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Texts

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Lover den Herre, hvis reddende Kjærlighed sender

Author: Karl Døring; Landstad Appears in 4 hymnals Topics: Second Sunday in Lent Lyrics: 1 Lover den Herre, hvis reddende Kjærlighed sender, Efter Fortabte sit Budskab til Jorderigs Ender, Kalder saa mild Hver, som i Ørken for vild, Bær ham paa Hærder og Hænder. 2 Lover den Herre, hvis lysende Kjærlighed gyder Straaler af Lys i det Mulm, som fra Helved indbryder! O, at dog hver Menneske-Sjæl, du har kjær, Frem i dit Dagskjær sig fryder! 3 Lover den Herre, hvis pleiende Kjærlighed dyrker Haven han planted, og Grenene renser og styrker, Sanker ind fler Folk, som han ledige ser, Aandelig Glæde udvirker! 4 Lover den Herre, hvis værnende Kjærlighed breder Skjul over Sæden, som vokser, og Spirerne freder! Ak, hør vor Røst! Giv os en glædilig Host, Om den, som Sæden bær, græder! 5 Lover den Herre, hvis evige Kjærlighed fremmer Det, han begyndte, og sine Udvalgte ei gjemmer, Mange fra Trang Staar alt i Himlen med Sang; Herrens Pauluner dem glemmer. 6 Lover den Herre Gud Fader, hans evige Naade! Lover den Herre Guds Søn, som os frelste af Vaade! Lover Guds Aand Kysser hans ledende Haand! Amen. Vor Herre det raade!

O for a faith that will not shrink

Author: William Hiley Bathurst Appears in 706 hymnals Topics: Second Sunday in Lent Lyrics: 1 O for a faith that will not shrink, Tho' pressed by ev'ry foe, That will not tremble on the brink Of any earthly woe! 2 That will not murmur nor complain Beneath the chast'ning rod, But, in the hour of grief or pain Will lean upon its God; 3 A faith that shines more bright and clear, When tempests rage without; That, when in danger, knows no fear, In darkness, feels no doubt; 4 That bears, unmoved the world’s dread frown, Nor heeds its scornful smile; That seas of trouble cannot drown, Nor Satan’s arts beguile, 5 A faith that keeps the narrow way Till life’s last hour is fled, And with a pure and heavenly ray Lights up a dying bed. 6 Lord, give us such a faith as this, And then, whate’er may come, We’ll taste e’en here the hallowed bliss Of an eternal home. Used With Tune: MANOAH

Come, let us join our cheerful songs

Author: Isaac Watts Appears in 1,009 hymnals Topics: Second Sunday in Lent Lyrics: 1 Come, let us join our cheerful songs With angels round the throne; Ten thousand thousand are their tongues, But all their joys are one. 2 "Worthy the Lamb that died," they cry, "To be exalted thus;" "Worthy the Lamb," our lips reply, For He was slain for us. 3 Jesus is worthy to receive Honor and power divine; And blessings more than we can give, Be, Lord! forever Thine. 4 Let all that dwell above the sky, And air, and earth, and seas, Conspire to lift Thy glories high, And speak Thine endless praise! Used With Tune: CHRISTMAS

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Tunes

Tune authorities

THANKSGIVING (Nun danket all und bringet Ehr)

Appears in 292 hymnals Topics: Second Sunday in Lent Tune Sources: Johann Crüger's Prax. Piet., 1656 Tune Key: G Major Incipit: 16512 33235 43215 Used With Text: Come, let us join our cheerful songs

ST. THOMAS

Appears in 1,089 hymnals Composer and/or Arranger: Aaron Williams Topics: Second Sunday in Lent Tune Key: G Major Incipit: 51132 12345 43432 Used With Text: And shall we still be slaves

NAOMI

Appears in 488 hymnals Composer and/or Arranger: Johann Georg Nägeli; Lowell Mason, Mus. Doc. Topics: Second Sunday in Lent Tune Key: D Major Incipit: 33354 32343 36654 Used With Text: Father of all our mercies, Thou

