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Text Identifier:we_sing_for_all_the_unsung_saints

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We Sing for All the Unsung Saints

Author: Carl P. Daw Meter: 8.6.8.6 D Appears in 3 hymnals

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ALL SAINTS NEW

Meter: 8.6.8.6 D Appears in 535 hymnals Composer and/or Arranger: Henry S. Cutler, 1824-1902 Tune Sources: Service Book and Hymnal, 1958 (Setting) Tune Key: B Flat Major Incipit: 53451 17712 34322 Used With Text: We Sing for All the Unsung Saints
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LADYWELL

Meter: 8.6.8.6 D Appears in 14 hymnals Composer and/or Arranger: William Harold Ferguson (1872-1950) Tune Key: G Major Incipit: 51235 43212 3215 Used With Text: We sing for all the unsung saints

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Published text-tune combinations (hymns) from specific hymnals
Text

We Sing for All the Unsung Saints

Author: Carl P. Daw, Jr. b. 1944 Hymnal: Lutheran Service Book #678 (2006) Meter: 8.6.8.6 D Lyrics: 1 We sing for all the unsung saints, That countless, nameless throng, Who kept the faith and passed it on With hope steadfast and strong Through all the daily griefs and joys No chronicles record, Forgetful of their lack of fame, But mindful of their Lord. 2 Though uninscribed with date or place, With title, rank, or name, As living stones their stories join To form a hallowed frame Around the myst'ry in their midst: The Lamb once sacrificed, The Love that wrested life from death, The wounded, risen Christ. 3 So we take heart from unknown saints Bereft of earthly fame, Those faithful ones who have received A more enduring name: For they reveal true blessing comes When we our pride efface And offer back our lives to be The vessels of God's grace. Scripture: Hebrews 11 Languages: English Tune Title: ALL SAINTS NEW
Text

We sing for all the unsung saints

Author: Carl P. Daw, Jr (b. 1944) Hymnal: Ancient and Modern #311 (2013) Meter: 8.6.8.6 D Lyrics: 1 We sing for all the unsung saints, that countless, nameless throng, who kept the faith and passed it on with hope steadfast and strong, through all the daily griefs and joys no chronicles record, forgetful of their lack of fame, but mindful of their Lord. 2 Though uninscribed with date or place, with title, rank, or name, as living stones their stories join to form a hallowed frame around the mystery in their midst: the Lamb once sacrificed, the Love that wrested life from death, the wounded, risen Christ. 3 So we take heart from unknown saints bereft of earthly fame, those faithful ones who have received a more enduring name: for they reveal true blessing comes when we our pride efface and offer back our lives to be the vessels of God's grace. Topics: Communion of Saints; Discipleship; Jesus Names and images for; Self-offering; Saints Scripture: Acts 9:15 Languages: English Tune Title: LADYWELL
Text

We sing for all the unsung saints

Author: Carl P. Daw, Jr. b. 1944 Hymnal: Common Praise #614 (2000) Meter: 8.6.8.6 D Lyrics: 1 We sing for all the unsung saints, that countless, nameless throng, who kept the faith and passed it on with hope steadfast and strong, through all the daily griefs and joys no chronicles record, forgetful of their lack of fame, but mindful of their Lord. 2 Though uninscribed with date or place, with title, rank, or name, as living stones their stories join to form a hallowed frame around the mystery in their midst: the Lamb once sacrificed, the Love that wrested life from death, the wounded, risen Christ. 3 So we take heart from unknown saints bereft of earthly fame, those faithful ones who have received a more enduring name: for they reveal true blessing comes when we our pride efface and offer back our lives to be the vessels of God's grace. Topics: Saints Scripture: 1 Corinthians 3:5-9 Languages: English Tune Title: LADYWELL

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Carl P. Daw Jr.

b. 1944 Person Name: Carl P. Daw, Jr. b. 1944 Author of "We Sing for All the Unsung Saints" in Lutheran Service Book Carl P. Daw, Jr. (b. Louisville, KY, 1944) is the son of a Baptist minister. He holds a PhD degree in English (University of Virginia) and taught English from 1970-1979 at the College of William and Mary, Williamsburg, Virginia. As an Episcopal priest (MDiv, 1981, University of the South, Sewanee, Tennesee) he served several congregations in Virginia, Connecticut and Pennsylvania. From 1996-2009 he served as the Executive Director of The Hymn Society in the United States and Canada. Carl Daw began to write hymns as a consultant member of the Text committee for The Hymnal 1982, and his many texts often appeared first in several small collections, including A Year of Grace: Hymns for the Church Year (1990); To Sing God’s Praise (1992), New Psalms and Hymns and Spiritual Songs (1996), Gathered for Worship (2006). Other publications include A Hymntune Psalter (2 volumes, 1988-1989) and Breaking the Word: Essays on the Liturgical Dimensions of Preaching (1994, for which he served as editor and contributed two essays. In 2002 a collection of 25 of his hymns in Japanese was published by the United Church of Christ in Japan. He wrote Glory to God: A Companion (2016) for the 2013 hymnal of the Presbyterian Church (U.S.A.). Emily Brink

William Harold Ferguson

1874 - 1950 Person Name: W. H. Ferguson, 1874-1950 Composer of "LADYWELL" in Common Praise Born: January 1, 1874, Leeds, England. Died: October 18, 1950, Littlehampton, Sussex, England. Ferguson was educated at Magdalen College School, Oxford, and was a chorister in the College chapel. After graduating from Keble College, he taught at St. Edward’s School, Oxford (1896-69) and Bilton Grange, Rugby (1899-1901). He later attended Cuddesdon Theological College. After ordination, he served as assistant master, chaplain, organist and director of chapel music at Lancing College (1902-13); Warden of St. Edward’s School, Oxford (1913-25); Warden of St Peter’s College, Radley, Abingdon, Oxfordshire (1925-37); and Canon and Precentor of Salisbury Cathedral (1937-47). With Geoffrey Shaw, he was joint music editor of The Public School Hymn Book in 1919. --www.hymntime.com/tch/

H. S. Cutler

1825 - 1902 Person Name: Henry S. Cutler, 1824-1902 Composer of "ALL SAINTS NEW" in Lutheran Service Book Henry Stephen Cutler (b. Boston, MA, 1824; d. Boston, 1902) studied music in Frankfurt, Germany, in 1844. He moved to England, where he listened with interest to the cathedral choirs and came under the influence of the Oxford Movement. Returning to Boston in 1846, Cutler became organist of the Episcopal Church of the Advent and formed a choir of men and boys, to whom he introduced the wearing of liturgical robes. When he took a position at Trinity Church in New York City, he removed women from the choir and used the occasion of a visit by the Prince of Wales to the church to introduce his newly vested men and boys' choir. He also moved the choir from the gallery to the chancel and initiated the chanting of the psalms and the singing of part of the worship service. Cutler compiled The Psalter, with Chants (1858) and published The Trinity Psalter (1864) and Trinity Anthems (1865). Bert Polman