.] In her Poetical Works, 1904, p. 246, as "Before 1872"; repeated in The English Hymnal, 1906.
4. None other Lamb, none other Name. [Jesus, All, and in All] From her The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 176); and her Verses, &c, 1898, p. 36. It is the second of two poetical meditations on Rev. v. 6. In Church Hymns, 1903.
5. The shepherds had an angel. [Christmas.] In her Poetical Works, 1904, p. 187, this is entitled "A Christmas Carol. For my Godchildren," and dated 6 October, 1856. Repeated in the Sunday School Hymnary, 1905.
6. We know not a voice of that River. [The River of the Eternal City.] In The Face of the Deep, &c, 1892 (3rd ed. 1895, p. 523), as a poetical meditation on Rev, xxii. Also in her Verses, &c., 1898, p. 81.
Additional works by Miss Rossetti to those named on p. 978, i., include Time Flies A Reading Diary, 1885; Called to be Saints, 1881; Seek and Find, 1879; The Face of the Deep, A Devotional Commentary on the Apocalypse, 1892; and Verses ... reprinted fromCalled to be Saints, Time Flies, The Face of the Deep, 1893. It must be noted that (1) the hymn attributed to her, "Dead is thy daughter; trouble not the Master," is not by her, but by Mrs. C. F. Alexander, with whose name it appeared in Lyra Mystica, 1865; and (2) her “I would be gone; God bade me stay," is from her Prince's Progress, 1866, p. 204. Miss Rossetti d. Dec. 29, 1891.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Christina Georgina Rossetti
Basil Harwood
1859 - 1949 Person Name: Basil Harwood (1859-) Composer of "CUMNOR" in The Oxford Hymn Book Basil Harwood (11 April 1859 – 3 April 1949) was an English organist and composer.
Basil Harwood was born in Woodhouse, Gloucestershire (the second youngest of 12 children) on 11 April 1859. His mother died in 1867 when Basil was eight. His parents were Quakers but his elder sister Ada, on reaching 21 in 1867, converted to the Anglican Church. Basil was allowed to attend the ceremony at the Church of England in Almondsbury and this is where he was first drawn to organ music and choral singing. His father, Edward, remarried two years later in 1869 to a lady from an Anglican family. Basil was now sent to the Montpellier School in Weston-super-Mare for a year. In 1871, at 12 he was enrolled in Clevedon, the preparatory school for Charterhouse where he was first to formally study music.
He went up to Charterhouse in 1874 and left in 1876 having won a leaving Exhibition to Trinity College, Oxford where he initially studied Classics (1879) and Modern History (1880). He then studied for a further two years, 1881–1882, at the Leipzig Conservatory under Carl Reinecke and Salomon Jadassohn. It was here in 1882, Basil composed his first anthem for chorus and organ "O Saving Grace." He returned from Leipzig to realise that he had now passed the age limit to study music formally.
In 1883, Basil became organist of St. Barnabas Church, Pimlico completing his Sonata in C# Minor here in 1885, selling the copyright to the publisher Schott for one shilling a year or two later. After this success, he then moved to Ely Cathedral in 1887 where he wrote the bulk of Dithyramb, possibly his greatest organ work. His final appointment was as organist at Christ Church, Oxford and as precentor of Keble College, Oxford from 1892 to 1909. Whilst there he co-founded and conducted the Oxford Bach Choir which helped to earn him his degree as Doctor of Music. He conducted the Oxford Orchestral Association (1892–1898).
He was musical editor of the 1908 Oxford Hymn Book and Examiner for Musical Degrees (1900–1925).
During this time, he met and married Mabel Ada Jennings (the daughter of George Jennings) (who had become a pupil of his in 1896) at All Souls St. Marylebone, London (27 December 1899). Mabel had studied music herself, piano and composition, and was also a writer. She may well have composed lyrics for some of his lesser known tunes. At an advanced age she wrote a small volume of collected poems named Questing Soul.
He retired early at 50 (in 1909) after the death of his father, Edward Harwood, from whom he inherited the family estate of Woodhouse having outlived his seven older brothers. Soon after moving in he had a three manual chamber organ built in the library by Bishop & Sons of Ipswich (now in Minehead Parish Church), on which he promptly finished his Sonata in F# Minor. He continued to compose prolifically.
He was a keen walker, and named many of his hymn tunes after local places that he loved to visit, the most notable being the hymn tunes such as Tockington, Olveston, Almondsbury and Thornbury.
In 1936 advancing in years, he let the Woodhouse estate and moved to Bournemouth. Part of the estate, Woodhouse Down, was later sold to his contemporary Robert Baden-Powell who was two years older than he was and who had also attended Charterhouse School, and is used as a Scout Camp to this day.
In 1939, at eighty, he moved to London, taking a flat in Fleet Street. After a long life, he died on 3 April 1949, eight days short of his 90th birthday, at Courtfield Gardens in the Royal Borough of Kensington, London. A memorial service was held in St Paul's Cathedral on 22 April 1949. Mabel survived him, dying shortly before her 103rd birthday on 20 July 1974. He was survived by two sons; Major John Edward Godfrey Harwood (1900–1996) and Basil Antony Harwood (1903–1990) Senior Master of the Supreme Court, Q.B.D. and Queen's Remembrancer.
His remains are interred in St. Barnabas Church, Pimlico and marked by a plaque inset in floor of the chancel, close to where he would have stood to conduct the choir.
He composed cantatas, church music and works for the organ; his Service in A flat, the anthem O how Glorious and the hymn tunes LUCKINGTON ("Let all the world in every corner sing") and THORNBURY ("Thy hand O God has guided"), first used during a festival of the London Church Choir Association, remain in the Anglican repertory.
--en.wikipedia.org/wiki
Basil Harwood
Anonymous
Composer of "GARTON" in The Cyber Hymnal In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
