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The Homeland

Author: Hugh R. Haweis Appears in 187 hymnals Topics: The Home Eternal First Line: The Homeland! O the Homeland! Lyrics: 1. The Homeland! O the Homeland! The land of the freeborn! There's no night in the Homeland, But aye the fadeless morn; I'm sighing for the Homeland, My heart is aching here; There is no pain in the Homeland To which I'm drawing near; There is no pain in the Homeland To which I'm drawing near. 2. My Lord is in the Homeland, With angels bright and fair; There's no sin in the Homeland, And no temptation there; The music of the Homeland Is ringing in my ears; And when I think of the Homeland My eyes are filled with tears; And when I think of the Homeland My eyes are filled with tears. 3. The dwellers in the Homeland Are beck'ning me to come, Where neither death nor sorrow Invades their holy home; O dear, dear native country! O rest and peace above! Christ bring us all to the Homeland Of Thy redeeming love; Christ bring us all to the Homeland Of Thy redeeming love. Used With Tune: [The Homeland! O the Homeland!]
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Break, Eternal Day

Author: Anon. Appears in 9 hymnals Topics: The Home Eternal Nearing Home First Line: Break, break, eternal day Lyrics: 1. Break, break, eternal day, Bid darkness flee away; Pour on our sight Light from the world of joy, Bliss pure without alloy; Then ne'er shall gloom annoy; All shall be bright. 2. Rise, rise, thou glorious Sun, Hasten thy race to run; At God's command Extend thy healing wings; Open joy's long-sealed springs; Reign, O thou King of kings, In this dark land. 3. Come, come, thou conqu'ring One, Reign upon thy throne, In glory bright; Then shall the ransomed raise, Unceasing songs of praise, Thro'out eternal days, In realms of light. Used With Tune: AMERICA
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Hark! Hark! My Soul

Author: F. W. Faber Appears in 630 hymnals Topics: The Home Eternal Nearing Home First Line: Hark! hark, my soul! Angelic songs are swelling Lyrics: 1. Hark! hark, my soul! Angelic songs are swelling O'er earth's green fields, and ocean's wave beat shore; How sweet the truth those blessed strains are telling Of that new life when sin shall be no more. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 2. Onward we go, for still we hear them singing, "Come, weary souls, for Jesus bids you come;" And through the dark, its echoes sweetly ringing, The music of the gospel leads us home. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 3. Far, far away, like bells at evening pealing, The voice of Jesus sounds o'er land and sea, And laden souls by thousands meekly stealing, King Shepherd, turn their weary steps to Thee. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 4. Rest comes at length: though life be long and dreary, The day must dawn, and dark some night be past; Faith's journeys end in welcome to the weary, And heav'n, the heart's true home, will come at last. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. 5. Angels, sing on! your faithful watches keeping: Sing us sweet fragments of the songs above; Till morning's joy shall end the night of weeping, And life's long shadows break in cloudless love. Angels of Jesus, Angels of light, Singing to welcome the pilgrims of the night! Amen. Used With Tune: PILGRIMS

Tunes

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[With friends on earth we meet in gladness]

Appears in 96 hymnals Composer and/or Arranger: J. H. Tenney Topics: The Home Eternal Meeting in Heaven Incipit: 55351 31176 53512 Used With Text: We'll Never Say Good-By
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[Come, we that love the Lord]

Appears in 394 hymnals Composer and/or Arranger: Robert Lowry Topics: The Home Eternal City of God Tune Key: G Major Incipit: 13156 71231 5432 Used With Text: Marching to Zion
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[Shall we gather at the river]

Appears in 417 hymnals Composer and/or Arranger: Rev. Robert Lowry Topics: The Home Eternal Meeting in Heaven Tune Key: E Flat Major Incipit: 33323 45344 45432 Used With Text: Gather at the River?

