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Text Identifier:o_thou_my_soul_forget_no_more

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O Thou, my soul, forget no more

Author: Krishna Pal Appears in 95 hymnals Hymnal Title: The Seventh-Day Adventist Hymn and Tune Book Lyrics: 1 O Thou, my soul, forget no more The Friend who all thy sorrows bore; Let every idol be forgot, But, O my soul, forget him not. 2 Eternal truth and mercy shine In him, and he himself is thine; And canst thou, then, with sin beset, Such charms, such matchless charms, forget? 3 O no! till life itself depart, His name shall cheer and warm my heart; And, lisping this, from earth I'll rise, And join the chorus of the skies. 4 Then through eternity I'll sing The matchless love of Christ, my King; And finding there no end of days, So shall I find no end of praise. Topics: Worship Adoration of Christ; Worship Adoration of Christ; Worship Adoration of Christ Used With Tune: FEDERAL STREET

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REPENTANCE

Appears in 12 hymnals Composer and/or Arranger: T. E. Perkins Hymnal Title: Hymnal for the Sunday School Incipit: 11231 21712 23425 Used With Text: O thou, my soul, forget no more
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MARSHMAN

Appears in 27 hymnals Composer and/or Arranger: B. Tours Hymnal Title: Laudes Domini Tune Key: C Major Incipit: 55176 54351 62567 Used With Text: "Forget him not"
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WARD

Appears in 310 hymnals Hymnal Title: Songs for the Lord's House Tune Sources: Scotch Melody Incipit: 55171 56555 55123 Used With Text: O thou, my soul, forget no more

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Love

Author: Krishnu Hymnal: 349 Lieder #e35 (1876) Hymnal Title: 349 Lieder First Line: O thou, my soul, forget no more Languages: English

O thou, my soul, forget no more

Author: Pal Krishnu Hymnal: A Collection of Evergreen Hymns, for All the People. New ed. #d106 (1881) Hymnal Title: A Collection of Evergreen Hymns, for All the People. New ed. Languages: English
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O thou, my soul, forget no more

Author: Pal Krishnu Hymnal: A Collection of Spiritual Hymns #912 (1876) Hymnal Title: A Collection of Spiritual Hymns Languages: English

