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Face to Face

Author: Carrie E. Breck Meter: 8.7.8.7 with refrain Appears in 217 hymnals Topics: Everlasting Fellowship Eternal Life and Heaven First Line: Face to face with Christ, my Savior Refrain First Line: Face to face I shall behold Him Lyrics: 1 Face to face with Christ, my Savior, Face to face - what will it be When with rapture I behold Him, Jesus Christ who died for me? Refrain: Face to face I shall behold Him, Far beyond the starry sky; Face to face in all His glory, I shall see Him by and by! 2 Only faintly now I see Him, With the darkened veil between; But a blessed day is coming When His glory shall be seen. [Refrain] 3 What rejoicing in His presence, When are banished grief and pain; When the crooked ways are straightened And the dark things shall be plain. [Refrain] 4 Face to face - O blissful moment! Face to face - to see and know; Face to face with my Redeemer, Jesus Christ who loves me so! [Refrain] Used With Tune: FACE TO FACE
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Ye servants of the Lord

Author: Philip Doddridge, 1702-1751 Meter: 6.6.8.6 Appears in 454 hymnals Topics: God The Lord Jesus Christ - His Coming in Glory; The Life in Christ Fellowship and Service; The Life in Christ Death, Resurrection, and the Life Everlasting Used With Tune: OLD 134th (ST. MICHAEL)
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I Know That My Redeemer Lives

Author: Samuel Medley Meter: 8.8.8.8 Appears in 470 hymnals Topics: Christ's Resurrection - Easter; Prayer; Testing Times; The Life Everlasting; Fellowship with Christ First Line: I know that my Redeemer lives! Used With Tune: DUKE STREET

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DUKE STREET

Meter: 8.8.8.8 Appears in 1,443 hymnals Composer and/or Arranger: John Hatton Topics: Christ's Resurrection - Easter; Prayer; Testing Times; The Life Everlasting; Fellowship with Christ Tune Key: D Major Incipit: 13456 71765 55565 Used With Text: I Know That My Redeemer Lives
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HEAVEN

Meter: 8.7.8.7 with refrain Appears in 185 hymnals Composer and/or Arranger: Emily D. Wilson; Ken Barker Topics: Everlasting Fellowship Eternal Life and Heaven Tune Key: C Major Incipit: 55513 45653 44432 Used With Text: When We All Get to Heaven
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SWEET BY AND BY

Meter: 9.9.9.9 with refrain Appears in 393 hymnals Composer and/or Arranger: Joseph P. Webster Topics: Everlasting Fellowship Eternal Life and Heaven Tune Key: G Major Incipit: 12321 21651 23335 Used With Text: Sweet By and By

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Published text-tune combinations (hymns) from specific hymnals

Therefore the Redeemed of the Lord

Author: Ruth Lake Hymnal: The Celebration Hymnal #761 (1997) Meter: Irregular Topics: Everlasting Fellowship The Second Coming of Christ First Line: Therefore the redeemed of the Lord shall return Scripture: Isaiah 51:11 Languages: English Tune Title: LAKE
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For All the Saints

Author: William W. How Hymnal: The Celebration Hymnal #767 (1997) Meter: 10.10.10 with alleluias Topics: Everlasting Fellowship Eternal Life and Heaven First Line: For all the saints who from their labors rest Lyrics: 1 For all the saints, who from their labors rest, Who Thee by faith before the world confessed, Thy name, O Jesus, be forever blest. Alleluia! Alleluia! 2 Thou wast their Rock, their Fortress, and their Might; Thou, Lord, their Captain in the well-fought fight; Thou, in the darkness drear, their one true Light. Alleluia! Alleluia! 3 O may Thy soldiers, faithful, true and bold, Fight as the saints who nobly fought of old, And win with them the victor’s crown of gold. Alleluia! Alleluia! 4 O blest communion, fellowship divine! We feebly struggle, they in glory shine; Yet all are one in Thee, for all are Thine. Alleluia! Alleluia! 5 But lo! there breaks a yet more glorious day: The saints triumphant rise in bright array; The King of Glory passes on His way. Alleluia! Alleluia! 6 From earth’s wide bounds, from ocean’s farthest coast, Through gates of pearl streams in the countless host, Singing to Father, Son and Holy Ghost: Alleluia! Alleluia! Languages: English Tune Title: SINE NOMINE
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Lo, He Comes with Clouds Descending

