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O God of Love, O King of Peace

Author: Henry W. Baker, 1821-1877 Appears in 247 hymnals Topics: In Time of War/Disaster Lyrics: 1 O God of love, O King of peace, Make wars throughout the world to cease; Our violent ways help us contain; Give peace, O God, give peace again! 2 Whom shall we trust but you, O Lord? Where rest but on your faithful word? None ever called on you in vain; Give peace, O God, give peace again! 3 Where saints and angels dwell above, All hearts are joined in holy love; O bind us in that heav'nly chain; Give peace, O God, give peace again! Used With Tune: TALLIS' CANON
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God the All-terrible! King, who ordainest

Author: H. F. Chorley Appears in 205 hymnals Topics: In time of war Used With Tune: RUSSIA
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O God, Our Help in Ages Past

Author: Isaac Watts, 1674-1748 Appears in 1,268 hymnals Topics: In Time of War/Disaster Lyrics: 1 O God, our help in ages past, Our hope for years to come, Our shelter from the stormy blast, And our eternal home. 2 Beneath the shadow of your throne Your saints have dwelt secure; Sufficient is your arm alone, And our defence is sure. 3 Before the hills in order stood, Or earth received its frame, From everlasting you are God, To endless years the same. 4 A thousand ages in your sight Are like an ev'ening gone, Short as the watch that ends the night Before the rising sun. 5 Time, like an ever rolling stream, Bears all our lives away; They fly, forgotten, as a dream Dies at the op'ning day. 6 O God, our help in ages past, Our hope for years to come, Be now our guide while life shall last, And our eternal home. Scripture: Psalm 90 Used With Tune: ST. ANNE

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FINLANDIA

Appears in 318 hymnals Composer and/or Arranger: Jean Sibelius, 1865-1957 Topics: In Time of War/Disaster Tune Key: E Flat Major Incipit: 32343 23122 33234 Used With Text: Now Know We Not the Meaning of Life's Sorrow
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ST. ANNE

Appears in 886 hymnals Composer and/or Arranger: William Croft, 1678-1727 Topics: In Time of War/Disaster Tune Sources: Supplement to the New Version, 1708 Tune Key: B Flat Major Incipit: 53651 17151 5645 Used With Text: O God, Our Help in Ages Past
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ST. GREGORY

Appears in 42 hymnals Topics: In time of war Tune Sources: Darmstadt Gesangbuch, 1698 Incipit: 53561 54351 34321 Used With Text: O God of love, O King of peace

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Prayer and Hope of Victory

Hymnal: Doctor Watts's imitation of the Psalms of David, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (3rd ed.) #39 (1786) Topics: Prayer in time of war; War Prayer in Time of; Prayer in time of war; War Prayer in Time of First Line: Now may the God of power and grace Lyrics: 1 Now may the God of power and grace Attend the people’s humble cry! Jehovah hears when Israel prays, And brings deliverance from on high. 2 The name of Jacob's God defends, When bucklers fail and brazen walls; He from his sanctuary sends Succour and strength when Zion calls. 3 Well he remembers all our sighs, His love exceeds our best deserts; His love accepts the sacrifice Of humble groans and broken hearts. 4 In his salvation is our hope, And in the name of Israel's God Our troops shall lift their banners up, Our natives spread their flags abroad. 5 Some trust in horses train'd for war, And some of chariots make their boasts; Our surest expectations are From thee, the Lord of heavenly hosts. 6 [O may the memory of thy name Inspire our armies for the fight! Our foes shall fall and die with shame, Or quit the field with coward flight.] 7 Now save us, Lord, from slavish fear, Now let our hopes be firm and strong, Till thy salvation shall appear, And joy and triumph raise the song. Scripture: Psalm 20 Languages: English
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Prayer and Hope of Victory