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Instances

Published text-tune combinations (hymns) from specific hymnals

Hellig' Jesus, Renheds Kilde

Author: Bath. Crasselius; Jodokus von Lodenstein; Brorson Hymnal: Salmebog for Lutherske Kristne i Amerika #661 (1919) Topics: Second Sunday in Lent Lyrics: 1 Hellig' Jesus, Renheds Kilde, Du Salighedens Giver milde, Du mer end Solen ren og skjær! Al den Glans hos Kerubimer Og Herlighed i Serafimer Mod din som Mørkheds Taage er! Et Mønster er du mig, Ak, dan mig efter dig, Min Jehovah, o Jesus kjær! Gjør mig dog her Og hellig, som du hellig er! 2 Stille Jesus, som din Vilje For Faders Vilje bøied stille Og indtil Døden adlød ham! Lad mig vorde ogsaa dydig, Som et umyndigt Barn dig lydig Og sindet efter dig, Guds Lam! Tag Hjertet ganske ind, Gjør Attraa, Sjæl og Sind Taus og stille, o, Jesus kjær! Hjælp, at jeg her I sønlig Aand dig lyder er! 3 Ømme Jesus, uden Slummer, Med megen Uro, Strid og Kummer Dit Øie for os Omhu bar, Hver Dag bar du Livets Møie, Hver Nat saa dig dit Knæ at bøie, Den Bøn til Gud din Hvile var! Meg og, aarvaagen gjør, Og at jeg, som jeg bør Flittig bede, o Jesus kjær! Giv, at jeg her Dit Villed stedse hos mig bær! 4 Milde Jesus, ak hvor herlig Er dog din Naade, og hvor kjærlig Er du mod Uven og mod Ven! Klare Lys for Hjerters Mørke Og frugtbar Regn for Sjæles Tørke, Hvor liden Tak du saar igjen! Min Jesus, lær du mig, At jeg i Godhed dig Maa paaslægte, o Jesus kjær! Giv, at jeg her Som du mod alle kjærlig er! 5 Fromme Jesus, du forhaanet Og ei for Had og Spot blev skaanet, Lod dog ei Hevn, ei Vrede se! Stille Mod, hvo saa dets Lige, Som ikkun for din Faders Rige Og Hus sig nidkjær vilde te! Min Jesus, prent mig ind Et saget, nidkjært Sind For din Ære, o Jesus kjær! Gid, at jeg her From og sagtmodig stedse er! 6 Sæle Jesus, hvad for Smerte, Stod du ei ud med roligt Hjerte Udi din dybe Ydmyghed! Pint du blev og plaget ilde, Men, dyre Lam, du taug dog stille, Holdt dig i Faders Lydighed! Bind, Jesus, ved din Aand Mig og med sige Baand, Naar jeg lider, o Jesus kjær! Hjælp, at jeg her Altid som du taalmdoig er! 7 Ærens Konge, du hernede Ei selv dig Ære vil berede, Nei, du fornedred dig i Alt! Hovmods Aand ei dig ophøied, Men dybt i Ydmyghed nedbøied, Du tog en ringe Træls Gestalt! O, slaa min Hovmod ned Og giv mig Ydmyghed Ved din Naade, o Jesus kjær! Giv, at jeg her, Som du, af Hjertet ydmyg er! 8 Rene Jesus, Kydskheds Kilde, Som os et Mønster give vilde End fremfor Adams Renhdes Stand! Lemmer, Sjæl og Sind og Sæder, Ja Øiesyn og Gang og Klæder Regjerte Hellighedens Aand! O, min Immanuel! Gjør og mit Liv, min Sjæl Kydsk og hellig! o Jesus kjær, Mig stedse lær At ligne dig i Kydskhed her! 9 Rige Jesus, du med Ringe Din Tørst og Hunger kunde tvinge, Men af din Haand blev Andre mæt! Lysten, som dig kunde røre, Var Faders Vilje at fuldføre; Det var din Mod, din bedste Ret! Vend, søde Sjæleven, Min Hunger til dig hen! Sjælens Manna, o Jesus kjær! Lær mig især, Naar jeg dig har, at nøies her! 10 Dyre Jesus, kom, velsigne Mit Hjerte, lad i Alt mig ligne Din Hellighed, dit Billede! Aandens Kraft mig saa regjere, At Troens Frugt dig maatte hædre, Og jeg dit rige værd mig te! O, Jesus, drag du mig Alt mer og mer til dig! Sjælens Konge, kom i mig bo, Og lad min Tro I dig kun finde evig Ro! Languages: Norwegian

