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Text Identifier:o_lord_when_we_the_path_retrace

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O Lord, we now thy path retrace

Author: James G. Deck Appears in 40 hymnals Hymnal Title: Hymns, Psalms and Gospel Songs Used With Tune: SERENITY

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URANIA

Meter: 8.6.8.6 D Appears in 25 hymnals Hymnal Title: Book of Worship with Hymns and Tunes Incipit: 33234 33223 11223 Used With Text: O Lord, when we the path retrace
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WILLOWDALE

Appears in 3 hymnals Composer and/or Arranger: Wm. B. Bradbury Hymnal Title: Book of Worship Incipit: 55111 13312 12315 Used With Text: O Lord, when we the path retrace
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ST. LUKE

Appears in 55 hymnals Composer and/or Arranger: Joseph Barnby (1838- ) Hymnal Title: Carmina Sanctorum Incipit: 11123 32234 56755 Used With Text: O Lord, when we the path retrace

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O Lord, when we the path retrace

Hymnal: Book of Worship (Rev. ed.) #122 (1870) Hymnal Title: Book of Worship (Rev. ed.) Lyrics: 1 O Lord, when we the path retrace Which Thou on earth hast trod; To men Thy wondrous love and grace, Thy faithfulness to God: Thy love, by man so sorely tried, Proves stronger than the grave; The very spear that pierced Thy side Drew forth the blood to save. 2 Faithful amid unfaithfulness, 'Mid darkness only light, Thou didst Thy Father's name confess, And in His will delight; Unmoved by Satan's subtle wiles, Or suff'ring, shame, and loss: Thy path, uncheer'd by earthly smiles, Led only to the cross. 3 O Lord! with sorrow and with shame, Before Thee we confess How little we, who bear Thy name, Thy mind, Thy ways express. Give us Thy meek, Thy lowly mind: We would obedient be; And all our rest and pleasure find In learning, Lord, of Thee. Topics: Christ a Pattern; Likeness to God and Christ; Christ our Pattern Languages: English
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O Lord, when we the path retrace

Author: James G. Deck Hymnal: Book of Worship with Hymns and Tunes #247 (1899) Meter: 8.6.8.6 D Hymnal Title: Book of Worship with Hymns and Tunes Lyrics: 1 O Lord, when we the path retrace Which Thou on earth hast trod; To men Thy wondrous love and grace, Thy faithfulness to God: Thy love, by man so sorely tried, Proves stronger than the grave; The very spear that pierced Thy side Drew forth the blood to save. 2 Faithful amid unfaithfulness, 'Mid darkness only light, Thou didst Thy Father's name confess, And in His will delight; Unmoved by Satan's subtle wiles, Or suffering, shame, and loss: Thy path, uncheered by earthly smiles Led only to the cross. 3 O Lord! with sorrow and with shame, Before Thee we confess How little we, who bear Thy name, Thy mind, Thy ways express. Give us Thy meek, Thy lowly mind: We would obedient be, And all our rest and pleasure find In learning, Lord, of Thee. Amen. Topics: Christ Example of; Conformity to Christ; Lent; Likeness to God and Christ; Meekness Languages: English Tune Title: URANIA
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O Lord, when we the path retrace

Hymnal: Book of Worship #122 (1881) Hymnal Title: Book of Worship Languages: English Tune Title: WILLOWDALE

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William B. Bradbury

1816 - 1868 Person Name: Wm. B. Bradbury Hymnal Title: Book of Worship Composer of "WILLOWDALE" in Book of Worship William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

Joseph Barnby

1838 - 1896 Person Name: Joseph Barnby (1838- ) Hymnal Title: Carmina Sanctorum Composer of "ST. LUKE" in Carmina Sanctorum Joseph Barnby (b. York, England, 1838; d. London, England, 1896) An accomplished and popular choral director in England, Barby showed his musical genius early: he was an organist and choirmaster at the age of twelve. He became organist at St. Andrews, Wells Street, London, where he developed an outstanding choral program (at times nicknamed "the Sunday Opera"). Barnby introduced annual performances of J. S. Bach's St. John Passion in St. Anne's, Soho, and directed the first performance in an English church of the St. Matthew Passion. He was also active in regional music festivals, conducted the Royal Choral Society, and composed and edited music (mainly for Novello and Company). In 1892 he was knighted by Queen Victoria. His compositions include many anthems and service music for the Anglican liturgy, as well as 246 hymn tunes (published posthumously in 1897). He edited four hymnals, including The Hymnary (1872) and The Congregational Sunday School Hymnal (1891), and coedited The Cathedral Psalter (1873). Bert Polman

William Horsley

1774 - 1858 Hymnal Title: Christian Chorals Composer of "HORSLEY" in Christian Chorals Born: November 15, 1774, Mayfair, London, England. Died: June 12, 1858, Kensington, London, England. Buried: Kensal Green Cemetery, London, England. Horsley studied music privately, then became organist of Ely Chapel, Holborn, London, in 1794. He assisted Dr. J. W. Callcott (who encouraged him in persevering at Glee-writing, at which he became successful) as organist of the Asylum for Female Orphans, and married Callcott’s daughter. He succeeded Callcott in 1802, holding that post 52 years. A difference of opinion with the Asylum Committee led to him being dismissed. In 1838 he also became organist of Charterhouse "at a salary of £70 and a room set apart and a fire provided when necessary for his use on those days upon which his duty requires his attendance at the Hospital." He founded the London Philharmonic Society, and in later years was a close friend of Felix Mendelssohn. J. C. Horsley, the eminent painter, relates in his Reminiscences the following experience when he went with his father to one of the services: "When I was four years old my father was organist to the Asylum for Female Orphans, which was a stately building on the Westminster Bridge Road; and one Sunday he took me in with him to the morning service and landed me in the organ-loft. Everything was new and surprising to me, especially the crowd of buxom girls, at least a hundred in number, all dressed alike, ranged right and left of the organ, and who, when the organ had played a bar or two of the opening hymn, sang out with open mouths and such energy that I was positively scared, and in continently accompanied the performance with a prolonged howl; upon which my father, continuing to play the accompaniment with one hand, supplied me promptly with paper out of his capacious pocket, where he always kept a store of backs of letters (envelopes were not invented then), and a silver pencil-case of heroic proportions, thus quieting me." Lightwood, pp. 171-72 --www.hymntime.com/tch/