Hymnal: Doctor Watts's Imitation of the Psalms of David #39 (1790) Topics: Prayer in time of war; War Prayer in Time of; Prayer in time of war; War Prayer in Time of First Line: Now may the God of power and grace Lyrics: 1 Now may the God of power and grace Attend the people’s humble cry! Jehovah hears when Israel prays, And brings deliverance from on high. 2 The name of Jacob's God defends, When bucklers fail and brazen walls; He from his sanctuary sends Succour and strength when Zion calls. 3 Well he remembers all our sighs, His love exceeds our best deserts; His love accepts the sacrifice Of humble groans and broken hearts. 4 In his salvation is our hope, And in the name of Israel's God Our troops shall lift their banners up, Our natives spread their flags abroad. 5 Some trust in horses train'd for war, And some of chariots make their boasts; Our surest expectations are From thee, the Lord of heavenly hosts. 6 [O may the memory of thy name Inspire our armies for the fight! Our foes shall fall and die with shame, Or quit the field with coward flight.] 7 Now save us, Lord, from slavish fear, Now let our hopes be firm and strong, Till thy salvation shall appear, And joy and triumph raise the song. Scripture: Psalm 20 Languages: English
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Prayer and Hope of Victory

Hymnal: Doctor Watts's Imitation of the Psalms of David, corrected and enlarged, to which is added a collection of hymns; the whole applied to the state of the Christian Church in general (2nd ed.) #43 (1786) Topics: Prayer in time of war; War Prayer in Time of; Prayer in time of war; War Prayer in Time of First Line: Now may the God of power and grace Lyrics: 1 Now may the God of power and grace Attend the people’s humble cry! Jehovah hears when Israel prays, And brings deliverance from on high. 2 The name of Jacob's God defends, When bucklers fail and brazen walls; He from his sanctuary sends Succour and strength when Zion calls. 3 Well he remembers all our sighs, His love exceeds our best deserts; His love accepts the sacrifice Of humble groans and broken hearts. 4 In his salvation is our hope, And in the name of Israel's God Our troops shall lift their banners up, Our natives spread their flags abroad. 5 Some trust in horses train'd for war, And some of chariots make their boasts; Our surest expectations are From thee, the Lord of heavenly hosts. 6 [O may the memory of thy name Inspire our armies for the fight! Our foes shall fall and die with shame, Or quit the field with coward flight.] 7 Now save us, Lord, from slavish fear, Now let our hopes be firm and strong, Till thy salvation shall appear, And joy and triumph raise the song. Scripture: Psalm 20 Languages: English

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Authors, composers, editors, etc.

Thomas Tallis

1505 - 1585 Person Name: Thomas Tallis, 1505-1585 Topics: In Time of War/Disaster Composer of "TALLIS' CANON" in Catholic Book of Worship III Thomas Tallis (b. Leicestershire [?], England, c. 1505; d. Greenwich, Kent, England 1585) was one of the few Tudor musicians who served during the reigns of Henry VIII: Edward VI, Mary, and Elizabeth I and managed to remain in the good favor of both Catholic and Protestant monarchs. He was court organist and composer from 1543 until his death, composing music for Roman Catholic masses and Anglican liturgies (depending on the monarch). With William Byrd, Tallis also enjoyed a long-term monopoly on music printing. Prior to his court connections Tallis had served at Waltham Abbey and Canterbury Cathedral. He composed mostly church music, including Latin motets, English anthems, settings of the liturgy, magnificats, and two sets of lamentations. His most extensive contrapuntal work was the choral composition, "Spem in alium," a work in forty parts for eight five-voice choirs. He also provided nine modal psalm tunes for Matthew Parker's Psalter (c. 1561). Bert Polman