Jeg slipper Jesus ei

Author: Ukjendt Hymnal: Salmebog for Lutherske Kristne i Amerika #370 (1919) Topics: Second Sunday in Lent; Second Sunday in Lent Lyrics: 1 Jeg slipper Jesus ei, I Jesus vil jeg blive; Han i Begyndelsen Mig Livet vilde give; Det Liv, som han mig gav, Af ham sit Ophold faar, Naar Verden falder om Og ganske undergaar. 2 Jeg slipper Jesus ei, Med Jesus vil jeg lide, Han lindrer mig mit Kors Med Trøst i rette Tide, Det mig til Gode sker; Naar Jesus er hos mig, Han Korsets Bitterhed Skal gjøre taalelig. 3 Jeg slipper Jesus ei, Med Jesus vil jeg kjæmpe Mod Verden, Djævelen, Ja Døden vil jeg dæmpe; Naar de bestorme mig, Min Jesus hjælper godt, For mig han kjæmper selv, Og gjør dem kun til Spot. 4 Jeg slipper Jesus ei, Med Jesus er jeg rede At dø; er han hos mig, Da vil han ei tilstede, Mig Døden døde skal, Nei, den en Himmel-Vei Da bliver mig, hvorfor Jeg slipper Jesus ei. 5 Jeg slipper Jesus ei; Thi kan jeg ham kun have, Saa har jeg her og hist Den allerbedste Gave. I al den Ting, jeg gjør, Er Jesus ikke med, Saa faar jeg ingen Frugt Og nyder aldrig Fred. 6 Jeg slipper Jesus ei, Fra ham vil jeg ei træde, Vi sammenbundne er Med Kjærlighedens Kjæde Saa fast, som noget kan Tilsammenføie sig, Og han skal drage mig Med sig til Himmerig. 7 Jeg slipper Jesus ei, Hans Kjærlighed mig driver, Jeg sover eller jeg Opvaagner, Jesus bliver Mit ene faste Maal, Og ingen anden Vei Jeg har til Salighed,– Jeg slipper Jesus ei. Languages: Norwegian

O Naadens Sol og Glæde

Author: Ludvig Gotter; Wexels Hymnal: Salmebog for Lutherske Kristne i Amerika #280 (1919) Topics: Second Sunday in Lent; Second Sunday in Lent Lyrics: 1 O Naadens Sol og Glæde, O Jesus, Livets Liv! Dit Lys, din Trøst, din Glæde Mig i mit Hjerte giv! Lad mig din Godhed nyde, Lad den min Aand nu pryde, Min Lyst og Ære bliv! 2 Fra dig mit Haab begynder, Og bliver kun hos dig, Forlad mig mine Synder, Og hjælp mig maadelig! Ak, lad dit Hjertes Tale Min trætte Sjæl husvale, O Herre, hør du mig! 3 Fordriv af Hu og Sinde Den gamle Adams Lyst, Og byg dig selv derinde Dit Tempel i mit Bryst, At alt mit Liv maa være Opofret dig til Ære, Som dyrt mig har forløst! 4 O, lad mig altid findes I Lysets rette Dragt, Og lad mig altid mindes Min Daabs den dyre Pagt, At jeg i Død og Live Dig huld og tro maa blive Trods Helveds List og Magt! 5 Lær mig at elske, Herre, Lær mig at elske dig! Mit Hjerte det vil være Kun dit evindelig! Kun dig saa vil jeg følge Alt over Dybets Bølge, O, drag og hold du mig! 6 Ja, Jesus, giv mig Evne, Giv Styrke mig og Mod, Alt Ondt, du veed at nævne, At træde under Fod! Jeg intet kan udrette, Kun du kan gjøre dette, Min Frelser stor og god! Languages: Norwegian

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People

Authors, composers, editors, etc.

