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Text Identifier:o_god_you_are_my_god_alone

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O God, You Are My God Alone

Author: John L. Bell Meter: 8.6.8.6 D Appears in 8 hymnals First Line: O God, you are my God alone, Whom eagerly I seek
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O God, You Are My God Alone

Meter: 8.8.8.8 Appears in 2 hymnals Topics: Church As the Lord's House; Communion with Christ and God; Contentment; Joy; Longing for Christ and God Scripture: Psalm 63 Used With Tune: PUER NOBIS NASCITUR Text Sources: OPC/URCNA 2016

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GRATUS

Meter: 8.6.8.6 D Appears in 10 hymnals Composer and/or Arranger: Mary Kay Beall Tune Key: E Flat Major Incipit: 51155 43216 11715 Used With Text: O God, You Are My God Alone (Psalm 63)
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PUER NOBIS NASCITUR

Meter: 8.8.8.8 Appears in 210 hymnals Composer and/or Arranger: Michael Praetorius; George R. Woodward Tune Key: D Major Incipit: 11234 32115 55671 Used With Text: O God, You Are My God Alone
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RESIGNATION

Meter: 8.6.8.6 D Appears in 101 hymnals Composer and/or Arranger: John L. Bell (b. 1949) Tune Sources: American folk melody Tune Key: C Major Incipit: 13532 35165 31351 Used With Text: O God, you are my God alone

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O God, You Are My God Alone

Hymnal: Trinity Psalter Hymnal #63A (2018) Meter: 8.8.8.8 Topics: Church As the Lord's House; Communion with Christ and God; Contentment; Joy; Longing for Christ and God Scripture: Psalm 63 Languages: English Tune Title: PUER NOBIS NASCITUR

O God, You Are My God Alone

Hymnal: Psalms and Hymns to the Living God #63B (2023) Meter: 8.8.8.8 Topics: Dedication Scripture: Psalm 63 Languages: English Tune Title: PUER NOBIS

O God, You Are My God Alone

Author: Iona Community Hymnal: Psalms for All Seasons #63B (2012) Meter: 8.6.8.6 D Topics: Biblical Names and Places Judah; Church Year Transfiguration; Conflict; Cry to God; Daily Prayer Morning Prayer; Daily Prayer Night Prayer; Delight; Desiring God; Elements of Worship Gathering; Elements of Worship Lord's Supper; Emmaus Road; God Dependence on; God Desire for; God's Triumph; God's Wings; God's Anger; God's Armor; God's Face; God's Glory; God's Justice; God's Protection; Jesus Christ Good Shepherd; Jesus Christ Way, Truth, and Life; Joy; Labor; Longing for God; Mercy; Seeking God; Ten Commandments 9th Commandment (do not bear false witness); Truth; Worship; Year C, Lent, 3rd Sunday Scripture: Psalm 63 Languages: English Tune Title: GRATUS

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John L. Bell

b. 1949 Person Name: John L. Bell (b. 1949) Author of "O God, you are my God alone" in Church Hymnary (4th ed.) John Bell (b. 1949) was born in the Scottish town of Kilmarnock in Ayrshire, intending to be a music teacher when he felt the call to the ministry. But in frustration with his classes, he did volunteer work in a deprived neighborhood in London for a time and also served for two years as an associate pastor at the English Reformed Church in Amsterdam. After graduating he worked for five years as a youth pastor for the Church of Scotland, serving a large region that included about 500 churches. He then took a similar position with the Iona Community, and with his colleague Graham Maule, began to broaden the youth ministry to focus on renewal of the church’s worship. His approach soon turned to composing songs within the identifiable traditions of hymnody that began to address concerns missing from the current Scottish hymnal: "I discovered that seldom did our hymns represent the plight of poor people to God. There was nothing that dealt with unemployment, nothing that dealt with living in a multicultural society and feeling disenfranchised. There was nothing about child abuse…,that reflected concern for the developing world, nothing that helped see ourselves as brothers and sisters to those who are suffering from poverty or persecution." [from an interview in Reformed Worship (March 1993)] That concern not only led to writing many songs, but increasingly to introducing them internationally in many conferences, while also gathering songs from around the world. He was convener for the fourth edition of the Church of Scotland’s Church Hymnary (2005), a very different collection from the previous 1973 edition. His books, The Singing Thing and The Singing Thing Too, as well as the many collections of songs and worship resources produced by John Bell—some together with other members of the Iona Community’s “Wild Goose Resource Group,” —are available in North America from GIA Publications. Emily Brink

Richard Proulx

1937 - 2010 Person Name: Richard Proulx, 1937-2010 Harmonizer of "RESIGNATION" in Worship (4th ed.) Richard Proulx (b. St. Paul, MN, April 3, 1937; d. Chicago, IL, February 18, 2010). A composer, conductor, and teacher, Proulx was director of music at the Holy Name Cathedral in Chicago, Illinois (1980-1997); before that he was organist and choirmaster at St. Thomas' Episcopal Church in Seattle, Washington. He contributed his expertise to the Roman Catholic Worship III (1986), The Episcopal Hymnal 1982, The United Methodist Hymnal (1989), and the ecumenical A New Hymnal for Colleges and Schools (1992). He was educated at the University of Minnesota, MacPhail College of Music in Minneapolis, Minnesota, St. John's Abbey in Collegeville, Minnesota, and the Royal School of Church Music in England. He composed more than 250 works. Bert Polman

Michael Praetorius

1571 - 1621 Adapter of "PUER NOBIS NASCITUR" in Trinity Psalter Hymnal Born into a staunchly Lutheran family, Michael Praetorius (b. Creuzburg, Germany, February 15, 1571; d. Wolfenbüttel, Germany, February 15, 1621) was educated at the University of Frankfort-an-der-Oder. In 1595 he began a long association with Duke Heinrich Julius of Brunswick, when he was appoint­ed court organist and later music director and secretary. The duke resided in Wolfenbüttel, and Praetorius spent much of his time at the court there, eventually establishing his own residence in Wolfenbüttel as well. When the duke died, Praetorius officially retained his position, but he spent long periods of time engaged in various musical appointments in Dresden, Magdeburg, and Halle. Praetorius produced a prodigious amount of music and music theory. His church music consists of over one thousand titles, including the sixteen-volume Musae Sionae (1605-1612), which contains Lutheran hymns in settings ranging from two voices to multiple choirs. His Syntagma Musicum (1614-1619) is a veritable encyclopedia of music and includes valuable information about the musical instruments of his time. Bert Polman