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Texts

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The heavens declare your glory, Lord

Author: Isaac Watts, 1674-1748 Appears in 595 hymnals Topics: Forgiveness / Pardon; God Wisdom of; God Righteousness of; God Glory of; God Creator and Ruler; Light; Mission; The Bible; Truth First Line: The heavens declare your glory, Lord! Lyrics: 1 The heavens declare your glory, Lord! In every star your wisdom shines, but when our eyes behold your word, we read your name in fairer lines. 2 Sun, moon and stars convey your praise to all the earth, and never stand, so when your truth began its race, it touched and glanced on every land. 3 Nor shall your spreading gospel rest till through the world your truth has run, till Christ has all the nations blest who see the light or feel the sun. 4 Great sun of righteousness, arise and bless the world with heavenly light! Your gospel makes the simple wise; your laws are pure, your judgements right. 5 Your noblest wonders here we view in souls renewed and sins forgiven: Lord, cleanse my sins, my soul renew, and make your word my guide to heaven. Scripture: Psalm 19 Used With Tune: CHURCH TRIUMPHANT
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Whole-Hearted Praise

Appears in 14 hymnals Topics: Afflictions Promises for; Assurance Enjoyed; Bible A Guide; Bible Instrument of Salvation; Character Good and Bad Contrasted; Christians Conscious of Safety; Church Christ the Head of; Covenant Promises; Faith Walking by; God Adored and Exalted; God Glorious; God Hearer of Prayer; God King; Gospel Fullness of; Gospel Prevalence and Power of; Humble, The; Mercy of God Everlasting; Missions Influence of; Missions Triumphs of; Nations Conversion of; Nations Ultimate Subjection of; Patience; Praise By Nations; Praise For God's Mercy; Praise Of the Lord; Prayer God Hears; Pride; Revival; Royalty of Christ Bible His Law; Royalty of Christ Civil Rulers His Ministers; Royalty of Christ Nations His Subjects; Strength in God; Truth; Worship Acts of First Line: With all my heart I'll praise Thy name Scripture: Psalm 138 Used With Tune: [With all my heart I'll praise Thy name]
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Prayer for Defense and Guidance

Meter: 6.6.8.6 Appears in 3 hymnals Topics: Afflictions Prayer in; Afflictions Watchfulness in; Aspirations For Christ; Aspirations For Holiness; Aspirations For the Holy Spirit; Aspirations For Peace and Rest; Assurance Declared; Bible Spirit's Aid in Study of; Christ Communion with; Christ Godhood of; Christ Light and Guide; Christ Preciousness of; Christ Prophetic Office of; Christ Worshiped; Faith Confession of; Faith Confidence of; God Attributes of; God Love and Mercy; God Our Teacher; Gospel Freeness of ; Gospel Privileges of; Gospel Sanctifying and Saving; Humility; Mercy of God Prayer for; Patience; Prayer confidence in; Prayer For Deliverance from Trouble; Prayer Importunity in ; Salvation From Sin and Trouble; Salvation Prayers for; Sin Salvation from; Trust in God Expression of; Truth First Line: To Thee I lift my soul Lyrics: 1 To Thee I lift my soul, In Thee my trust repose; My God, O put me not to shame Before triumphant foes. 2 None shall be put to shame That humbly wait for Thee, But those that wilfully transgress, On them the shame shall be. 3 Show me Thy paths, O Lord, Teach me Thy perfect way, O guide me in Thy truth divine, And lead me day by day. 4 For Thou art God that dust To me salvation send, And patiently through all the day Upon thee I attend. 5 Recall Thy mercies, Lord, Their tenderness untold, And all Thy loving-kindnesses, For they have been of old. Scripture: Psalm 25 Used With Tune: DENNIS

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[Peter and John went to pray]

Appears in 4 hymnals Composer and/or Arranger: Anonymous; Betty Pulkingham Topics: Singing God's Story People of the Bible Tune Key: G Major Incipit: 11117 76677 77765 Used With Text: Silver and Gold Have I None

[Peter and James and John in a sailboat]

Appears in 2 hymnals Composer and/or Arranger: Mimi Farra Topics: Singing God's Story People of the Bible Tune Sources: Traditional Tune Key: F Major Used With Text: Peter and James and John
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PROMISES