Hans G. Nägeli

1773 - 1836 Person Name: Johann Georg Nägeli Topics: Second Sunday in Lent Composer of "NAOMI" in Evangelical Lutheran hymnal Johann G. Nageli (b. Wetzikon, near Zurich, Switzerland, 1773; d. Wetzikon, 1836) was an influential music educator who lectured throughout Germany and France. Influenced by Johann Pestalozzi, he published his theories of music education in Gangbildungslehre (1810), a book that made a strong impact on Lowell Mason. Nageli composed mainly" choral works, including settings of Goethe's poetry. He received his early instruction from his father, then in Zurich, where he concentrated on the music of. S. Bach. In Zurich, he also established a lending library and a publishing house, which published first editions of Beethoven’s piano sonatas and music by Bach, Handel, and Frescobaldi. Bert Polman

George Frideric Handel

1685 - 1759 Person Name: George Fraderick Handel, 1685-1759 Topics: Second Sunday in Lent Composer of "CHRISTMAS" in Evangelical Lutheran hymnal George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Thomas Hastings

1784 - 1872 Person Name: Thomas Hastings, Mus. Doc. Topics: Second Sunday in Lent Composer of "BYEFIELD" in Evangelical Lutheran hymnal Hastings, Thomas, MUS. DOC., son of Dr. Seth Hastings, was born at Washington, Lichfield County, Connecticut, October 15, 1784. In 1786, his father moved to Clinton, Oneida Co., N. Y. There, amid rough frontier life, his opportunities for education were small; but at an early age he developed a taste for music, and began teaching it in 1806. Seeking a wider field, he went, in 1817, to Troy, then to Albany, and in 1823 to Utica, where he conducted a religious journal, in which he advocated his special views on church music. In 1832 he was called to New York to assume the charge of several Church Choirs, and there his last forty years were spent in great and increasing usefulness and repute. He died at New York, May 15, 1872. His aim was the greater glory of God through better musical worship; and to this end he was always training choirs, compiling works, and composing music. His hymn-work was a corollary to the proposition of his music-work; he wrote hymns for certain tunes; the one activity seemed to imply and necessitate the other. Although not a great poet, he yet attained considerable success. If we take the aggregate of American hymnals published duriug the last fifty years or for any portion of that time, more hymns by him are found in common use than by any other native writer. Not one of his hymns is of the highest merit, but many of them have become popular and useful. In addition to editing many books of tunes, Hastings also published the following hymnbooks:— (1) Spiritual Songs for Social Worship: Adapted to the Use of Families and Private Circles in Seasons of Revival, to Missionary Meetings, &c, Utica, 1831-2, in which he was assisted by Lowell Mason; (2) The Mother's Hymn-book, 1834; (3) The Christian Psalmist; or, Watts's Psalms and Hymns, with copious Selections from other Sources, &c, N. Y., 1836, in connection with "William Patton; (4) Church Melodies, N. Y., 1858, assisted by his son, the Rev. T. S. Hastings; (5) Devotional Hymns and Poems, N. Y., 1850. The last contained many, but not all, of his original hymns. (6) Mother's Hymn-book, enlarged 1850. The authorship of several of Hastings's hymns has been somewhat difficult to determine. All the hymns given in the Spiritual Songs were without signatures. In the Christian Psalmist some of his contributions were signed "Anon." others "M. S.," whilst others bore the names of the tune books in which they had previously appeared; and in the Church Melodies some were signed with his name, and others were left blank. His MSS [manuscript] and Devotional Hymns, &c, enable us to fix the authorship of over 50 which are still in common use. These, following the chronological order of his leading work, are:— i. From the Spiritual Songs, 1831:— 1. Before Thy footstool kneeling. In Sickness. No. 358, in 3 stanzas of 8 lines. 