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Topics:temptation+and+trial

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I Need Thee Every Hour

Author: Annie S. Hawks, 1835-1918 Meter: Irregular Appears in 1,007 hymnals Topics: Temptation and Trials First Line: I need Thee ev'ry hour Refrain First Line: I need Thee, O I need Thee Used With Tune: NEED

Psalm 119:129-136 A Responsorial Setting

Appears in 5 hymnals Topics: Temptation And Trial First Line: Send out your light, Lord, send your truth Scripture: Psalm 43:3 Used With Tune: [Send out your light, Lord, send your truth] Text Sources: Evangelical Lutheran Worship (Psalm text)
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Praise, My Soul, the King of Heaven

Author: Henry F. Lyte Meter: 8.7.8.7.8.7 Appears in 546 hymnals Topics: Temptation And Trial First Line: Praise my soul, the King of heaven Lyrics: 1 Praise, my soul, the King of heaven; to his feet your tribute bring. Ransomed, healed, restored, forgiven, evermore his praises sing. Alleluia, alleluia! Praise the everlasting King! 2 Praise him for his grace and favor to his people in distress. Praise him, still the same as ever, slow to chide, and swift to bless. Alleluia, alleluia! Glorious in his faithfulness! 3 Father-like he tends and spares us; well our feeble frame he knows. In his hand he gently bears us, rescues us from all our foes. Alleluia, alleluia! Widely yet his mercy flows! 4 Frail as summer's flower we flourish, blows the wind and it is gone; but while mortals rise and perish God endures unchanging on. Alleluia, alleluia! praise the High, Eternal One. 5 Angels, help us to adore him; you behold him face to face. Sun and moon, bow down before him, dwellers all in time and space. Alleluia, alleluia! Praise with us the God of grace! Scripture: Psalm 103 Used With Tune: LAUDA ANIMA

Tunes

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NYLAND

Meter: 7.6.7.6.7.6.7.6 Appears in 82 hymnals Composer and/or Arranger: David Evans Topics: Temptation & Trial; Temptation & Trial Tune Sources: Finnish folk melody Tune Key: E Flat Major Incipit: 53212 16555 65435 Used With Text: O Jesus, I Have Promised
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NEED

Meter: Irregular Appears in 610 hymnals Composer and/or Arranger: Robert Lowry, 1826-1899 Topics: Temptation and Trials Tune Key: G Major Incipit: 13217 11121 655 Used With Text: I Need Thee Every Hour
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ST. ANNE

Meter: 8.6.8.6 Appears in 874 hymnals Composer and/or Arranger: William Croft Topics: Temptation And Trial Tune Key: C Major Incipit: 53651 17151 5645 Used With Text: O God, Our Help in Ages Past

Instances

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Published text-tune combinations (hymns) from specific hymnals

Cámbiame, Señor (Change My Heart, O God)

Author: Eddie Espinosa, b. 1953 Hymnal: Psalms for All Seasons #51A (2012) Topics: Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial; Temptation And Trial Scripture: Psalm 51 Languages: English; Spanish Tune Title: [Change my heart, O God]
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Yield Not to Temptation

Author: Horatio R. Palmer Hymnal: Christian Praise #339 (1964) Topics: Temptation And Trial Refrain First Line: Ask the Saviour to help you Languages: English Tune Title: PALMER
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Yield Not to Temptation

Author: Horatio R. Palmer, 1834-1907 Hymnal: Rejoice Hymns #419 (2011) Meter: 6.5.6.5.6.5.6.6 with refrain Topics: Temptation and Trials Refrain First Line: Ask the Saviour to help you Languages: English Tune Title: PALMER

People

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Authors, composers, editors, etc.

John Henry Yates

1837 - 1900 Person Name: John H. Yates, 1837-1900 Topics: Temptation and Trials Author of "Faith Is the Victory" in Rejoice Hymns Rev. John H. Yates, was born in Batavia, N. Y., November 31, 1837. He was educated at the Batavia Union School, but at the age of eighteen was forced to engage in business as a clerk to help maintain his aged parents. For several years he was with his brother, Thomas Yates, in the shoe business; afterwards, for seven years, salesman in G. B. Worthington's hardware store. In 1871 he took charge of the fancy goods department in E. L. & G. D. Kenyon's double store and remained there fifteen years. In 1886 he was called to be local editor of the Progressive Batavian, and filled the position nearly ten years. When twenty-one years of age Mr. Yates was licensed to preach in the Methodist church, but was not ordained until 1897. For nearly seven years now he has been pastor of the Free Will Baptist church at West Bethany. At about the age of twenty, Mr. Yates began writing poetry at the solicitation of his mother, and very soon his ballads and hymns were printed and sung all over the land. In 1891, Ira D. Sankey, the famous singer, engaged Mr. Yates to write gospel hymns for him, solely; he was led to do this because of the wonderful success of Mr. Yates's old man ballad, the "Model Church," which has been sung all over the world. After the contract with Mr. Sankey. the following hymns soon appeared from the pen of Mr. Yates: "Harbor Bell," "Faith is the Victory," "Beautiful Hills," "Our Name's in Heaven," and about twenty others. In December, 1897, Mr. Yates issued a volume of ballads and poems, a book of 117 poems and 226 pages, which are now nearly all sold. On the occasion of the dedication of the old land office in 1894, Mr. Yates wrote the dedicatory poem, "Our Ancient Landmark," a production of unusual merit. From Our County and it's people: descriptive work on Genesee County, New York, edited by: F. W. Beers (J.W. Vose & Co., Publishers, Syracuse, N. Y. 1890)

Ira David Sankey

1840 - 1908 Person Name: Ira D. Sankey, 1840-1908 Topics: Temptation and Trials Composer of "SANKEY" in Rejoice Hymns Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known. Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages. --John Julian, Dictionary of Hymnology (1907) Pseudonymns: Harry S. Low­er Rian A. Dykes ==================== Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:— 1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:— "I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full." The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus. 2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:— "During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888. From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns. From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:— In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns. In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888. --John Julian, Dictionary of Hymnology, New Supplement (1907)

Henry K. Oliver

1800 - 1885 Topics: Temptation And Trial Composer of "FEDERAL STREET" in Psalms for All Seasons Henry Kemble Oliver (b. Beverly, MA, 1800; d. Salem, MA, 1885) was educated at Harvard and Dartmouth. He taught in the public schools of Salem (1818-1842) and was superintendent of the Atlantic Cotton Mills in Lawrence, Massachusetts (1848-1858). His civic service included being mayor of Lawrence (1859­1861) and Salem (1877-1880), state treasurer (1861-1865), and organizer of the Massachusetts Bureau of Statistics and Labor (1867-1873). Oliver was organist at several churches, including Park Street Congregational Church in Boston, North Church in Salem, and the Unitarian Church in Lawrence. A founder of the Mozart Association and several choral societies in Salem, he published his hymn tunes in Hymn and Psalm Tunes (1860) and Original Hymn Tunes (1875). Bert Polman
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