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Home of the Soul

Author: Mrs. Ellen M. H. Gates Hymnal: Christ in Song #919 (1908) Topics: The Home Eternal First Line: I will sing you a song of that beautiful land Lyrics: 1. I will sing you a song of that beautiful land, The far away home of the soul, Where no storms ever beat on the glittering strand, While the years of eternity roll, While the years of eternity roll; Where no storms ever beat on the glittering strand, While the years of eternity roll. 2. O, that home of the soul! in my visions and dreams Its bright, jasper walls I can see, Till I fancy but thinly the vail intervenes Between the fair city and me, Between the fair city and me; Till I fancy but thinly the vail intervenes Between the fair city and me. 3. That unchangeable home is for you and for me, Where Jesus of Nazareth stand; The King of all kingdoms forever, is he, And He holdeth our crowns in His hands, And He holdeth our crowns in His hands; The King of all kingdoms forever, is He, And He holdeth our crowns in His hands. 4. O, how sweet it will be in that beautiful land, So free from all sorrow and pain; With song on our lips and with harps in our hands, To meet one another again! To meet one another again! With songs on our lips and with harps in our hands, To meet one another again. Languages: English Tune Title: [I will sing you a song of that beautiful land]
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Break, Eternal Day

Author: Anon. Hymnal: Christ in Song #933 (1908) Topics: The Home Eternal Nearing Home First Line: Break, break, eternal day Lyrics: 1. Break, break, eternal day, Bid darkness flee away; Pour on our sight Light from the world of joy, Bliss pure without alloy; Then ne'er shall gloom annoy; All shall be bright. 2. Rise, rise, thou glorious Sun, Hasten thy race to run; At God's command Extend thy healing wings; Open joy's long-sealed springs; Reign, O thou King of kings, In this dark land. 3. Come, come, thou conqu'ring One, Reign upon thy throne, In glory bright; Then shall the ransomed raise, Unceasing songs of praise, Thro'out eternal days, In realms of light. Languages: English Tune Title: AMERICA
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How Far From Home?

Author: Annie R. Smith Hymnal: Christ in Song #845 (1908) Topics: The Home Eternal Nearing Home First Line: How far from home! I asked, as on Lyrics: 1. How far from home? I asked, as on I bent my steps--the watchman spake: "The long, dark night is almost gone, The morning soon will break. Then weep no more, but speed thy flight, With Hope's bright star thy guiding ray, Till thou shalt reach the realms of light, In everlasting day." 2. I asked the warrior on the field: This was his soul-inspiring song: "With courage, bold, the sword I'll wield, The battle is not long. Then weep no more, but well endure The conflict, till thy work is done; For this we know, the prize is sure, When victory is won." 3. I asked again; earth, sea, and sun Seemed, with one voice, to make reply: "Time's wasting sands are nearly run, Eternity is nigh. Then weep no more--with warning tones Portentious signs are thick'ning round, The whole creation, waiting, groans, To hear the trumpet sound." 4. Not far from home! O blessed thought! The trav'ler's lonely heart to cheer; Which oft a healing balm has brought, And dried the mourner's tear. Then weep no more, since we shall meet Where weary footsteps never roam Or trials past, our joys complete, Safe in our Father's home. Languages: English Tune Title: [How far from home? I asked, as on]

People

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Authors, composers, editors, etc.

George Frideric Handel

1685 - 1759 Person Name: George F. Handel Topics: The Home Eternal Return of Christ Composer of "ANTIOCH" in Christ in Song George Frideric Handel (b. Halle, Germany, 1685; d. London, England, 1759) became a musician and composer despite objections from his father, who wanted him to become a lawyer. Handel studied music with Zachau, organist at the Halle Cathedral, and became an accomplished violinist and keyboard performer. He traveled and studied in Italy for some time and then settled permanently in England in 1713. Although he wrote a large number of instrumental works, he is known mainly for his Italian operas, oratorios (including Messiah, 1741), various anthems for church and royal festivities, and organ concertos, which he interpolated into his oratorio performances. He composed only three hymn tunes, one of which (GOPSAL) still appears in some modern hymnals. A number of hymnal editors, including Lowell Mason, took themes from some of Handel's oratorios and turned them into hymn tunes; ANTIOCH is one example, long associated with “Joy to the World.” Bert Polman