Author: Charles Wesley; Martin Madan; John Cennick Hymnal: The Celebration Hymnal #754 (1997) Meter: 8.7.8.7.8.7 Topics: Everlasting Fellowship The Second Coming of Christ Lyrics: 1 Lo, He comes with clouds descending, Once for favored sinners slain; Thousand thousand saints attending, Swell the triumph of His train. Alleluia! Alleluia! God appears on earth to reign. 2 Every eye shall now behold Him, Robed in dreadful majesty! Those who set at naught and sold Him, Pierced and nailed Him to the tree, Deeply wailing, deeply wailing, Shall their true Messiah see. 3 Now the Savior, long-expected, See in solemn pomp appear. All His saints, by man rejected, Now shall meet Him in the air. Alleluia! Alleluia! See the day of God appear. 4 Yea, amen! let all adore Thee, High on Thine eternal throne. Savior, take the pow'r and glory; Claim the kingdom for Thine own. O come quickly! O come quickly! Everlasting God, come down! Languages: English Tune Title: REGENT SQUARE

People

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Authors, composers, editors, etc.

Ralph Vaughan Williams

1872 - 1958 Topics: Everlasting Fellowship Eternal Life and Heaven Composer of "SINE NOMINE" in The Celebration Hymnal Through his composing, conducting, collecting, editing, and teaching, Ralph Vaughan Williams (b. Down Ampney, Gloucestershire, England, October 12, 1872; d. Westminster, London, England, August 26, 1958) became the chief figure in the realm of English music and church music in the first half of the twentieth century. His education included instruction at the Royal College of Music in London and Trinity College, Cambridge, as well as additional studies in Berlin and Paris. During World War I he served in the army medical corps in France. Vaughan Williams taught music at the Royal College of Music (1920-1940), conducted the Bach Choir in London (1920-1927), and directed the Leith Hill Music Festival in Dorking (1905-1953). A major influence in his life was the English folk song. A knowledgeable collector of folk songs, he was also a member of the Folksong Society and a supporter of the English Folk Dance Society. Vaughan Williams wrote various articles and books, including National Music (1935), and composed numerous arrange­ments of folk songs; many of his compositions show the impact of folk rhythms and melodic modes. His original compositions cover nearly all musical genres, from orchestral symphonies and concertos to choral works, from songs to operas, and from chamber music to music for films. Vaughan Williams's church music includes anthems; choral-orchestral works, such as Magnificat (1932), Dona Nobis Pacem (1936), and Hodie (1953); and hymn tune settings for organ. But most important to the history of hymnody, he was music editor of the most influential British hymnal at the beginning of the twentieth century, The English Hymnal (1906), and coeditor (with Martin Shaw) of Songs of Praise (1925, 1931) and the Oxford Book of Carols (1928). Bert Polman

John Cennick

1718 - 1755 Topics: Everlasting Fellowship The Second Coming of Christ Author of "Lo, He Comes with Clouds Descending" in The Celebration Hymnal John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)

Martin Madan

1726 - 1790 Topics: Everlasting Fellowship The Second Coming of Christ Alterer of "Lo, He Comes with Clouds Descending" in The Celebration Hymnal Madan, Martin, son of Colonel Martin Madan, and brother of Dr. Spencer Madan, sometime Bishop of Peterborough, was born in 1726. He was to have qualified for the Bar, but through a sermon by J. Wesley on the words "Prepare to meet thy God," the whole current of his life was changed. After some difficulty he received Holy Orders, and subsequently founded and became chaplain of the Lock Hospital, Hyde Park Corner. He was popular as a preacher, and had no inconsiderable reputation as a musical composer. He ceased preaching on the publication of his work Thelyphthora, in which he advocated the practice of polygamy. He died in 1790. He published A Commentary on the Articles of the Church of England; A Treatise on the Christian Faith, &c, and:- A Collection of Psalms and Hymns Extracted from Various Authors, and published by the Reverend Mr. Madan. London, 1760. This Collection contained 170 hymns thrown together without order or system of any kind. In 1763 he added an Appendix of 24 hymns. This Collection, referred to as Madam’s Psalms & Hymns, had for many years a most powerful influence on the hymnody of the Church of England. Nearly the whole of its contents, together with its extensively altered texts, were reprinted in numerous hymnbooks for nearly one hundred years. At the present time many of the great hymns of the last century are in use as altered by him in 1760 and 1763. Although several hymns have been attributed to him, we have no evidence that he ever wrote one. His hymnological labours were employed in altering, piecing, and expanding the work of others. And in this he was most successful. -- John Julian, Dictionary of Hymnology (1907) ============================