H. W. Baker

1821 - 1877 Person Name: Henry W. Baker, 1821-1877 Topics: In Time of War/Disaster Author of "O God of Love, O King of Peace" in Catholic Book of Worship III Baker, Sir Henry Williams, Bart., eldest son of Admiral Sir Henry Loraine Baker, born in London, May 27, 1821, and educated at Trinity College, Cambridge, where he graduated, B.A. 1844, M.A. 1847. Taking Holy Orders in 1844, he became, in 1851, Vicar of Monkland, Herefordshire. This benefice he held to his death, on Monday, Feb. 12, 1877. He succeeded to the Baronetcy in 1851. Sir Henry's name is intimately associated with hymnody. One of his earliest compositions was the very beautiful hymn, "Oh! what if we are Christ's," which he contributed to Murray's Hymnal for the Use of the English Church, 1852. His hymns, including metrical litanies and translations, number in the revised edition of Hymns Ancient & Modern, 33 in all. These were contributed at various times to Murray's Hymnal, Hymns Ancient & Modern and the London Mission Hymn Book, 1876-7. The last contains his three latest hymns. These are not included in Hymns Ancient & Modern. Of his hymns four only are in the highest strains of jubilation, another four are bright and cheerful, and the remainder are very tender, but exceedingly plaintive, sometimes even to sadness. Even those which at first seem bright and cheerful have an undertone of plaintiveness, and leave a dreamy sadness upon the spirit of the singer. Poetical figures, far-fetched illustrations, and difficult compound words, he entirely eschewed. In his simplicity of language, smoothness of rhythm, and earnestness of utterance, he reminds one forcibly of the saintly Lyte. In common with Lyte also, if a subject presented itself to his mind with striking contrasts of lights and shadows, he almost invariably sought shelter in the shadows. The last audible words which lingered on his dying lips were the third stanza of his exquisite rendering of the 23rd Psalm, "The King of Love, my Shepherd is:"— Perverse and foolish, oft I strayed, But yet in love He sought me, And on His Shoulder gently laid, And home, rejoicing, brought me." This tender sadness, brightened by a soft calm peace, was an epitome of his poetical life. Sir Henry's labours as the Editor of Hymns Ancient & Modern were very arduous. The trial copy was distributed amongst a few friends in 1859; first ed. published 1861, and the Appendix, in 1868; the trial copy of the revised ed. was issued in 1874, and the publication followed in 1875. In addition he edited Hymns for the London Mission, 1874, and Hymns for Mission Services, n.d., c. 1876-7. He also published Daily Prayers for those who work hard; a Daily Text Book, &c. In Hymns Ancient & Modern there are also four tunes (33, 211, 254, 472) the melodies of which are by Sir Henry, and the harmonies by Dr. Monk. He died Feb. 12, 1877. --John Julian, Dictionary of Hymnology (1907)

