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Christ is our corner-stone
Author: John Chandler, 1806-1876 Meter: 6.6.6.6.4.4.4.4 Appears in 188 hymnals Topics: Lent III Year B Lyrics: 1 Christ is our corner-stone,
on him alone we build;
with his true saints alone
the courts of heaven are filled:
on his great love
our hopes we place
of present grace
and joys above.
2 O then with hymns of praise
these hallowed courts shall ring;
our voices we will raise
the Three in One to sing;
and thus proclaim
in joyful song,
both loud and long,
that glorious name.
3 Here, gracious God, do thou
for evermore draw nigh;
accept each faithful vow,
and mark each suppliant sigh;
in copious shower
on all who pray
each holy day
thy blessings pour.
4 Here may we gain from heaven
the grace which we implore;
and may that grace, once given,
be with us evermore,
until that day
when all the blest
to endless rest
are called away.
Scripture: 1 Peter 2:6 Used With Tune: HAREWOOD Text Sources: Latin, before 9th century
Christ is our corner-stone
We come unto our fathers' God
Author: Thomas Hornblower Gill Meter: 8.7.87.8.8.7 Appears in 79 hymnals Topics: Lent III Evening Prayer Closing Used With Tune: TO GOD ON HIGH
We come unto our fathers' God
My God, I love thee; not because
Author: Edward Caswall, 1814-1878 Meter: 8.6.8.6 Appears in 211 hymnals Topics: Lent III Year A Lyrics: 1 My God, I love thee; not because
I hope for heaven thereby,
nor yet because who love thee not
are lost eternally.
2 Thou, O my Jesus, thou didst me
upon the cross embrace;
for me didst bear the nails and spear,
and manifold disgrace;
3 And griefs and torments numberless,
and sweat of agony;
yea, death itself — and all for me
who was thine enemy.
4 Then why, O blessèd Jesu Christ,
should I not love thee well?
Not for the sake of winning heaven,
nor of escaping hell;
5 Not from the hope of gaining aught,
not seeking a reward;
but as thyself hast lovèd me,
O ever-loving Lord.
6 So would I love thee, dearest Lord,
and in thy praise will sing;
solely because thou art my God,
and my most loving King. Scripture: 1 John 4:19 Used With Tune: SOLOMON Text Sources: Latin, 17th century
My God, I love thee; not because
ST BOTOLPH
Meter: 8.6.8.6 Appears in 43 hymnals Composer and/or Arranger: Gordon Slater, 1895-1979 Topics: Lent III Year C Tune Key: E Flat Major Incipit: 13153 21712 35654 Used With Text: I come with joy, a child of God
ST BOTOLPH
I come with joy, a child of God
Author: Brian A. Wren, b. 1936 Hymnal: Common Praise #305 (2000) Meter: 8.6.8.6 Topics: Lent III Year C Lyrics: 1 I come with joy, a child of God,
forgiven, loved and free,
the life of Jesus to recall,
in love laid down for me.
2 I come with Christians far and near
to find, as all are fed,
the new community of love
in Christ's communion bread.
3 As Christ breaks bread, and bids us share,
each proud division ends.
The love that made us, makes us one,
and strangers now are friends.
4 The Spirit of the risen Christ,
unseen, but ever near,
is in such friendship better known,
alive among us here.
5 Together met, together bound
by all that God has done,
we'll go with joy, to give the world
the love that makes us one. Scripture: 1 Corinthians 10:17 Languages: English Tune Title: ST BOTOLPH
I come with joy, a child of God
O saving Victim, opening wide
Author: Edward Caswall; St. Thomas Aquinas Hymnal: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #209a (1940) Meter: 8.8.8.8 Topics: Lent III The Holy Communion In place of Gloria Tune Title: MARTYR DEI
O saving Victim, opening wide
O saving Victim, opening wide
Author: Edward Caswall; St. Thomas Aquinas Hymnal: The Hymnal of the Protestant Episcopal Church in the United States of America 1940 #209b (1940) Meter: 8.8.8.8 Topics: Lent III The Holy Communion In place of Gloria Tune Title: ST. VINCENT
O saving Victim, opening wide
Samuel Webbe
1740 - 1816 Person Name: Samuel Webbe the elder, 1740-1816 Topics: Lent III Year A Composer of "MELCOMBE" in Common Praise Samuel Webbe (the elder; b. London, England, 1740; d. London, 1816) Webbe's father died soon after Samuel was born without providing financial security for the family. Thus Webbe received little education and was apprenticed to a cabinetmaker at the age of eleven. However, he was determined to study and taught himself Latin, Greek, Hebrew, French, German, and Italian while working on his apprenticeship. He also worked as a music copyist and received musical training from Carl Barbant, organist at the Bavarian Embassy. Restricted at this time in England, Roman Catholic worship was freely permitted in the foreign embassies. Because Webbe was Roman Catholic, he became organist at the Portuguese Chapel and later at the Sardinian and Spanish chapels in their respective embassies. He wrote much music for Roman Catholic services and composed hymn tunes, motets, and madrigals. Webbe is considered an outstanding composer of glees and catches, as is evident in his nine published collections of these smaller choral works. He also published A Collection of Sacred Music (c. 1790), A Collection of Masses for Small Choirs (1792), and, with his son Samuel (the younger), Antiphons in Six Books of Anthems (1818).