Lowell Mason

1792 - 1872 Topics: The Home Eternal Nearing Home Composer of "ZERAH" in Christ in Song Dr. Lowell Mason (the degree was conferred by the University of New York) is justly called the father of American church music; and by his labors were founded the germinating principles of national musical intelligence and knowledge, which afforded a soil upon which all higher musical culture has been founded. To him we owe some of our best ideas in religious church music, elementary musical education, music in the schools, the popularization of classical chorus singing, and the art of teaching music upon the Inductive or Pestalozzian plan. More than that, we owe him no small share of the respect which the profession of music enjoys at the present time as contrasted with the contempt in which it was held a century or more ago. In fact, the entire art of music, as now understood and practiced in America, has derived advantage from the work of this great man. Lowell Mason was born in Medfield, Mass., January 8, 1792. From childhood he had manifested an intense love for music, and had devoted all his spare time and effort to improving himself according to such opportunities as were available to him. At the age of twenty he found himself filling a clerkship in a banking house in Savannah, Ga. Here he lost no opportunity of gratifying his passion for musical advancement, and was fortunate to meet for the first time a thoroughly qualified instructor, in the person of F. L. Abel. Applying his spare hours assiduously to the cultivation of the pursuit to which his passion inclined him, he soon acquired a proficiency that enabled him to enter the field of original composition, and his first work of this kind was embodied in the compilation of a collection of church music, which contained many of his own compositions. The manuscript was offered unavailingly to publishers in Philadelphia and in Boston. Fortunately for our musical advancement it finally secured the attention of the Boston Handel and Haydn Society, and by its committee was submitted to Dr. G. K. Jackson, the severest critic in Boston. Dr. Jackson approved most heartily of the work, and added a few of his own compositions to it. Thus enlarged, it was finally published in 1822 as The Handel and Haydn Society Collection of Church Music. Mason's name was omitted from the publication at his own request, which he thus explains, "I was then a bank officer in Savannah, and did not wish to be known as a musical man, as I had not the least thought of ever making music a profession." President Winchester, of the Handel and Haydn Society, sold the copyright for the young man. Mr. Mason went back to Savannah with probably $500 in his pocket as the preliminary result of his Boston visit. The book soon sprang into universal popularity, being at once adopted by the singing schools of New England, and through this means entering into the church choirs, to whom it opened up a higher field of harmonic beauty. Its career of success ran through some seventeen editions. On realizing this success, Mason determined to accept an invitation to come to Boston and enter upon a musical career. This was in 1826. He was made an honorary member of the Handel and Haydn Society, but declined to accept this, and entered the ranks as an active member. He had been invited to come to Boston by President Winchester and other musical friends and was guaranteed an income of $2,000 a year. He was also appointed, by the influence of these friends, director of music at the Hanover, Green, and Park Street churches, to alternate six months with each congregation. Finally he made a permanent arrangement with the Bowdoin Street Church, and gave up the guarantee, but again friendly influence stepped in and procured for him the position of teller at the American Bank. In 1827 Lowell Mason became president and conductor of the Handel and Haydn Society. It was the beginning of a career that was to win for him as has been already stated the title of "The Father of American Church Music." Although this may seem rather a bold claim it is not too much under the circumstances. Mr. Mason might have been in the average ranks of musicianship had he lived in Europe; in America he was well in advance of his surroundings. It was not too high praise (in spite of Mason's very simple style) when Dr. Jackson wrote of his song collection: "It is much the best book I have seen published in this country, and I do not hesitate to give it my most decided approbation," or that the great contrapuntist, Hauptmann, should say the harmonies of the tunes were dignified and churchlike and that the counterpoint was good, plain, singable and melodious. Charles C. Perkins gives a few of the reasons why Lowell Mason was the very man to lead American music as it then existed. He says, "First and foremost, he was not so very much superior to the members as to be unreasonably impatient at their shortcomings. Second, he was a born teacher, who, by hard work, had fitted himself to give instruction in singing. Third, he was one of themselves, a plain, self-made man, who could understand them and be understood of them." The personality of Dr. Mason was of great use to the art and appreciation of music in this country. He was of strong mind, dignified manners, sensitive, yet sweet and engaging. Prof. Horace Mann, one of the great educators of that day, said he would walk fifty miles to see and hear Mr. Mason teach if he could not otherwise have that advantage. Dr. Mason visited a number of the music schools in Europe, studied their methods, and incorporated the best things in his own work. He founded the Boston Academy of Music. The aim of this institution was to reach the masses and introduce music into the public schools. Dr. Mason resided in Boston from 1826 to 1851, when he removed to New York. Not only Boston benefited directly by this enthusiastic teacher's instruction, but he was constantly traveling to other societies in distant cities and helping their work. He had a notable class at North Reading, Mass., and he went in his later years as far as Rochester, where he trained a chorus of five hundred voices, many of them teachers, and some of them coming long distances to study under him. Before 1810 he had developed his idea of "Teachers' Conventions," and, as in these he had representatives from different states, he made musical missionaries for almost the entire country. He left behind him no less than fifty volumes of musical collections, instruction books, and manuals. As a composer of solid, enduring church music. Dr. Mason was one of the most successful this country has introduced. He was a deeply pious man, and was a communicant of the Presbyterian Church. Dr. Mason in 1817 married Miss Abigail Gregory, of Leesborough, Mass. The family consisted of four sons, Daniel Gregory, Lowell, William and Henry. The two former founded the publishing house of Mason Bros., dissolved by the death of the former in 1869. Lowell and Henry were the founders of the great organ manufacturer of Mason & Hamlin. Dr. William Mason was one of the most eminent musicians that America has yet produced. Dr. Lowell Mason died at "Silverspring," a beautiful residence on the side of Orange Mountain, New Jersey, August 11, 1872, bequeathing his great musical library, much of which had been collected abroad, to Yale College. --Hall, J. H. (c1914). Biography of Gospel Song and Hymn Writers. New York: Fleming H. Revell Company.