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Theodore E. Perkins

1831 - 1912 Person Name: T. E. Perkins Hymnal Title: Hymnal for the Sunday School Composer of "REPENTANCE" in Hymnal for the Sunday School Theodore E. Perkins was born at Poughkeepsie, on the Hudson, N.Y., July 21, 1831. His father was a Baptist clergyman. The family of ten brothers and sisters sang and played various instruments, forming among themselves both choir and orchestra. His musical education began at the early age of three years. During his father's pastorate at Hamilton, N. Y., the choir rehearsals were often held at the parsonage, and the leader used to place the three-year-old on a small stool, on the table around which the choir was assembled, giving him a chance to both see and hear. Later on he played the violincello in church, standing on a stool in order to finger the instrument. The home gatherings — especially on Thanksgiving Day, are the recollections among the happiest of his childhood. His father became pastor of the Berean Baptist Church in New York City, in 1839, giving him the opportunity of studying the pianoforte, of which he became a proficient player. His fine alto voice soon gave him notoriety. At the age of nineteen while filling a position as clerk in New York, all his spare time was given to the study of voice and piano. In 1851 he went to Hamilton, N. Y., taught music in Madison University (now Colgate), and in the Female Seminary. In 1854 he went to Port Jervis, N. Y., where he taught singing school, and April 30, 1855, married Mary Frances Caskey, who was for years his soprano soloist in many musical Festivals and Conventions. Soon after marriage he removed to Salem, N. J., where his lifework as singing school teacher really began, including Bridgeton and prominent towns in southern New Jersey. During the summer of 1856 he and his wife were pupils of the Normal Academy of Music at North Reading, Mass., conducted by Drs. Lowell Mason and Geo. F. Root. During 1856-1858 he was given the position of assistant teacher and manager. His association with these two great men gave an inspiration to all his future work. In 1859 he was co-principal with Wm. B. Bradbury at the Normal Academy of Music, Geneseo, N. Y. He remained at Geneseo until 1863. Professor Perkins also held very successful schools in North Pelham Province of Ontario, Canada, and in 1864-1868 was principal in schools at Tunkhannock and Meadville, Pa. In 1860, The Olive Branch, his first book of church music, was published by F. J. Huntington, New York City, the sales reaching 100,000. Next was Oriental, which sold over 30,000. The Union, Glees and Anthems, and Sabbath Anthems followed ; then The Sacred Lute, which sold over 300,000. His Sunday-school books commenced with The Evergreen, followed by the Shining Star and New Shining Star. Then came Psalm King, which was the last of the books published by Mr. Huntington. Hallowed Songs was published by Philip Phillips; The Sunday School Banner was published by Wm. B. Bradbury. The Royal Standard was published in Toronto, Canada. The Golden Promise, Sabbath Carols, The Mount Zion Collection were published under his own supervision. His Free Sunday School Songs several times numbered over 500,000 a month. Coronation Songs with Rev. Dr. Deems as hymn editor was published by A. S. Barnes Co., who also published Psalms and Hymns and Spiritual Songs, in which Dr. C. S. Robinson was hymn editor, who with Professor Perkins edited Calvary Songs, published by the American S. S. Union. Gospel Tent Songs was evangelical. The Safe-Guard Singer was his temperance book. Mr. Perkins was musical director in the following churches in Brooklyn: The Lafayette Avenue Presbyterian Church, Rev. Dr. Cuyler; Strong Place Baptist Church, Rev. E. E. L. Taylor, D. D.; Madison Avenue Baptist Church, Rev. H. G. Weston, D. D., L. L. D.; Fifth Avenue Presbyterian Church, Rev. Dr. Rice, followed by Dr. John Hall; The Memorial Presbyterian Church, Rev. Dr. C. S. Robinson, who was his close friend; The Church of the Holy Trinity, Rev. Dr. Tyng, Jr. ; Trinity Baptist Church, Rev. Dr. J. B. Simmons, and Washington Square M. E. Church. In Philadelphia: The Fifth Baptist Church, Rev. Dr. Chase; The Eleventh Baptist Church, Rev. Dr. Colman; The Tabernacle M. E. Church, Rev. George Gaul, D. D. He was leader and singer in Evangelistic Services, at the Rink, The Old Madison Square Garden and Cooper Union, all of New York City. The music of the first great meeting of the world's Evangelical Alliance, held for ten days in New York City, was under his direction, as was the first National Sunday School convention, held in Newark, N. J. He was also conductor at the Golden Anniversary of the Female Guardian Society, leading a chorus of forty-two hundred children. In the opening chorus, Great is the Lord, by Dr. Calcott, the word "Great" was given with so much decision and power that the clergymen on the platform sprang to their feet and remained standing until the chorus was finished. He taught voice culture in Princeton and Lafayette Universities, The Union Theological Seminary, New York City; Crozer Seminary, Chester, Pa., and organized the music department of Temple University, Philadelphia, continuing in charge four years. He had charge of the children's choir of Howard Mission, New York City, for twenty-five years, and thinks that some of the happiest and most restful of the working hours were spent in teaching the poor children of the fourth and sixth wards to sing the Gospel. Mr. Sankey said to Mr. Perkins that " Jesus of Nazareth was my banner song for eight years." Jesus is Mine has been sung at the Christian's death-bed, the grave, and once as the convict was going to the scaffold. His Christmas Carol Sweetly Carol had a very large sale in this country, and was republished in England, France, Italy, and Germany. For a period of forty years he has made the study of the voice special work. The most thorough investigations of the voice and its possibilities were made with the assistance of the late John Howard, extending over a period of twenty-five years, during which he has had the care of over two thousand voices. He published a work entitled, Physiological Yoice Culture, edited by his son, the late T. Edward Perkins, M. D., physician and throat specialist of Philadelphia. Mr. Perkins also completed a method of voice culture based on the principles of John Howard's Physiology of Artistic Singing." During these years of work he has found time to edit thirty-four books of church, Sunday-school, day-school, and glee music, the larger portion having been previously mentioned. Also songs and ballads in sheet form, and a cantata entitled, The Excursion, libretto by Fanny Crosby, with whom there has existed an unbroken friendship for over forty years. -Biography of Gospel Song and hymn Writers