2. Bleeding hearts defiled by sin. Fulness of Christ. No. 261, in 5 stanzas of 4 lines. 3. Child of sin and sorrow, Filled with dismay. Lent. No. 315, in 2 stanzas of 8 lines. It is sometimes given as "Child of sin and sorrow, Where wilt thou flee?" It is in extensive use. 4. Delay not, delay not, 0 sinner draw near. Exhortation to Repentance. No. 145, in 5 stanzas of 4 lines. Given in several important collections. 5. Forgive us, Lord, to Thee we cry. Forgiveness desired. No. 165, in 4 stanzas of 4 lines. 6. Gently, Lord, 0 gently lead us. Pilgrimage of Life. No. 29, in 2 stanzas of 8 lines. It is given in several collections. The first two lines are taken from a hymn which appeared in the Christian Lyre, 1830. 7. Go forth on wings of fervent prayer. For a blessing on the distribution of Books and Tracts. No. 250, in 4 stanzas of 5 lines. It is sometimes given as “Go forth on wings of faith and prayer," as in the Baptist Praise Book, N. Y., 1871, No. 1252; but the alterations are so great as almost to constitute it a new hymn. 8. Hail to the brightness of Zion's glad morning. Missionary Success. No. 239, in 4 stanzas of 4 lines. In several hymnbooks in Great Britain and America. 9. How calm and beautiful the morn. Easter. No. 291, in 5 stanzas of 6 lines. Very popular. 10. In this calm, impressive hour. Early Morning. No. 235, pt. i. in 3 stanzas of 6 lines. In several collections. 11. Jesus, save my dying soul. Lent. No. 398, in 4 stanzas of 4 lines. A deeply penitential hymn. 12. Now be the gospel banner. Missions. No. 178, in 2 stanzas of 8 lines. In several collections (see below). 13. Now from labour, and from care. Evening. No. 235. Pt. ii. in 3 stanzas of 6 lines. This hymn, with No. 10 above, "In this calm," &c, constitute one hymn of 6 st. in the Spiritual Songs, but divided into two parts, one for Morning and the other for Evening. Both parts are popular as separate hymns. 14. 0 God of Abraham, hear. Prayer on behalf of Children. No. 288, in 5 stanzas of 4 lines. In use in Great Britain. 15. 0 tell me, Thou Life and delight of my soul. Following the Good Shepherd. No. 151, in 5 stanzas of 4 lines, on Cant. i. 7, 8. 16. Return, O wanderer, to thy home. The Prodigal recalled. No. 183, in 3 stanzas of 4 lines, with the refrain, " Return, return " (see below). 17. Soft and holy is the place. Public Worship. No. 351, in 4 stanzas of 4 lines. In Dr. Hatfield's Church Hymn Book, N. Y., 1872, and some other collections, the opening line is altered to "Sweet and holy is the place." 18. That warning voice, 0 sinner, hear. Exhortation to Repentance. No. 231, in 4 stanzas of 6 lines. 19. To-day the Saviour calls. Lent. No. 176, in 4 stanzas of 4 lines. Dr. Hastings says, in a communication to Dr. Stevenson (Hymns for Church and Home, 1873), this hymn “was offered me in a hasty sketch which I retouched." The sketch was by the Rev. S. F. Smith. 20. Why that look of sadness. Consolation. No. 268, in 3 stanzas of 8 lines. 