Bert Polman
Samuel Webbe
John Chandler
1806 - 1876 Person Name: John Chandler, 1806-1876 Topics: Lent III Year B Translator of "Christ is our corner-stone" in Common Praise John Chandler, one of the most successful translators of hymns, was born at Witley in Surrey, June 16, 1806. He was educated at Corpus Christi College, Oxford, B.A. 1827, M.A. 1830. Ordained deacon in 1831 and priest in 1832, he succeeded his father as the patron and vicar of Whitley, in 1837. His first volume, entitled The Hymns of the Primitive Church, now first Collected, Translated and Arranged, 1837, contained 100 hymns, for the most part ancient, with a few additions from the Paris Breviary of 1736. Four years later, he republished this volume under the title of hymns of the Church, mostly primitive, collected, translated and arranged for public use, 1841. Other publications include a Life of William of Wykeham, 1842, and Horae sacrae: prayers and meditations from the writings of the divines of the Anglican Church, 1854, as well as numerous sermons and tracts. Chandler died at Putney on July 1, 1876.
--The Hymnal 1940 Companion
===============
Chandler, John, M.A.,one of the earliest and most successful of modern translators of Latin hymns, son of the Rev. John F. Chandler, was born at Witley, Godalming, Surrey, June 16, 1806, and educated at Corpus Christi College, Oxford, where he graduated in 1827. He took Holy Orders in 1831, and became Vicar of Witley in 1837. He died at Putney, July 1, 1876. Besides numerous Sermons and Tracts, his prose works include Life of William of Wykeham, 1842; and Horae Sacrae; Prayers and Meditations from the writings of the Divines of the Anglican Church, with an Introduction, 1844. His translations, he says, arose out of his desire to see the ancient prayers of the Anglican Liturgy accompanied by hymns of a corresponding date of composition, and his inability to find these hymns until he says,
"My attention was a short time ago directed to some translations [by Isaac Williams] which appeared from time to time in the British Magazine, very beautifully executed, of some hymns extracted from the Parisian Breviary,with originals annexed. Some, indeed, of the Sapphic and Alcaic and other Horatian metres, seem to be of little value; but the rest, of the peculiar hymn-metre, Dimeter Iambics, appear ancient, simple, striking, and devotional—in a word in every way likely to answer our purpose. So I got a copy of the Parisian Breviary [1736], and one or two other old books of Latin Hymns, especially one compiled by Georgius Cassander, printed at Cologne, in the year 1556, and regularly applied myself to the work of selection and translation. The result is the collection I now lay before the public." Preface, Hymns of the Primitive Church, viii., ix.
This collection is:—
(1) The Hymns of the Primitive Church, now first Collected, Translated, and Arranged, by the Rev. J. Chandler. London, John W. Parker, 1837. These translations were accompanied by the Latin texts. The trsanslations rearranged, with additional translations, original hymns by Chandler and a few taken from other sources, were republished as (2) The Hymns of the Church, mostly Primitive, Collected, Translated, and Arranged/or Public Use, by the Rev. J. Chandler, M.A. London, John W. Parker, 1841.
From these works from 30 to 40 translations have come gradually into common use, some of which hold a foremost place in modern hymnals, "Alleluia, best and sweetest;" "Christ is our Corner Stone;" "On Jordan's bank the Baptist's cry;" "Jesus, our Hope, our hearts' Desire;" "Now, my soul, thy voice upraising;" "Once more the solemn season calls;" and, "O Jesu, Lord of heavenly grace;" being those which are most widely used. Although Chandler's translations are somewhat free, and, in a few instances, doctrinal difficulties are either evaded or softened down, yet their popularity is unquestionably greater than the translations of several others whose renderings are more massive in style and more literal in execution.
--John Julian, Dictionary of Hymnology (1907)
John Chandler
Felix Mendelssohn-Bartholdy
1809 - 1847 Person Name: Felix Mendelssohn Topics: Lent III Evening Prayer Closing Arranger and Harmonizer of "TO GOD ON HIGH" in The Hymnal of the Protestant Episcopal Church in the United States of America 1940 Felix Mendelssohn-Bartholdy (b. Hamburg, Germany, 1809; d. Leipzig, Germany, 1847) was the son of banker Abraham Mendelssohn and the grandson of philosopher Moses Mendelssohn. His Jewish family became Christian and took the Bartholdy name (name of the estate of Mendelssohn's uncle) when baptized into the Lutheran church. The children all received an excellent musical education. Mendelssohn had his first public performance at the age of nine and by the age of sixteen had written several symphonies. Profoundly influenced by J. S. Bach's music, he conducted a performance of the St. Matthew Passion in 1829 (at age 20!) – the first performance since Bach's death, thus reintroducing Bach to the world. Mendelssohn organized the Domchor in Berlin and founded the Leipzig Conservatory of Music in 1843. Traveling widely, he not only became familiar with various styles of music but also became well known himself in countries other than Germany, especially in England. He left a rich treasury of music: organ and piano works, overtures and incidental music, oratorios (including St. Paul or Elijah and choral works, and symphonies. He harmonized a number of hymn tunes himself, but hymnbook editors also arranged some of his other tunes into hymn tunes.
Bert Polman
Felix Mendelssohn-Bartholdy