Isaac Watts

1674 - 1748 Person Name: Isaac Watts, 1674-1748 Topics: In Time of War/Disaster Author of "O God, Our Help in Ages Past" in Catholic Book of Worship III Isaac Watts was the son of a schoolmaster, and was born in Southampton, July 17, 1674. He is said to have shown remarkable precocity in childhood, beginning the study of Latin, in his fourth year, and writing respectable verses at the age of seven. At the age of sixteen, he went to London to study in the Academy of the Rev. Thomas Rowe, an Independent minister. In 1698, he became assistant minister of the Independent Church, Berry St., London. In 1702, he became pastor. In 1712, he accepted an invitation to visit Sir Thomas Abney, at his residence of Abney Park, and at Sir Thomas' pressing request, made it his home for the remainder of his life. It was a residence most favourable for his health, and for the prosecution of his literary labours. He did not retire from ministerial duties, but preached as often as his delicate health would permit. The number of Watts' publications is very large. His collected works, first published in 1720, embrace sermons, treatises, poems and hymns. His "Horae Lyricae" was published in December, 1705. His "Hymns" appeared in July, 1707. The first hymn he is said to have composed for religious worship, is "Behold the glories of the Lamb," written at the age of twenty. It is as a writer of psalms and hymns that he is everywhere known. Some of his hymns were written to be sung after his sermons, giving expression to the meaning of the text upon which he had preached. Montgomery calls Watts "the greatest name among hymn-writers," and the honour can hardly be disputed. His published hymns number more than eight hundred. Watts died November 25, 1748, and was buried at Bunhill Fields. A monumental statue was erected in Southampton, his native place, and there is also a monument to his memory in the South Choir of Westminster Abbey. "Happy," says the great contemporary champion of Anglican orthodoxy, "will be that reader whose mind is disposed, by his verses or his prose, to imitate him in all but his non-conformity, to copy his benevolence to men, and his reverence to God." ("Memorials of Westminster Abbey," p. 325.) --Annotations of the Hymnal, Charles Hutchins, M.A., 1872. ================================= Watts, Isaac, D.D. The father of Dr. Watts was a respected Nonconformist, and at the birth of the child, and during its infancy, twice suffered imprisonment for his religious convictions. In his later years he kept a flourishing boarding school at Southampton. Isaac, the eldest of his nine children, was born in that town July 17, 1674. His taste for verse showed itself in early childhood. He was taught Greek, Latin, and Hebrew by Mr. Pinhorn, rector of All Saints, and headmaster of the Grammar School, in Southampton. The splendid promise of the boy induced a physician of the town and other friends to offer him an education at one of the Universities for eventual ordination in the Church of England: but this he refused; and entered a Nonconformist Academy at Stoke Newington in 1690, under the care of Mr. Thomas Rowe, the pastor of the Independent congregation at Girdlers' Hall. Of this congregation he became a member in 1693. Leaving the Academy at the age of twenty, he spent two years at home; and it was then that the bulk of the Hymns and Spiritual Songs (published 1707-9) were written, and sung from manuscripts in the Southampton Chapel. The hymn "Behold the glories of the Lamb" is said to have been the first he composed, and written as an attempt to raise the standard of praise. In answer to requests, others succeeded. The hymn "There is a land of pure delight" is said to have been suggested by the view across Southampton Water. The next six years of Watts's life were again spent at Stoke Newington, in the post of tutor to the son of an eminent Puritan, Sir John Hartopp; and to the intense study of these years must be traced the accumulation of the theological and philosophical materials which he published subsequently, and also the life-long enfeeblement of his constitution. Watts preached his first sermon when he was twenty-four years old. In the next three years he preached frequently; and in 1702 was ordained pastor of the eminent Independent congregation in Mark Lane, over which Caryl and Dr. John Owen had presided, and which numbered Mrs. Bendish, Cromwell's granddaughter, Charles Fleetwood, Charles Desborough, Sir John Hartopp, Lady Haversham, and other distinguished Independents among its members. In this year he removed to the house of Mr. Hollis in the Minories. His health began to fail in the following year, and Mr. Samuel Price was appointed as his assistant in the ministry. In 1712 a fever shattered his constitution, and Mr. Price was then appointed co-pastor of the congregation which had in the meantime removed to a new chapel in Bury Street. It was at this period that he became the guest of Sir Thomas Abney, under whose roof, and after his death (1722) that of his widow, he remained for the rest of his suffering life; residing for the longer portion of these thirty-six years principally at the beautiful country seat of Theobalds in Herts, and for the last thirteen years at Stoke Newington. His degree of D.D. was bestowed on him in 1728, unsolicited, by the University of Edinburgh. His infirmities increased on him up to the peaceful close of his sufferings, Nov. 25, 1748. He was buried in the Puritan restingplace at Bunhill Fields, but a monument was erected to him in Westminster Abbey. His learning and piety, gentleness and largeness