21. Zion, dreary and in anguish. The Church Comforted. No. 160, in 4 stanzas of 4 lines. Concerning the two hymns, No. 12, "Now be the gospel banner"; and No. 16, "Beturn, O wanderer, to thy home," Dr. Stevenson has the following note in his Hymns for Church and Home, London, 1873:— "In a letter to the Editor, Dr. Hastings wrote, not more than a fortnight before his death, 'These two hymns of mine were earlier compositions, the former ["Now be," &c.] for a Utica Sunday School celebration, the latter ["Return, 0 wanderer," &c.] after hearing a stirring revival sermon on the Prodigal Son, by the Rev. Mr. Kint, at a large union meeting in the Presbyterian Church, where two hundred converts were present. The preacher at the close eloquently exclaimed with tender emphasis, "Sinner, come home! come home! come home!" It was easy afterwards to write, "Return, 0 wanderer."'" Several additional hymns in the Spiritual Songs, 1831, have been ascribed to Dr. Hastings, but without confirmation. The sum of what can be said on his behalf is that the hymns are in his style, and that they have not been claimed by others. They are:— 22. Drooping souls, no longer mourn. Pardon promised. No. 40, in 3 stanzas of 8 1., of which st. i., ii. are altered from J. J. Harrod's Public, Parlour, and Cottage Hymns, Baltimore, 1823, that is, 8 years before the Spiritual Songs were published. 23. Dying souls, fast bound in sin. Pardon offered. No. 41, in 5 stanzas of 8 lines. It is usually given in an abridged form. ii. From his Mother's Hymn Book, 1834:—- 24. Forbid them not, the Saviour cried. Holy Baptism. No. 44. 25. God of mercy, hear our prayer. On behalf of Cliildrcn, No. 48, in 5 stanzas of 4 lines. It was included in J. Campbell's Comprehensive Hymn Book, Lond., 1837, and subsequently in several collections. 26. God of the nations, bow Thine ear. Missions. No. 115, in 4 stanzas of 6 lines. In several collections. 27. How tender is Thy hand. Affliction. No. 99, in 5 stanzas of 41. 28. Jesus, while our hearts are bleeding. Death. Resignation. No. 95, in 5 stanzas of 4 lines. This is in extensive use and is one of his best and most popular hymns. 29. Lord, I would come to Thee. Self-dedication of a Child. No. 72, in 4 stanzas of 4 lines. 30. 0 Lord, behold us at Thy feet. Lent. No. 59, in 4 stanzas of 4 lines. It is doubtful if this is by Hastings. It is sometimes signed "Mrs. T." 31. The rosy light is dawning. Morning. No. 11, in 3 stanzas of 8 lines. 32. The Saviour bids us [thee] watch and pray. Watch and Pray. No. 119, in 4 stanzas of 4 lines. 33. Thou God of sovereign grace. On behalf of Children. No. 66, in 6 stanzas of 4 lines. 34. Wherever two or three may meet. Divine Service. No. 56. 35. Within these quiet walls, 0 Lord. Mothers' Meetings. No. 58, in 5 stanzas of 4 lines. In Spurgeon's Our Own Hymn Book, 1866, No. 1010, it begins, "Within these peaceful walls." This reading is from J. Campbell's Comprehensive Hymn Book, London, 1837. It is very doubtful if this is by Hastings. iii. From the Christian Psalmist, 1836:— 36. Children, hear the melting story. On the life of Christ. No. 430, in 3 stanzas of 6 lines. It is given as from the Union Minstrel, and the statement that it is by Hastings is very doubtful, no evidence to that effect being in the possession of his family. Dr. Hatfield, in his Church Hymn Book, dates it 1830, and gives it as "Anon." 37. Go, tune thy voice to sacred song. Praise No. 190, in 5 stanzas of 5 lines, and given as from "ms." 38. He that goeth forth with weeping. Missions No. 212, in 2 stanzas of 8 lines, and given as from "ms." It is in several collections. 