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Weary of wandering from my God
Author: Charles Wesley, 1707-1788 Meter: 8.8.8.8.8.8 Appears in 147 hymnals Topics: The Gospel Call Used With Tune: PATER OMNIUM
Weary of wandering from my God
PATER OMNIUM
Meter: 8.8.8.8.8.8 Appears in 82 hymnals Composer and/or Arranger: H. J. E. Holmes Tune Key: G Major Incipit: 12354 21234 36511 Used With Text: Weary of wandering from my God
PATER OMNIUM
DAVID'S HARP
Meter: 8.8.8.8.8.8 Appears in 22 hymnals Composer and/or Arranger: Robert King Tune Sources: The Divine Companion, 1722 Tune Key: D Major Incipit: 32171 23432 34555 Used With Text: Weary of wandering from my God
DAVID'S HARP
Weary of wandering from my God
Author: Rev. C. Wesley Hymnal: The Hymnal, Revised and Enlarged, as adopted by the General Convention of the Protestant Episcopal Church in the United States of America in the year of our Lord 1892 #83 (1894) Lyrics: 1 Weary of wandering from my God,
And now made willing to return,
I hear and bow me to the rod;
For Thee, not without hope, I mourn:
I have an Advocate above,
A Friend before the throne of love.
2 O Jesu, full of pardoning grace,
More full of grace than I of sin;
Yet once again I seek Thy face:
Open Thine arms and take me in;
And freely my backslidings heal,
And love the faithless sinner still.
3 Thou know'st the way to bring me back,
My fallen spirit to restore;
Oh, for Thy truth and mercy's sake,
Forgive, and bid me sin no more:
The ruins of my soul repair,
And make my heart a house of prayer.
Amen.
Languages: English Tune Title: [Weary of wandering from my God]
Weary of wandering from my God
Weary of Wandering from My God
Author: C. Wesley Hymnal: The Calvary Hymnal #214 (1891) Languages: English Tune Title: [Weary of wandering from my God]
Weary of Wandering from My God
Weary of Wandering from My God
Author: Charles Wesley Hymnal: The Cyber Hymnal #7177 Meter: 8.8.8.8.8.8 Lyrics: 1. Weary of wandering from my God,
And now made willing to return
I hear and bow me to the rod
For thee, not without hope, I mourn:
I have an Advocate above
A Friend before the throne of love.
2. O Jesus, full of truth and grace
More full of grace than I of sin
Yet once again I seek Thy face:
Open Thine arms and take me in
And freely my backslidings heal
And love the faithless sinner still.
3. Thou know’st the way to bring me back
My fallen spirit to restore
O for Thy truth and mercy’s sake,
Forgive, and bid me sin no more:
The ruins of my soul repair
And make my heart a house of prayer.
4. The stone to flesh again convert,
The veil of sin again remove;
Sprinkle Thy blood upon my heart,
And melt it by Thy dying love;
This rebel heart by love subdue,
And make it soft, and make it new.
5. Give to mine eyes refreshing tears,
And kindle my relentings now;
Fill my whole soul with filial fears,
To Thy sweet yoke my spirit bow;
Bend by Thy grace, O bend or break,
The iron sinew in my neck!
6. Ah! give me, Lord, the tender heart
That trembles at the approach of sin;
A godly fear of sin impart,
Implant, and root it deep within,
That I may dread Thy gracious power,
And never dare to offend Thee more. Languages: English Tune Title: ST. PETERSBURG
Weary of Wandering from My God
Charles Wesley
1707 - 1788 Author of "Weary of wandering from my God" in The Hymnal Charles Wesley, M.A. was the great hymn-writer of the Wesley family, perhaps, taking quantity and quality into consideration, the great hymn-writer of all ages. Charles Wesley was the youngest son and 18th child of Samuel and Susanna Wesley, and was born at Epworth Rectory, Dec. 18, 1707. In 1716 he went to Westminster School, being provided with a home and board by his elder brother Samuel, then usher at the school, until 1721, when he was elected King's Scholar, and as such received his board and education free. In 1726 Charles Wesley was elected to a Westminster studentship at Christ Church, Oxford, where he took his degree in 1729, and became a college tutor. In the early part of the same year his religious impressions were much deepened, and he became one of the first band of "Oxford Methodists."
In 1735 he went with his brother John to Georgia, as secretary to General Oglethorpe, having before he set out received Deacon's and Priest's Orders on two successive Sundays. His stay in Georgia was very short; he returned to England in 1736, and in 1737 came under the influence of Count Zinzendorf and the Moravians, especially of that remarkable man who had so large a share in moulding John Wesley's career, Peter Bonier, and also of a Mr. Bray, a brazier in Little Britain. On Whitsunday, 1737, [sic. 1738] he "found rest to his soul," and in 1738 he became curate to his friend, Mr. Stonehouse, Vicar of Islington, but the opposition of the churchwardens was so great that the Vicar consented that he "should preach in his church no more." Henceforth his work was identified with that of his brother John, and he became an indefatigable itinerant and field preacher. On April 8, 1749, he married Miss Sarah Gwynne. His marriage, unlike that of his brother John, was a most happy one; his wife was accustomed to accompany him on his evangelistic journeys, which were as frequent as ever until the year 1756," when he ceased to itinerate, and mainly devoted himself to the care of the Societies in London and Bristol. Bristol was his headquarters until 1771, when he removed with his family to London, and, besides attending to the Societies, devoted himself much, as he had done in his youth, to the spiritual care of prisoners in Newgate. He had long been troubled about the relations of Methodism to the Church of England, and strongly disapproved of his brother John's "ordinations." Wesley-like, he expressed his disapproval in the most outspoken fashion, but, as in the case of Samuel at an earlier period, the differences between the brothers never led to a breach of friendship. He died in London, March 29, 1788, and was buried in Marylebone churchyard. His brother John was deeply grieved because he would not consent to be interred in the burial-ground of the City Road Chapel, where he had prepared a grave for himself, but Charles said, "I have lived, and I die, in the Communion of the Church of England, and I will be buried in the yard of my parish church." Eight clergymen of the Church of England bore his pall. He had a large family, four of whom survived him; three sons, who all became distinguished in the musical world, and one daughter, who inherited some of her father's poetical genius. The widow and orphans were treated with the greatest kindness and generosity by John Wesley.