of heart have earned him the title of the Melanchthon of his day. Among his friends, churchmen like Bishop Gibson are ranked with Nonconformists such as Doddridge. His theological as well as philosophical fame was considerable. His Speculations on the Human Nature of the Logos, as a contribution to the great controversy on the Holy Trinity, brought on him a charge of Arian opinions. His work on The Improvement of the Mind, published in 1741, is eulogised by Johnson. His Logic was still a valued textbook at Oxford within living memory. The World to Come, published in 1745, was once a favourite devotional work, parts of it being translated into several languages. His Catechisms, Scripture History (1732), as well as The Divine and Moral Songs (1715), were the most popular text-books for religious education fifty years ago. The Hymns and Spiritual Songs were published in 1707-9, though written earlier. The Horae Lyricae, which contains hymns interspersed among the poems, appeared in 1706-9. Some hymns were also appended at the close of the several Sermons preached in London, published in 1721-24. The Psalms were published in 1719. The earliest life of Watts is that by his friend Dr. Gibbons. Johnson has included him in his Lives of the Poets; and Southey has echoed Johnson's warm eulogy. The most interesting modern life is Isaac Watts: his Life and Writings, by E. Paxton Hood. [Rev. H. Leigh Bennett, M.A.] A large mass of Dr. Watts's hymns and paraphrases of the Psalms have no personal history beyond the date of their publication. These we have grouped together here and shall preface the list with the books from which they are taken. (l) Horae Lyricae. Poems chiefly of the Lyric kind. In Three Books Sacred: i.To Devotion and Piety; ii. To Virtue, Honour, and Friendship; iii. To the Memory of the Dead. By I. Watts, 1706. Second edition, 1709. (2) Hymns and Spiritual Songs. In Three Books: i. Collected from the Scriptures; ii. Composed on Divine Subjects; iii. Prepared for the Lord's Supper. By I. Watts, 1707. This contained in Bk i. 78 hymns; Bk. ii. 110; Bk. iii. 22, and 12 doxologies. In the 2nd edition published in 1709, Bk. i. was increased to 150; Bk. ii. to 170; Bk. iii. to 25 and 15 doxologies. (3) Divine and Moral Songs for the Use of Children. By I. Watts, London, 1715. (4) The Psalms of David Imitated in the Language of the New Testament, And apply'd to the Christian State and Worship. By I. Watts. London: Printed by J. Clark, at the Bible and Crown in the Poultry, &c, 1719. (5) Sermons with hymns appended thereto, vol. i., 1721; ii., 1723; iii. 1727. In the 5th ed. of the Sermons the three volumes, in duodecimo, were reduced to two, in octavo. (6) Reliquiae Juveniles: Miscellaneous Thoughts in Prose and Verse, on Natural, Moral, and Divine Subjects; Written chiefly in Younger Years. By I. Watts, D.D., London, 1734. (7) Remnants of Time. London, 1736. 454 Hymns and Versions of the Psalms, in addition to the centos are all in common use at the present time. --Excerpts from John Julian, Dictionary of Hymnology (1907) ================================== Watts, I. , p. 1241, ii. Nearly 100 hymns, additional to those already annotated, are given in some minor hymn-books. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ================= Watts, I. , p. 1236, i. At the time of the publication of this Dictionary in 1892, every copy of the 1707 edition of Watts's Hymns and Spiritual Songs was supposed to have perished, and all notes thereon were based upon references which were found in magazines and old collections of hymns and versions of the Psalms. Recently three copies have been recovered, and by a careful examination of one of these we have been able to give some of the results in the revision of pp. 1-1597, and the rest we now subjoin. i. Hymns in the 1709 ed. of Hymns and Spiritual Songs which previously appeared in the 1707 edition of the same book, but are not so noted in the 1st ed. of this Dictionary:— On pp. 1237, L-1239, ii., Nos. 18, 33, 42, 43, 47, 48, 60, 56, 58, 59, 63, 75, 82, 83, 84, 85, 93, 96, 99, 102, 104, 105, 113, 115, 116, 123, 124, 134, 137, 139, 146, 147, 148, 149, 162, 166, 174, 180, 181, 182, 188, 190, 192, 193, 194, 195, 197, 200, 202. ii. Versions of the Psalms in his Psalms of David, 1719, which previously appeared in his Hymns and Spiritual Songs, 1707:— On pp. 1239, U.-1241, i., Nos. 241, 288, 304, 313, 314, 317, 410, 441. iii. Additional not noted in the revision:— 1. My soul, how lovely is the place; p. 1240, ii. 332. This version of Ps. lxiv. first appeared in the 1707 edition of Hymns & Spiritual Songs, as "Ye saints, how lovely is the place." 2. Shine, mighty God, on Britain shine; p. 1055, ii. In the 1707 edition of Hymns & Spiritual Songs, Bk. i., No. 35, and again in his Psalms of David, 1719. 3. Sing to the Lord with [cheerful] joyful voice, p. 1059, ii. This version of Ps. c. is No. 43 in the Hymns & Spiritual Songs, 1707, Bk. i., from which it passed into the Ps. of David, 1719. A careful collation of the earliest editions of Watts's Horae Lyricae shows that Nos. 1, 7, 9, 10, 11, 12, 14, 16, p. 1237, i., are in the 1706 ed., and that the rest were added in 1709. Of the remaining hymns, Nos. 91 appeared in his Sermons, vol. ii., 1723, and No. 196 in Sermons, vol. i., 1721. No. 199 was added after Watts's death. It must be noted also that the original title of what is usually known as Divine and Moral Songs was Divine Songs only. --John Julian, Dictionary of Hymnology, New Supplement (1907) =========== See also in: Hymn Writers of the Church
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