39. I love the Lord, Whose gracious ear. Ps. cxvi. Page 186, in 4 stanzas of 6 lines, as from "ms." 40. Lord of the harvest, bend Thine ear. For the Increase of the Ministry. No. 407, in 6 stanzas of 4 lines, as from "ms." This hymn Dr. Hastings altered for his Devotional Hymns & Poems, 1850, but it has failed to replace the original in the hymnbooks. iv. From the Reformed Dutch Additional Hymns, 1846:— 41. Child of sorrow, child of care [woe]. Trust. No. 168, in 2 stanzas of 8 lines, appeared in W. Hunter's Minstrel of Zion, 1845. 42. Heirs of an immortal crown. Christian Warfare. No. 136, in 2 stanzas of 8 lines. 43. O Saviour, lend a listening ear. Lent. No. 175. Stanzas vi., i., iv., v., altered. 44. The Lord Jehovah lives. Ps. xviii. No. 26, in 4 stanzas of 6 lines. These three hymns, together with many others, are given in the Dutch Reformed Hymns of the Church, N. Y., 1869. In the 1847 Psalms & Hymns there were, including these, 38 hymns by Hastings, and 2 which are doubtful. v. From Dr. Hastings's Devotional Hymns and Religious Poems, 1850:— 45. In time of fear, when trouble's near. Encouragement in Trial. Page 95, in 3 stanzas of 4 lines. In use in Great Britain. vi. From Church Melodies, 1858:—- 46. For those in bonds as bound with them. Missions. No. 416, in 5 stanzas of 4 lines, on Heb. xiii. 3. 47. Forget thyself, Christ bids thee come. Holy Communion. No. 683, in 3 stanzas of 6 lines. 48. Jesus, Merciful and Mild. Leaning on Christ. No. 585, in 4 stanzas of 8 1. In several collections. 49. Pilgrims in this vale of sorrow. Self-denial. No. 397, in 4 stanzas of 4 lines. 50. Saviour, I look to Thee. Lent. In time of Trouble. No. 129, in 4 stanzas of 7 lines. 51. Saviour of our ruined race. Holy Communion. No. 379, in 3 stanzas of 6 lines. 52. Why that soul's commotion? Lent. No. 211, in 3 stanzas of 8 lines. It is doubtful if this is by Hastings. vii. In Robinson's Songs of the Church, 1862: 53. Be tranquil, 0 my soul. Patience in Affliction. No. 519, in 4 stanzas of 4 lines. Altered in Robinson's Songs for the Sanctuary, 1865. 54. Peace, peace, I leave with you. Peace, the benediction of Christ. No. 386, in 3 stanzas of 7 lines. 55. Saviour, Thy gentle voice. Christ All in All. No. 492, in 3 stanzas of 7 lines. viii. In Bobinson's Songs for the Sanctuary, 1865:— 56. God of the morning ray. Morning. No. 53, in 2 stanzas of 7 lines. Of Hastings's hymns about 40 are in the Reformed Dutch Psalms & Hymns, 1847; 39 in Robinson's Songs for the Sanctuary, 1865; 15 in Hatfield's Church Hymn Book, 1872; and 13 in the Lyra Sacra Americana, 1868. They are also largely represented in other collections. Many other of his compositions are found in collections now or recently in common use, but these are not of the highest merit. [Rev. F. M. Bird, M.A.] --John Julian, Dictionary of Hymnology (1907) ======================== Hastings, T., p. 494, i. Additional hymns are:— 1. Children hear the wondrous story; and "Sinners, hear the melting story," are altered forms of No. 36, on p. 495, i. 2. Father, we for our children plead. On behalf of Children. 3. Forgive my folly, O Lord most holy. Lent. 4. Hosanna to the King, That for, &c. Praise to Jesus. 5. I look to Thee, O Lord, alone. Pardon desired. 6. Jesus, full of every grace. Pardon desired. 7. O why should gloomy thoughts arise? The Mourner Encouraged. 8. Peace to thee, O favoured one. Peace in Jesus. 9. Saviour, hear us through Thy merit. Forgiveness. Of these hymns, No. 3 is in Hasting’s Spiritual Songs, 1831; No. 9 in his Mother's Hymn Book, 1834, and his Devotional Hymns, 1850; and Nos. 4, 5 & 8 in his Devotional Hymns, 1850. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

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