Berthold Tours

1838 - 1897 Person Name: B. Tours Hymnal Title: Laudes Domini Composer of "MARSHMAN" in Laudes Domini

Joshua Marshman

1768 - 1837 Person Name: J. Marshman Hymnal Title: Songs for the Lord's House Translatore of "O thou, my soul, forget no more" in Songs for the Lord's House Marshman, Joshua, D.D., was born at Westbury Leigh, Wiltshire, April 20, 1768, and educated for the Baptist ministry at the College at Bristol. In Oct. 1799 he joined Dr. Carey at Serampore, India. In 1826 he visited England, and returned to India in 1829. He died at Serampore, Dec. 5, 1837. His translation of Krishnu Pal's hymn is noted at p, 633, ii. In his Baptist Hymn Writers, Portland, U.S.A., Dr. Burrage attributes the original hymn, “Hail, precious book divine" (Holy Scripture) to him, but leaves its date and place of publication unnoted. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ==================== In ear­ly life he evinced a fond­ness for books and stu­dy. In 1794, he ac­cep­ted the charge of a school con­nect­ed with the Broad­mead Bap­tist church, Bris­tol, and not long af­ter he was bap­tized, and unit­ed with the church. At the same time he en­tered the the­o­lo­gic­al sem­in­a­ry at Bris­tol, and de­vot­ed him­self to the He­brew, Syr­i­ac, and other lan­guag­es. Be­com­ing in­ter­est­ed in Dr. Carey’s work in In­dia, he and his wife, in 1799, of­fered them­selves for mis­sion­a­ry ser­vice, and sailed May 29, for In­dia. They land­ed at Se­ram­pore Oc­to­ber 13, and the mis­sion was es­tab­lished there, Dr. and Mrs. Marsh­man open­ing a board­ing-school to aid them in the pro­se­cu­tion of their work. In 1806, Dr. Marsh­man com­menced the stu­dy of the Chi­nese lang­uage for the pur­pose of trans­lat­ing the Scrip­tures in­to that tongue. In 1814, he published his “Key to the Chi­nese Lan­guage,” and in fif­teen years from the time he com­menced his stu­dy of the lang­uage he com­plet­ed the pub­li­ca­tion of the first por­tion of the Scrip­tures in the Chi­nese lan­guage, con­sist­ing of the book of Gen­e­sis, the four Gos­pels, and Paul’s Epis­tles to the Ro­mans and Co­rinth­i­ans. In 1826, he vis­it­ed Eng­land, and re­turned in In­dia in 1829…In 1811, Brown Un­i­ver­sity con­ferred up­on him the hon­or­ary de­gree of Doc­tor of Di­vin­ity. Marshman’s works in­clude: Dissertation on the Char­ac­ters and Sounds of the Chi­nese Lang­uage, 1809 The Works of Con­fu­cius, Con­tain­ing the Orig­in­al Text, with a Trans­la­tion, 1811 A De­fence of the De­i­ty and Atone­ment of Je­sus Christ, 1822 Sanskrit Gram­mar, with Hen­ry Carey Bengalee and Eng­lish Dic­tion­ary, with Hen­ry Carey http://www.hymntime.com/tch/bio/m/a/r/s/marshman_j.htm ================= http://en.wikipedia.org/wiki/Joshua_Marshman