As a hymn-writer Charles Wesley was unique. He is said to have written no less than 6500 hymns, and though, of course, in so vast a number some are of unequal merit, it is perfectly marvellous how many there are which rise to the highest degree of excellence. His feelings on every occasion of importance, whether private or public, found their best expression in a hymn. His own conversion, his own marriage, the earthquake panic, the rumours of an invasion from France, the defeat of Prince Charles Edward at Culloden, the Gordon riots, every Festival of the Christian Church, every doctrine of the Christian Faith, striking scenes in Scripture history, striking scenes which came within his own view, the deaths of friends as they passed away, one by one, before him, all furnished occasions for the exercise of his divine gift. Nor must we forget his hymns for little children, a branch of sacred poetry in which the mantle of Dr. Watts seems to have fallen upon him. It would be simply impossible within our space to enumerate even those of the hymns which have become really classical. The saying that a really good hymn is as rare an appearance as that of a comet is falsified by the work of Charles Wesley; for hymns, which are really good in every respect, flowed from his pen in quick succession, and death alone stopped the course of the perennial stream.
It has been the common practice, however for a hundred years or more to ascribe all translations from the German to John Wesley, as he only of the two brothers knew that language; and to assign to Charles Wesley all the original hymns except such as are traceable to John Wesley through his Journals and other works.
The list of 482 original hymns by John and Charles Wesley listed in this Dictionary of Hymnology have formed an important part of Methodist hymnody and show the enormous influence of the Wesleys on the English hymnody of the nineteenth century.
-- Excerpts from John Julian, Dictionary of Hymnology (1907)
==================
Charles Wesley, the son of Samuel Wesley, was born at Epworth, Dec. 18, 1707. He was educated at Westminster School and afterwards at Christ Church, Oxford, where he graduated M.A. In 1735, he took Orders and immediately proceeded with his brother John to Georgia, both being employed as missionaries of the S.P.G. He returned to England in 1736. For many years he engaged with his brother in preaching the Gospel. He died March 29, 1788. To Charles Wesley has been justly assigned the appellation of the "Bard of Methodism." His prominence in hymn writing may be judged from the fact that in the "Wesleyan Hymn Book," 623 of the 770 hymns were written by him; and he published more than thirty poetical works, written either by himself alone, or in conjunction with his brother. The number of his separate hymns is at least five thousand.
--Annotations of the Hymnal, Charles Hutchins, M.A., 1872.
Charles Wesley
Henri F. Hemy
1818 - 1888 Composer of "ST. FINBAR" in The Hymnal Henri F. Hemy, born in the United Kingdom. Hemy spent time at sea as a young man, emigrating to Australia in 1850 with his family. Unable to make a decent living in Melbourne, he returned to Newcastle England. He was organist at St. Andrews Roman Catholic Church in Newcastle, later teaching professor of music at Tynemouth and at St. Cuthbert's College in Durham. He was pianist to Lord Ravensworth, Music Director of Ushaw College, and his orchestra played at fashionable venues in the region. He sang baritone as well. He composed waltzes, polkas, quadrilles, and galops. 3 music works: Easy Hymn Tunes for Catholic Schools; Royal Modern Tutor for Pianoforte; Crown of Jesus. He was active in local politics and published a manifesto in the daily newspaper. He lost a ward election. He also painted artwork. He set most of Longfellow's works to music.
John Perry
Henri F. Hemy
Dmitri Stepanovich Bortnianski
1751 - 1825 Person Name: Dmitri S. Bortniansky Composer (attributed to) of "ST. PETERSBURG" in The Cyber Hymnal Dimitri Stepanovitch Bortniansky (1751-1825) Ukraine 1751-1825
Born in Glukhov, Ukraine, he joined the imperial choir at age 8 and studied with Galuppi, who later took the lad with him to Italy, where he studied for 10 years, becoming a composer, harpsichordist, and conductor. While in Italy he composed several operas and other instrumental music, composing more operas and music later in Russia. In 1779 he returned to Russia, where he was appointed Director to the Imperial Chapel Choir, the first as a native citizen. In 1796 he was appointed music director. With such a great instrument at his disposal, he produced many compositions, 100+ religious works, sacred concertos, cantatas, and hymns. He influenced Rachmaninoff and Tchaikovshy, the latter editing Bortniansky's sacred work, amassing 10 volumnes. He died in St. Petersburg. He was so popular in Russia that a bronze statue was erected in his honor in the Novgorod Kremlin. He composed in different musical styles, including choral works in French, Italian, Latin, German, and Church Slavonic.
John Perry
Dmitri Stepanovich Bortnianski
