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Proper 17	Year A	Year B	Year C

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Author: S. J. Stone Meter: 7.6.7.6 D Appears in 861 hymnals Topics: Church Her Faith; Dedication of Building; Unity, Christian ; liturgical Songs of Response First Line: The Church's one foundation Is Jesus Christ her Lord

O for a Thousand Tongues

Author: Charles Wesley Meter: 8.6.8.6 Appears in 1,736 hymnals Topics: Christ Life and Ministry; Recessionals; liturgical Opening Hymns First Line: O for a thousand tongues to sing My dear Redeemer's praise Lyrics: 1 O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and King, the triumphs of his grace! 2 My gracious Master and my God, assist me to proclaim, to spread thro' all the earth abroad the honors of your name. 3 Jesus! the name that charms our fears, that bids our sorrows cease, 'tis music in the sinner's ears, 'tis life and health and peace. 4 He breaks the power of cancelled sin, he sets the prisoner free; his blood can make the foulest clean; his blood availed for me. 5 To God all glory, praise, and love be now and ever given by saints below and saints above, the Church in earth and heaven. Worship & Rejoice, 2003

O Splendor of God's Glory Bright

Author: St. Ambrose; Louis F. Benson Meter: 8.8.8.8 Appears in 49 hymnals Topics: Adoration; Ancient Hymns; Christ Name of ; Historical; Worship First Line: O splendor of God's glory bright, From light eternal bringing light

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Tunes

Tune authorities

WIR PFLÜGEN

Meter: 7.6.7.6 D with refrain Appears in 287 hymnals Composer and/or Arranger: Johann Abraham Peter Schulz Topics: Proper 17 Year B Tune Key: A Flat Major Incipit: 51155 31543 21556 Used With Text: We Plough the Fields

DEUS TUORUM MILITUM

Meter: 8.8.8.8 Appears in 124 hymnals Topics: Year A Proper 17 Tune Sources: Grenoble Antiphoner, 1753 Tune Key: C Major Incipit: 13515 43211 31671 Used With Text: "Take Up Your Cross," the Savior Said

MORE LOVE TO YOU

Meter: 6.5.6.5.6.6.5.5 Appears in 358 hymnals Composer and/or Arranger: William H. Doane Topics: Year A Proper 17 Tune Key: A Flat Major Incipit: 56512 33212 56512 Used With Text: More Love to You, O Christ

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Instances

Published text-tune combinations (hymns) from specific hymnals

All my hope on God is founded

Author: Robert Bridges, 1844-1930; Joachim Neander, 1650-1680 Hymnal: Complete Anglican Hymns Old and New #19 (2000) Meter: 8.7.8.7.3.3.7 Topics: Year B Proper 17; Year C Proper 17 Lyrics: 1 All my hope on God is founded; he doth still my trust renew. Me through change and chance he guideth, only good and only true. God unknown, he alone calls my heart to be his own. 2 Human pride and earthly glory, sword and crown betray his trust; what with care and toil he buildeth, tow'r and temple, fall to dust. But God's power, hour by hour, is my temple and my towe'r. 3 God's great goodness aye endureth, deep his wisdom, passing thought: splendour, light and life attend him, beauty springeth out of naught. Evermore, from his store new-born worlds rise and adore. 4 Still from earth to God eternal sacrifice of praise be done, high above all praises praising for the gift of Christ his Son. Christ doth call one and all: ye who follow shall not fall. Scripture: 1 Peter 1:21 Languages: English Tune Title: MICHAEL

Hope of the World

Author: Georgia Elma Harkness Hymnal: Voices United #215 (1996) Meter: 11.10.11.10 Topics: Proper 17 Year A First Line: Hope of the world, O Christ of great compasssion Lyrics: 1 Hope of the world, O Christ of great compassion, speak to our fearful hearts by conflict rent; save us, your people, from consuming passion, who by our own false hopes and aims are spent. 2 Hope of the world, God's gift from highest heaven, bringing to hungry souls the bread of life, still let your Spirit unto us be given to heal earth's wounds and end our bitter strife. 3 Hope of the world, afoot on dusty highways, showing to wandering souls the path of light: walk now beside us lest the tempting byways lure us away from you to endless night. 4 Hope of the world, who by your cross has saved us from death and dark despair, from sin and guilt: we render back the love your mercy gave us; take now our lives, with them your kingdom build. 5 Hope of the world, O Christ, o'er death victorious, who by this sign did conquer grief and pain, we would be faithful to your gospel glorious. You are our Lord! You shall forever reign! Languages: English Tune Title: DONNE SECOURS

Immortal, Invisible, God Only Wise

Author: Walter Chalmers Smith Hymnal: Voices United #264 (1996) Meter: 11.11.11.11 Topics: Proper 17 Year A Lyrics: 1 Immortal, invisible, God only wise, in light inaccessible hid from our eyes, most blessed, most glorious, the Ancient of Days, almighty, victorious, thy great name we praise. 2 Unresting, unhasting, and silent as light, nor wanting, nor wasting, thou rulest in might; thy justice like mountains high soaring above thy clouds, which are fountains of goodness and love. 3 To all, life thou givest, to both great and small; in all life. thou livest, the true life of all; we blossom and flourish, like leaves on the tree, then wither and perish; but naught changeth thee. 4 Thou reignest in glory, thou rulest in light, thine angels adore thee, all veiling their sight; all laud we would render, O help us to see 'tis only the splendour of light hideth thee. Languages: English Tune Title: ST DENIO

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People

Authors, composers, editors, etc.

W. H. Havergal

1793 - 1870 Person Name: William Henry Havergal (1793-1870) Topics: Proper 17 Year B Adapter of "FRANCONIA" in Ancient and Modern Havergal, William Henry, M.A, son of William Havergal, was born at High Wycombe, Buckinghamshire, 1793, and was educated at St. Edmund's Hall, Oxford (B.A. 1815, M.A. 1819). On taking Holy Orders he became in 1829 Rector of Astley, Worcestershire; in 1842, Rector of St. Nicholas, Worcester; and in 1860, Rector of Shareshill, near Wolverhampton. He was also Hon. Canon in Worcester Cathedral from 1845. He died April 18, 1870. His hymns, about 100 in all, were in many instances written for special services in his own church, and printed as leaflets. Several were included in W. Carus Wilson's Book of General Psalmody, 1840 (2nd ed., 1842); and in Metrical Psalms & Hymns for Singing in Churches, Worcester, Deighton, 1849, commonly known as the Worcester Diocesan Hymn Book, and of which he was the Editor. In Life Echoes, 1883, his hymns are given with those of Miss Havergal. Of those in common use the greater part are in Mercer, and Snepp's Songs of Grace & Glory. Although his hymns are all good, and two or three are excellent, it is not as a hymnwriter but as a musician that Canon Havergal is best known. His musical works and compositions included, in addition to numerous individual hymn tunes and chants, the Gresham Prize Service, 1836; the Gresham Prize Anthem, 1845; Old Church Psalmody, 1849; History of the Old 100th Psalm tune, 1854, &c. He also reprinted Ravenscroft’s Psalter of 1611. His hymns in common use include:— 1. Blessed Jesus, lord and Brother. School Festivals, 1833. Published in Life Echoes, 1883. 2. Brighter than meridian splendour. Christ the glory of His Church. 1830. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849, &c. 3. Christians, awake to joy and praise. Christmas Carol, c. 1860. Printed on broadsheet, with music by the author, and sold on behalf of the Lancashire Cotton Distress Fund. 4. Come, Shepherds, come, 'tis just a year. Christmas Carol. 1860. Published in Snepp's Songs of Grace & Glory, 5. For ever and for ever, Lord. Missions, 1866, for the Church Mission Society. Published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 6. Hallelujah, Lord, our voices. Sunday. 1828. Published in W. C. Wilson's Book of General Psalms, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 7. Heralds of the Lord of glory. Missions. First sung in Astley Church, Sep. 23, 1827. Published in Miss Havergal's Starlight through the Shadows, 1880; Snepp's Songs of Grace & Glory, 1872, &c. 8. Hosanna, raise the pealing hymn. Praise to Christ, 1833, and first sung in Astley Church, June 9, 1833. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes 1883, &c. 9. How vast the field of souls. Missions. 1858. Printed for Shareshill Church Miss. Anniversary, 1863, and published in Snepp's Songs of Grace & Glory, 1872, and the Life Echoes, 1883. 10. In doubt and dread dismay. Missions. Written in 1837, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849, &c. 11. Jerusalem the golden, The home of saints shall be. Heaven. Published in Life Echoes, 1883. 12. My times are in Thy hand, Their best, &c. 1860. Published in Snepp's Songs of Grace & Glory, 1872, the Records of the author's life and work, and Life Echoes, 1883. The editor of the Records says (p. 159) "this hymn has been much appreciated, and well illustrates the devotional and cheerful spirit of the writer." 13. No dawn of holy light. Sunday. 1825. Printed in 1831 on a leaflet, and published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, 1883, &c. 14. Our faithful God hath sent us. Harvest. Written at Shareshill in 1863, for a Harvest Festival. Published in Snepp's Songs of Grace & Glory 1872, and Life Echoes, 1883. 15. Shout, 0 earth! from silence waking. Praise to Jesus for Redemption. 1841. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. 16. So happy all the day. Christmas Carol, c. 1834. Published in Snepp's Songs of Grace & Glory, 1872. 17. Soon the trumpet of salvation. Missions. 1826. Published in Snepp's Songs of Grace & Glory, 1872. 18. To praise our Shepherd's [Saviour's] care. The Good Shepherd. Written after witnessing the death of Elizabeth Edwards, aged 12, of St. Nicholas, Worcester, and printed as a leaflet. Published in W. C. Wilson's Book of General Psalmody, 1840; the Worcester Psalms & Hymns, 1849; Life Echoes, &c, 1883. The author also published a Memoir of the child. 19. Widely 'midst the slumbering nations. Missions. 1828. Published in the Worcester Psalms & Hymns, 1849; Snepp's Songs of Grace & Glory, 1872, &c. In addition to these hymns, his carols, "How grand, and how bright," "Our festal morn is come," and others are annotated under their respective first lines. Most of these carols and hymns were reprinted in Christmas Carols & Sacred Songs, Chiefly by the Rev. W. H. Havergal, London, Nisbet, 1869. --John Julian, Dictionary of Hymnology (1907) ===================== Havergal, W. H., p. 498, i. Other hymns are: — 1. Lord, if judgments now are waking. Second Advent. Published in W. Carus Wilson's Book of General Psalmody, 1840; in Kennedy, 1863, &c. 2. Remember, Lord, Thy word of old displayed. Missions. "Composed for a special prayer-meeting for missionary labourers, held in the author's schoolroom, in the parish of St. Nicholas's, Worcester." (W. F. Stevenson's Hymns for Church and Home, 1873, where the original text is also given.) It must be noted that No. 17, at p. 498, ii., "Soon the trumpet of salvation," was first published in A Collection of Original Airs adapted to Hymns, &c, 1826. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

Frederic Henry Hedge

1805 - 1890 Person Name: Frederick H. Hedge Topics: Proper 17 Year B Translator of "A Mighty Fortress Is Our God" in Voices United Hedge, Frederick Henry, D.D., son of Professor Hedge of Harvard College, was born at Cambridge, Massachusetts, 1805, and educated in Germany and at Harvard. In 1829 he became pastor of the Unitarian Church, West Cambridge. In 1835 he removed to Bangor, Maine; in 1850 to Providence, and in 1856 to Brookline, Mass. He was appointed in 1857, Professor of Ecclesiastical History at Cambridge (U.S.), and in 1872, Professor of German Literature at Harvard. Dr. Hedge is one of the editors of the Christian Examiner, and the author of The Prose Writers of Germany, and other works. In 1853 he edited, with Dr. F. D. Huntington, the Unitarian Hymns for the Church of Christ, Boston Crosby, Nichols & Co. To that collection and the supplement (1853) he contributed the following translations from the German:— 1. A mighty fortress is our God. (Ein feste Burg.) 2. Christ hath arisen! joy to, &c. (Goethe's Faust.) 3. The sun is still for ever sounding. (Goethe's Faust.) There is also in the Unitarian Hymn [& Tune] Book for The Church & Home, Boston, 1868, a translation from the Latin. 4. Holy Spirit, Fire divine. (“Veni Sancte Spiritus.") Dr. Hedge's original hymns, given in the Hymns for the Church, 1853, are:— 5. Beneath Thine hammer, Lord, I lie. Resignation. 6. Sovereign and transforming grace. Ordination. Written for the Ordination of H. D. Barlow at Lynn, Mass., Dec. 9, 1829. It is given in several collections. 7. 'Twas in the East, the mystic East. Christmas. 8. 'Twas the day when God's anointed. Good Friday. Written originally for a Confirmation at Bangor, Maine, held on Good Friday, 1843. The hymn "It is finished, Man of Sorrows! From Thy cross, &c," in a few collections, including Martineau's Hymns, &c, 1873, is composed of st. iv.-vi. of this hymn. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907)

Conrad Kocher

1786 - 1872 Person Name: Conrad Kocher, 1786-1872 Topics: Year C Proper 17 Composer of "DIX" in Complete Anglican Hymns Old and New Trained as a teacher, Conrad Kocher (b. Ditzingen, Wurttemberg, Germany, 1786; d. Stuttgart, Germany, 1872) moved to St. Petersburg, Russia, to work as a tutor at the age of seventeen. But his love for the music of Haydn and Mozart impelled him to a career in music. He moved back to Germany in 1811, settled in Stuttgart, and remained there for most of his life. The prestigious Cotta music firm published some of his early compositions and sent him to study music in Italy, where he came under the influence of Palestrina's music. In 1821 Kocher founded the School for Sacred Song in Stuttgart, which popularized four-part singing in the churches of that region. He was organist and choir director at the Stiftskirche in Stuttgart from 1827 to 1865. Kocher wrote a treatise on church music, Die Tonkunst in der Kirche (1823), collected a large number of chorales in Zions Harfe (1855), and composed an oratorio, two operas, and some sonatas. William H. Monk created the current form of DIX by revising and shortening Conrad Kocher's chorale melody for “Treuer Heiland, wir sind hier,” found in Kocher's Stimmen aus dem Reiche Gottes (1838). Bert Polman

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