Search Results

Topics:proper+4

Planning worship? Check out our sister site, ZeteoSearch.org, for 20+ additional resources related to your search.

Looking for a lectionary week?

Day
Proper 4Year AYear BYear C

Texts

text icon
Text authorities
TextPage scansFlexScoreFlexPresent

The God of Abraham praise

Author: Thomas Olivers, 1725-1799 Meter: 6.6.8.4 D Appears in 460 hymnals Topics: Faith, Trust and Commitment; Grace and Providence; Joy, Praise and Thanksgiving; The Pilgrim Community; Year A Easter 2; Year A Proper 17; Year A Proper 8; Year A Trinity Sunday; Year B Christ the King; Year B Lent 2; Year B Proper 1; Year B Second Sunday Before Advent; Year C Epiphany 4; Year C Proper 8; Years A, B, and C Ascension Day Lyrics: 1 The God of Abraham praise who reigns enthroned above, Ancient of everlasting Days, and God of love: Jehovah, great I AM, by earth and heav'n confessed; we bow and bless the sacred name, for ever blest. 2 The God of Abraham praise, at whose supreme command from earth we rise, and seek the joys at his right hand: we all on earth forsake, its wisdom, fame and pow'r; and him our only portion make, our shield and tow'r. 3 The God of Abraham praise, whose all-sufficient grace shall guide us all our happy days, in all our ways: he is our faithful friend; he is our gracious God; and he will save us to the end, through Jesus' blood. 4 He by himself has sworn - we on his oath depend - we shall, on eagles' wings upborne, to heav'n ascend: we shall behold his face, we shall his pow'r adore, and sing the wonders of his grace for evermore. 5 The whole triumphant host give thanks to God on high; 'Hail, Father, Son and Holy Ghost!' they ever cry: Hail, Abraham's God and ours! We join the heav'nly throng, and celebrate with all our pow'rs in endless song. Scripture: 1 Corinthians 13:12 Used With Tune: LEONI Text Sources: Hebrew "Yigdal"
Text

God is our strength and refuge

Author: Richard Bewes (b. 1934) Meter: 7.7.7.5.7.7.11 Appears in 12 hymnals Topics: Proper 4 Year A Lyrics: 1 God is our strength and refuge, our present help in trouble; and we therefore will not fear, though the earth should change! Though mountains shake and tremble, though swirling floods are raging, God the Lord of hosts is with us evermore! 2 There is a flowing river, within God's holy city; God is in the midst of her — she shall not be moved! God's help is swiftly given, thrones vanish at his presence — God the Lord of hosts is with us evermore! 3 Come, see the works of our maker, learn of his deeds all-powerful: wars will cease across the world when he shatters the spear! Be still and know your creator, uplift him in the nations — God the Lord of hosts is with us evermore! Scripture: Psalm 46 Used With Tune: DAMBUSTERS' MARCH
FlexScore

God of Grace and God of Glory

Author: Harry Emerson Fosdick Meter: 8.7.8.7.8.7.7 Appears in 160 hymnals Topics: Freedom and Liberation Spiritual; Struggle and Conflict; Year A Epiphany 4; Year A Proper 28; Year B Lent 3; Year B Proper 21 Used With Tune: CWM RHONDDA

Tunes

tune icon
Tune authorities
FlexScoreAudio

REGENT SQUARE

Meter: 8.7.8.7.8.7 Appears in 970 hymnals Composer and/or Arranger: Henry Smart, 1813-1879 Topics: Year B Proper 4 Tune Key: B Flat Major Incipit: 53153 21566 51432 Used With Text: God of grace and God of glory
FlexScoreAudio

SINE NOMINE

Meter: 10.10.10.4 Appears in 249 hymnals Composer and/or Arranger: Ralph Vaughan Williams, 1872-1958 Topics: Year A Proper 4 Tune Key: G Major Incipit: 53215 61253 32177 Used With Text: For all the saints
Page scansFlexScoreAudio

BLESSED ASSURANCE

Meter: Irregular Appears in 774 hymnals Composer and/or Arranger: Phoebe Palmer Knapp, 1839-1908 Topics: Hope and Consolation; Joy, Praise and Thanksgiving; Redemption and Salvation; Year A All Saints' Day; Year A Proper 11; Year B Dedication Festival; Year B Easter 2; Year B Proper 23; Year C Easter 4; Year C Proper 2; Years A, B, and C Epiphany Tune Key: D Major Incipit: 32155 45655 35177 Used With Text: Blessed assurance

Instances

instance icon
Published text-tune combinations (hymns) from specific hymnals
TextPage scan

O for a Thousand Tongues to Sing

Author: Charles Wesley Hymnal: Voices United #326 (1996) Meter: 8.6.8.6 Topics: Proper 4 Year C Lyrics: 1 O for a thousand tongues to sing my great Redeemer's praise, the glories of my God and king, the triumphs of God's grace. 2 Jesus! the name that charms our fears, that bids our sorrows cease; 'tis music in the sinner's ears, 'tis life and health and peace. 3 He speaks, and listening to his voice, new life the dead receive, the mournful broken hearts rejoice, the humble poor believe. 4 Hear him, you deaf, you voiceless ones, your tongues again employ; you blind, behold your Saviour comes, and leap, you lame, for joy! 5 My gracious Master and my God, assist me to proclaim, to spread through all the earth abroad the honours of your name. Tune Title: AZMON
TextPage scan

Amazing Grace, How Sweet the Sound

Author: John Newton, 1725-1807; Jacques de Réland; Josephine S. (Konwenne) Day; Wing-Hee Heyward Wong; Chirstopher Cheung; Megumi Hara; Haruo Harold Aihara Hymnal: Voices United #266 (1996) Meter: 8.6.8.6 Topics: Proper 4 Year A Lyrics: 1 Amazing grace, How sweet the sound that saved a wretch like me! I once was lost, but now am found, was blind, but now I see. 2 'Twas grace that taught my heart to fear and grace my fears relieved; how precious did that grace appear the hour I first believed! 3 Through many dangers, toils, and snares, I have already come; 'tis grace that brought me safe thus far, and grace will lead me home. 4 The Lord has promised good to me, this word my hope secures; God will my shield and portion be as long as life endures. 5 When we've been there ten thousand years bright shining as the sun, we've no less days to sing God's praise than when we'd first begun. Languages: Chinese; Cree; English; French; Inuktitut; Japanese; Mohawk; Ojibway Tune Title: AMAZING GRACE (NEW BRITAIN)
Text

At the Name of Jesus

Author: Caroline Maria Noel Hymnal: Voices United #335 (1996) Meter: 11.11.11.11 Topics: Proper 4 Year C First Line: At the name of Jesus every knee shall bow Lyrics: 1 At the Name of Jesus every knee shall bow, every tongue confess him King of glory now; 'tis our God's great pleasure we should call him Lord, who from the beginning was the mighty Word. 2 Humbled for a season to receive a name from the lips of sinners unto whom he came, faithfully he bore it, spotless to the last, brought it back victorious when from death he passed. 3 Name him, Christians, name him, with love strong as death, but with awe and wonder, and with bated breath; he is God the Saviour, he is Christ the Lord, ever to be worshipped, trusted, and adored. 4 In your hearts enthrone him; there let him subdue all that is not holy, all that is not true; crown him as your Captain in temptation's hour; let his will enfold you in its light and power. 5 Christians, this Lord Jesus shall return again, with his Father's glory, with his angel train; for all wreaths of empire meet upon his brow, and our hearts confess him King of Glory now. Languages: English Tune Title: KING'S WESTON

People

person icon
Authors, composers, editors, etc.

John Oxenham

1852 - 1941 Topics: Proper 4 Year A Author of "In Christ There Is No East or West" in Voices United John Oxenham is a pseudonym for William Arthur Dunkerley, and is used as the name authority by the Library of Congress.

Michael Haydn

1737 - 1806 Person Name: Johann Michael Haydn Topics: Proper 4 Year A Composer of "SALZBURG (HAYDN)" in Voices United Johann Michael Haydn Austria 1737-1806. Born at Rohrau, Austria, the son of a wheelwright and town mayor (a very religious man who also played the harp and was a great influence on his sons' religious thinking), and the younger brother of Franz Joseph Haydn, he became a choirboy in his youth at the Cathedral of St. Stephen in Vienna, as did his brother, Joseph, an exceptional singer. For that reason boys both were taken into the church choir. Michael was a brighter student than Joseph, but was expelled from music school when his voice broke at age 17. The brothers remained close all their lives, and Joseph regarded Michael's religious works superior to his own. Michael played harpsichord, violin, and organ, earning a precarious living as a freelance musician in his early years. In 1757 he became kapellmeister to Archbishop, Sigismund of Grosswardein, in Hungary, and in 1762 concertmaster to Archbishop, Hieronymous of Salzburg, where he remained the rest of his life (over 40 years), also assuming the duties of organist at the Church of St. Peter in Salzburg, presided over by the Benedictines. He also taught violin at the court. He married the court singer, Maria Magdalena Lipp in 1768, daughter of the cathedral choir-master, who was a very pious women, and had such an affect on her husband, trending his inertia and slothfulness into wonderful activity. They had one daughter, Aloysia Josepha, in 1770, but she died within a year. He succeeded Wolfgang Amadeus Mozart, an intimate friend, as cathedral organist in 1781. He also taught music to Carl Maria von Weber. His musical reputation was not recognized fully until after World War II. He was a prolific composer of music, considered better than his well-known brother at composing religious works. He produced some 43 symphonies,12 concertos, 21 serenades, 6 quintets, 19 quartets, 10 trio sonatas, 4 due sonatas, 2 solo sonatas, 19 keyboard compositions, 3 ballets, 15 collections of minuets (English and German dances), 15 marches and miscellaneous secular music. He is best known for his religious works (well over 400 pieces), which include 47 antiphons, 5 cantatas, 65 canticles, 130 graduals, 16 hymns, 47 masses, 7 motets, 65 offertories, 7 oratorios, 19 Psalms settings, 2 requiems, and 42 other compositions. He also composed 253 secular vocals of various types. He did not like seeing his works in print, and kept most in manuscript form. He never compiled or cataloged his works, but others did it later, after his death. Lothar Perger catalogued his orchestral works in 1807 and Nikolaus Lang did a biographical sketch in 1808. In 1815 Anton Maria Klafsky cataloged his sacred music. More complete cataloging has been done in the 1980s and 1990s by Charles H Sherman and T Donley Thomas. Several of Michael Haydn's works influenced Mozart. Haydn died at Salzburg, Austria. John Perry

Thomas Haweis

1734 - 1820 Person Name: Thomas Haweis, 1734-1820 Topics: Proper 4 Year A Composer of "RICHMOND" in Common Praise Thomas Haweis (b. Redruth, Cornwall, England, 1734; d. Bath, England, 1820) Initially apprenticed to a surgeon and pharmacist, Haweis decided to study for the ministry at Oxford and was ordained in the Church of England in 1757. He served as curate of St. Mary Magdalen Church, Oxford, but was removed by the bishop from that position because of his Methodist leanings. He also was an assistant to Martin Madan at Locke Hospital, London. In 1764 he became rector of All Saints Church in Aldwinkle, Northamptonshire, and later served as administrator at Trevecca College, Wales, a school founded by the Countess of Huntingdon, whom Haweis served as chaplain. After completing advanced studies at Cambridge, he published a Bible commentary and a volume on church history. Haweis was strongly interested in missions and helped to found the London Mission Society. His hymn texts and tunes were published in Carmino Christo, or Hymns to the Savior (1792, expanded 1808). Bert Polman ============================ Haweis, Thomas, LL.B., M.D., born at Truro, Cornwall, 1732. After practising for a time as a Physician, he entered Christ's College, Cambridge, where he graduated. Taking Holy Orders, he became Assistant Preacher to M. Madan at the Lock Hospital, London, and subsequently Rector of All Saints, Aldwincle, Northamptonshire. He was also Chaplain to Lady Huntingdon, and for several years officiated at her Chapel in Bath. He died at Bath, Feb. 11, 1820. He published several prose works, including A History of the Church, A Translation of the New Testament, and A Commentary on the Holy Bible. His hymns, a few of which are of more than ordinary merit, were published in his Carmina Christo; or, Hymns to the Saviour. Designed for the Use and Comfort of Those who worship the Lamb that was slain. Bath, S. Hayward, 1792 (139 hymns), enlarged. London, 1808 (256 hymns). In 1794, or sometime after, but before the enlarged edition was published, two hymns "For the Fast-day, Feb. 28, 1794," were added to the first edition. These were, "Big with events, another year," and "Still o'er the deep the cannon's roar." The most popular and widely used of his hymns are, "Behold the Lamb of God, Who bore," &c.; "Enthroned on high, Almighty Lord"; and “O Thou from Whom all goodness flows." The rest, all being from Carmina Christo, first edition 1792, are:— 1. Dark was the night and cold the ground. Gethsemane. 2. From the cross uplifted high. Christ in Glory. 3. Great Spirit, by Whose mighty power. Whitsuntide. 4. Submissive to Thy will, my God. Resignation. 5. The happy morn is come. Easter. 6. Thou Lamb of God, that on the tree. Good Friday. The hymn, "Thy Head, the crown of thorns that wears," in Stryker & Main's Church Praise Book, N. Y., 1882, begins with st. ii. of this hymn. 7. To Thee, my God and Saviour, My heart, &c. Praise for Redemption. --John Julian, Dictionary of Hymnology (1907)
It looks like you are using an ad-blocker. Ad revenue helps keep us running. Please consider white-listing Hymnary.org or getting Hymnary Pro to eliminate ads entirely and help support Hymnary.org.