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Text Identifier:tis_midnight_and_on_olives_brow

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Olive's Brow

Author: William B. Tappan Meter: 8.8.8.8 Appears in 648 hymnals First Line: 'Tis midnight; and on Olive's brow Topics: Christ Gethsemane; Christ Passion; Gethsemane

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OLIVE'S BROW

Meter: 8.8.8.8 Appears in 288 hymnals Composer and/or Arranger: William B. Bradbury Tune Key: A Flat Major Incipit: 55566 55511 12322 Used With Text: 'Tis Midnight! and on Olive's Brow
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ST. CROSS

Meter: 8.8.8.8 Appears in 144 hymnals Composer and/or Arranger: Rev. John Bacchus Dykes, Mus. Doc., 1823-1876 Incipit: 33451 76555 67354 Used With Text: Tis Midnight, and on Olive's Brow
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SOLITUDE

Appears in 15 hymnals Incipit: 55131 57213 31234 Used With Text: 'Tis midnight, and on Olive's brow

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Published text-tune combinations (hymns) from specific hymnals
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Tis Midnight; and on Olive's Brow

Author: William B. Tappan Hymnal: Hymns of Faith #143 (1980) Lyrics: 1 'Tis midnight; and on Olive's brow The star is dimmed that lately shone: 'Tis midnight; in the garden now, The suff'ring Saviour prays alone. 2 'Tis midnight; and from all removed, The Savior wrestles lone with fears; E'en that disciple whom He loved Heeds not His master's grief and tears. 3 'Tis midnight; and for others' guilt The Man of Sorrows weeps in blood; Yet He that hath in anguish knelt Is not forsaken by His God. 4 'Tis midnight; and from heav'nly plains Is borne the song that angels know; Unheard by mortals are the strains That sweetly soothe the Saviour's woe. Topics: Christ Sacrifice; Christ Suffering; Christ Sacrifice; Christ Suffering Scripture: Matthew 26:30 Languages: English Tune Title: [Tis midnight; and on Olive's brow]
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'Tis Midnight! and on Olive's Brow

Author: William B. Tappan Hymnal: The Worshiping Church #220 (1990) Meter: 8.8.8.8 First Line: 'Tis midnight; and on Olive's brow Lyrics: 1 ’Tis midnight; and on Olive’s brow the star is dimmed that lately shone. ’Tis midnight; in the garden now the suffering Savior prays alone. 2 ’Tis midnight; and from all removed, the Savior wrestles lone with fears; e’en that disciple whom he loved heeds not his Master’s grief and tears. 3 ’Tis midnight; and for others’ guilt the Man of Sorrows weeps in blood; yet he that hath in anguish knelt is not forsaken by his God. 4 ’Tis midnight; and from heavenly plains is borne the song that angels know; unheard by mortals are the strains that sweetly soothe the Savior’s woe. Topics: Biblical Places Mt. of Olives; Blood of Christ; Jesus Christ in Gethsemane; Jesus Christ Man of Sorrows; Jesus Christ Temptation; Maundy Thursday Scripture: Isaiah 53:3 Languages: English Tune Title: OLIVE'S BROW
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'Tis Midnight; and on Olive's Brow

Author: William B. Tappan Hymnal: Favorite Hymns of Praise #321 (1967) Lyrics: 1 'Tis midnight; and on Olive's brow The star is dimmed that lately shone; 'Tis midnight; in the garden now, The suff'ring Savior prays alone. 2 'Tis midnight; and from all removed, The Savior wrestles lone with fears; E'en that disciple whom He loved Heeds not His master's grief and tears. 3 'Tis midnight; and for others' guilt The Man of Sorrows weeps in blood; Yet He that hath in anguish knelt Is not forsaken by His God. 4 'Tis midnight; and from ether-plains Is borne the song that angels know; Unheard by mortals are the strains That sweetly soothe the Savior's woe. Amen. Topics: Christ Sacrifice; Christ Suffering; Christ Sacrifice; Christ Suffering Languages: English Tune Title: [Tis midnight; and on Olive's brow]

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Authors, composers, editors, etc.

Anonymous

Person Name: Anon. Author of "'Tis midnight, and on Olive's brow" in Good-Will Songs In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

William B. Bradbury

1816 - 1868 Composer of "OLIVE'S BROW" in Trinity Hymnal (Rev. ed.) William Bachelder Bradbury USA 1816-1868. Born at York, ME, he was raised on his father's farm, with rainy days spent in a shoe-shop, the custom in those days. He loved music and spent spare hours practicing any music he could find. In 1830 the family moved to Boston, where he first saw and heard an organ and piano, and other instruments. He became an organist at 15. He attended Dr. Lowell Mason's singing classes, and later sang in the Bowdoin Street church choir. Dr. Mason became a good friend. He made $100/yr playing the organ, and was still in Dr. Mason's choir. Dr. Mason gave him a chance to teach singing in Machias, ME, which he accepted. He returned to Boston the following year to marry Adra Esther Fessenden in 1838, then relocated to Saint John, New Brunswick. Where his efforts were not much appreciated, so he returned to Boston. He was offered charge of music and organ at the First Baptist Church of Brooklyn. That led to similar work at the Baptist Tabernacle, New York City, where he also started a singing class. That started singing schools in various parts of the city, and eventually resulted in music festivals, held at the Broadway Tabernacle, a prominent city event. He conducted a 1000 children choir there, which resulted in music being taught as regular study in public schools of the city. He began writing music and publishing it. In 1847 he went with his wife to Europe to study with some of the music masters in London and also Germany. He attended Mendelssohn funeral while there. He went to Switzerland before returning to the states, and upon returning, commenced teaching, conducting conventions, composing, and editing music books. In 1851, with his brother, Edward, he began manufacturring Bradbury pianos, which became popular. Also, he had a small office in one of his warehouses in New York and often went there to spend time in private devotions. As a professor, he edited 59 books of sacred and secular music, much of which he wrote. He attended the Presbyterian church in Bloomfield, NJ, for many years later in life. He contracted tuberculosis the last two years of his life. John Perry

John Bacchus Dykes

1823 - 1876 Person Name: Rev. John Bacchus Dykes, Mus. Doc., 1823-1876 Composer of "ST. CROSS" in Hymnal and Order of Service As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman