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Texts

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A nuestro Padre Dios

Author: Anónimo Meter: 6.6.4.6.6.6.4 Appears in 28 hymnals Topics: Resources for Worship Doxologies Used With Tune: AMERICA

Puedo oír tu voz llamando

Author: E. W. Blandy; Sra. F. F. D. Appears in 21 hymnals Topics: Resources for Worship Prayers of Invitation Refrain First Line: Seguiré do tú me guies Used With Tune: NORRIS
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Oh, criaturas del Señor

Author: Francisco de Asís; J. Miguez Bonino Appears in 21 hymnals Topics: Resources for Worship Doxologies; Resources for Worship Processions Refrain First Line: ¡Alabadle! Alabadle! Used With Tune: LASST UNS ERFREUEN

Tunes

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LASST UNS ERFREUEN

Appears in 539 hymnals Composer and/or Arranger: Ralph Vaughan Williams Topics: Resources for Worship Doxologies; Resources for Worship Processions Tune Sources: Geistliche Kirchengesänge, 1623 Tune Key: E Flat Major Incipit: 11231 34511 23134 Used With Text: Oh, criaturas del Señor
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AZMON

Meter: 8.6.8.6 Appears in 1,093 hymnals Composer and/or Arranger: Carl G. Gläser; Lowell Mason Topics: Resources for Worship Processions Tune Key: G Major or modal Incipit: 51122 32123 34325 Used With Text: Mil voces para celebrar
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SWEET HOUR

Meter: 8.8.8.8 D Appears in 623 hymnals Composer and/or Arranger: William Bradbury Topics: Resources for Worship Prayers of Petition Tune Key: D Major Incipit: 13455 67165 33212 Used With Text: Dulce oración

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Señor, apiádate de nosotros (Kyrie Eleison)

Hymnal: Mil Voces para Celebrar #198 (1996) Topics: Resources for Worship Prayers of Petition; Resources for Worship Prayers of Petition; Resources for Worship Responses First Line: Señor, apiádate de nosotros (O Lord, have mercy upon your people) Scripture: Psalm 123:3 Languages: English; Spanish Tune Title: PIEDAD

Señor, apiádate de nosotros (Kyrie Eleison)

Hymnal: Cáliz de Bendiciones #198 (1996) Topics: Resources for Worship Prayers of Petition; Resources for Worship Prayers of Petition; Resources for Worship Responses First Line: Señor, apiádate de nosotros (O Lord, have mercy upon your people) Scripture: Psalm 123:3 Languages: English; Spanish Tune Title: PIEDAD

Dios está aquí

Author: Desconocido Hymnal: Mil Voces para Celebrar #355 (1996) Topics: Resources for Worship Opening of Worship; Resources for Worship Call to Worship Languages: Spanish Tune Title: DIOS ESTÁ AQUÍ

People

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Authors, composers, editors, etc.

John Bacchus Dykes

1823 - 1876 Person Name: John B. Dykes Topics: Resources for Worship Doxologies; Resources for Worship Processions Composer of "NICAEA" in Mil Voces para Celebrar As a young child John Bacchus Dykes (b. Kingston-upon-Hull' England, 1823; d. Ticehurst, Sussex, England, 1876) took violin and piano lessons. At the age of ten he became the organist of St. John's in Hull, where his grandfather was vicar. After receiving a classics degree from St. Catherine College, Cambridge, England, he was ordained in the Church of England in 1847. In 1849 he became the precentor and choir director at Durham Cathedral, where he introduced reforms in the choir by insisting on consistent attendance, increasing rehearsals, and initiating music festivals. He served the parish of St. Oswald in Durham from 1862 until the year of his death. To the chagrin of his bishop, Dykes favored the high church practices associated with the Oxford Movement (choir robes, incense, and the like). A number of his three hundred hymn tunes are still respected as durable examples of Victorian hymnody. Most of his tunes were first published in Chope's Congregational Hymn and Tune Book (1857) and in early editions of the famous British hymnal, Hymns Ancient and Modern. Bert Polman

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel S. Wesley Topics: Resources for Worship Processions Composer of "AURELIA" in Mil Voces para Celebrar Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

William W. Walford

1772 - 1850 Person Name: William Walford Topics: Resources for Worship Prayers of Petition Author of "Dulce oración" in Mil Voces para Celebrar William W. Walford, a blind preacher of England, is the author of the hymn beginning "Sweet hour of prayer." This hymn first appeared in print in the New York Observer September 13, 1845. The contributor who furnished the hymn says: "During my residence at Coleshill, Warwickshire, England, I became acquainted with W. W. Walford, the blind preacher, a man of obscure birth and connections and no education, but of strong mind and most retentive memory. In the pulpit he never failed to select a lesson well adapted to his subject, giving chapter and verse with unerring precision, and scarcely ever misplacing a word in his repetition of the Psalms, every part of the New Testament, the prophecies, and some of the histories, so as to have the reputation of knowing the whole Bible by heart." Rev. Thomas Salmon, who was settled as the pastor of the Congregational Church at Coleshill in 1838, remained until 1842, and then removed to the United States, is believed to have been the contributor who says of the hymn: "I rapidly copied the lines with my pencil as he uttered them, and send them for insertion in the Observer if you think them worthy of preservation." From: Nutter, C. S., & Tillett, W. F. (1911). The hymns and hymn writers of the church, an annotated edition of The Methodist hymnal. New York: Methodist Book Concern.
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