Appears in 297 hymnals Composer and/or Arranger: R. Kelso Carter Topics: Biblia; Bible; Confianza; Confidence; Conflicto y Victoria; Conflict and Victory; Promesas de Dios; Promises of God Tune Key: B Flat Major Incipit: 55565 43451 16667 Used With Text: Todas las promesas

Instances

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Published text-tune combinations (hymns) from specific hymnals

God, Who Has Caused to Be Written

Author: Herbert O'Driscoll Hymnal: Voices United #498 (1996) Meter: 14.14.4.7.8 Topics: The Church at Worship Scripture; liturgical Songs of Illumination; Bible; Church Education; God Grace; God Love; Peace (Inner, Calmness, Serenity; Vision/Dream; Proper 10 Year A; Proper 24 Year C Tune Title: CAUSA DIVINA
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The Word of God

Hymnal: Psalms and Hymns and Spiritual Songs #29 (1875) Topics: Bible; Law of God And Gospel First Line: God's law is perfect, and converts Scripture: Psalm 19 Tune Title: ARCADIA
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The Gospel; for the Sabbath

Author: Watts Hymnal: Psalms and Hymns and Spiritual Songs #26 (1875) Topics: Bible; Law of God And Gospel; Morning; Nature, the Material Universe Beauties of First Line: Behold the morning sun Scripture: Psalm 19 Tune Title: ST. THOMAS

People

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Authors, composers, editors, etc.

Russell Kelso Carter

1849 - 1928 Person Name: R. Kelso Carter Topics: Biblia; Bible; Confianza; Confidence; Conflicto y Victoria; Conflict and Victory; Promesas de Dios; Promises of God Author of "Todas las promesas" in Celebremos Su Gloria Russel Kelso Carter was a professor in the Pennsylvania Military College of Chester. While there he was licensed to preach by the Methodist Episcopal Church. He became very active in leading camp meetings and revivals. After failing health forced him to abandon this work, he studied and became a medical doctor as well as a writer. He wrote novels as well as hymns. Dianne Shapiro, from "The Singers and Their Songs: sketches of living gospel hymn writers" by Charles Hutchinson Gabriel (Chicago: The Rodeheaver Company, 1916)

Isaac Watts

1674 - 1748 Person Name: Watts Topics: Bible; Law of God And Gospel; Morning; Nature, the Material Universe Beauties of Author of "The Gospel; for the Sabbath" in Psalms and Hymns and Spiritual Songs Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church

Vicente P. Mendoza

1875 - 1955 Person Name: Vicente Mendoza Topics: Biblia; Bible; Confianza; Confidence; Conflicto y Victoria; Conflict and Victory; Promesas de Dios; Promises of God Translator of "Todas las promesas" in Celebremos Su Gloria Vicente Mendoza Born: De­cem­ber 24, 1875, Guad­a­la­ja­ra, Mex­i­co. Died: 1955, Mex­i­co Ci­ty, Mex­i­co. Mendoza stu­died in­i­tial­ly un­der Don Au­re­lio Or­te­ga. At age of 11 he went to work in a Pro­test­ant print shop in Mex­i­co Ci­ty and helped pro­duce El Evan­gel­is­ta Mex­i­ca­no (The Mex­i­can Evan­gel­ist) for the Meth­od­ist Church of the South; he rose to be­come its di­rect­or for 17 years. Look­ing to im­prove him­self, Men­do­za en­tered a night school for work­ers, but lat­er feel­ing the call to preach the Gos­pel, he en­tered the Pres­by­ter­i­an Sem­in­a­ry in Mex­i­co Ci­ty. When the sem­in­a­ry closed temp­o­rar­i­ly, Men­do­za en­tered the Meth­od­ist In­sti­tute of Pueb­la, where he fin­ished the course in the­ol­o­gy. In 1898 he be­came a mem­ber of the An­nu­al Con­fer­ence of the Mex­i­can Meth­od­ist Church. From 1915 to 1917, he be­longed to the South­ern Meth­od­ist Con­fer­ence of Cal­i­for­nia. Men­do­za worked on sev­er­al per­i­od­i­cals, in­clud­ing El Mun­do Crist­i­a­no (The Chris­tian World), El Abo­ga­do Crist­i­a­no (The Chris­tian Ad­vo­cate), and El Evan­gel­is­ta Crist­i­a­no (The Chris­tian Evan­gel­ist). © The Cyber Hymnal™ (hymntime.com/tch)
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