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Text Identifier:savior_who_didst_come_to_give

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Saviour, Who didst come to give

Author: Rev. F. W. Bartlett, D.D. Appears in 12 hymnals Used With Tune: [Saviour, Who didst come to give]

Tunes

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[Saviour, Who didst come to give]

Appears in 581 hymnals Composer and/or Arranger: Weber Incipit: 32436 53233 33471 Used With Text: Saviour, Who didst come to give
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ST. BEES

Appears in 289 hymnals Composer and/or Arranger: J. B. Dykes Incipit: 11176 71223 56272 Used With Text: Saviour, who didst come to give
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BUCKLAND

Meter: 7.7.7.7 Appears in 68 hymnals Composer and/or Arranger: Leighton George Hayne Tune Key: D Major Incipit: 53212 23517 5545 Used With Text: Savior, Who Didst Come To Give

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Savior, Who Didst Come To Give

Author: Franklin W. Bartlett Hymnal: The Cyber Hymnal #8958 Meter: 7.7.7.7 Lyrics: 1 Savior, who didst come to give Living bread, that all might live; Grant me grace on Thee to feed, For Thy flesh is meat indeed. 2 Hungry, thirsty, faint, I pray, Help me on the heav’nward way; Vine of strength, supply my need, For Thy blood is drink indeed. Languages: English Tune Title: BUCKLAND
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Saviour, who didst come to give

Author: F. W. Bartlett Hymnal: The Church School Hymnal with Tunes #82 (1903) Languages: English Tune Title: [Saviour, who didst come to give]
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Saviour, Who didst come to give

Author: Rev. F. W. Bartlett Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #226a (1894) Lyrics: 1 Saviour, Who didst come to give Living bread, that all might live; Grant me grace on Thee to feed, For Thy flesh is meat indeed. 2 Hungry, thirsty, faint, I pray, Help me on the heavenward way; Vine of strength, supply my need, For Thy blood is drink indeed. Amen. Languages: English Tune Title: [Saviour, Who didst come to give]

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: J. B. Dykes Composer of "ST. BEES" in The Book of Praise for Sunday Schools As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Samuel Sebastian Wesley

1810 - 1876 Person Name: S. S. Wesley Composer of "FIDUCIA" in The Church Hymnal Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Arthur Henry Brown

1830 - 1926 Composer of "[Saviour, Who didst come to give]" in The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 Born: Ju­ly 24, 1830, Brent­wood, Es­sex, Eng­land. Died: Feb­ru­a­ry 15, 1926, Brent­wood, Es­sex, Eng­land. Almost com­plete­ly self taught, Brown be­gan play­ing the or­gan at the age 10. He was or­gan­ist of the Brent­wood Par­ish Church, Es­sex (1842-53); St. Ed­ward’s, Rom­ford (1853-58); Brent­wood Par­ish Church (1858-88); St. Pe­ter’s Church, South Weald (from 1889); and Sir An­tho­ny Browne’s School (to 1926). A mem­ber of the Lon­don Gre­gor­i­an As­so­ci­a­tion, he helped as­sem­ble the Ser­vice Book for the an­nu­al fes­tiv­al in St. Paul’s Ca­thed­ral. He sup­port­ed the Ox­ford Move­ment, and pi­o­neered the res­tor­a­tion of plain­chant and Gre­gor­i­an mu­sic in Ang­li­can wor­ship. Brown ed­it­ed var­i­ous pub­li­ca­tions, in­clud­ing the Al­tar Hym­nal. His other works in­clude set­tings of the Can­ti­cles and the Ho­ly Com­mun­ion Ser­vice, a Child­ren’s Fes­tiv­al Serv­ice, an­thems, songs, part songs, and over 800 hymn tunes and car­ols. Music: Alleluia! Sing the Tri­umph Arthur Dale Ab­bey Fields of Gold Are Glow­ing Gerran Holy Church Holy Rood If An­gels Sang Our Sav­ior’s Birth Lammas O, Sing We a Car­ol Purleigh Redemptor Mun­di Ring On, Ye Joy­ous Christ­mas Bells Saffron Wal­den St. An­a­tol­i­us St. Aus­tell St. John Dam­as­cene St. Ma­byn St. So­phro­ni­us Story of the Cross Sweet Child Di­vine --www.hymntime.com/tch