John Newton

1725 - 1807 Topics: The Home Eternal City of God Author of "Glorious Things" in Christ in Song John Newton (b. London, England, 1725; d. London, 1807) was born into a Christian home, but his godly mother died when he was seven, and he joined his father at sea when he was eleven. His licentious and tumul­tuous sailing life included a flogging for attempted desertion from the Royal Navy and captivity by a slave trader in West Africa. After his escape he himself became the captain of a slave ship. Several factors contributed to Newton's conversion: a near-drowning in 1748, the piety of his friend Mary Catlett, (whom he married in 1750), and his reading of Thomas à Kempis' Imitation of Christ. In 1754 he gave up the slave trade and, in association with William Wilberforce, eventually became an ardent abolitionist. After becoming a tide-surveyor in Liverpool, England, Newton came under the influence of George Whitefield and John and Charles Wesley and began to study for the ministry. He was ordained in the Church of England and served in Olney (1764-1780) and St. Mary Woolnoth, London (1780-1807). His legacy to the Christian church includes his hymns as well as his collaboration with William Cowper (PHH 434) in publishing Olney Hymns (1779), to which Newton contributed 280 hymns, including “Amazing Grace.” Bert Polman ================== Newton, John, who was born in London, July 24, 1725, and died there Dec. 21, 1807, occupied an unique position among the founders of the Evangelical School, due as much to the romance of his young life and the striking history of his conversion, as to his force of character. His mother, a pious Dissenter, stored his childish mind with Scripture, but died when he was seven years old. At the age of eleven, after two years' schooling, during which he learned the rudiments of Latin, he went to sea with his father. His life at sea teems with wonderful escapes, vivid dreams, and sailor recklessness. He grew into an abandoned and godless sailor. The religious fits of his boyhood changed into settled infidelity, through the study of Shaftesbury and the instruction of one of his comrades. Disappointing repeatedly the plans of his father, he was flogged as a deserter from the navy, and for fifteen months lived, half-starved and ill-treated, in abject degradation under a slave-dealer in Africa. The one restraining influence of his life was his faithful love for his future wife, Mary Catlett, formed when he was seventeen, and she only in her fourteenth year. A chance reading of Thomas à Kempis sowed the seed of his conversion; which quickened under the awful contemplations of a night spent in steering a water-logged vessel in the face of apparent death (1748). He was then twenty-three. The six following years, during which he commanded a slave ship, matured his Christian belief. Nine years more, spent chiefly at Liverpool, in intercourse with Whitefield, Wesley, and Nonconformists, in the study of Hebrew and Greek, in exercises of devotion and occasional preaching among the Dissenters, elapsed before his ordination to the curacy of Olney, Bucks (1764). The Olney period was the most fruitful of his life. His zeal in pastoral visiting, preaching and prayer-meetings was unwearied. He formed his lifelong friendship with Cowper, and became the spiritual father of Scott the commentator. At Olney his best works—-Omicron's Letters (1774); Olney Hymns (1779); Cardiphonia, written from Olney, though published 1781—were composed. As rector of St. Mary Woolnoth, London, in the centre of the Evangelical movement (1780-1807) his zeal was as ardent as before. In 1805, when no longer able to read his text, his reply when pressed to discontinue preaching, was, "What, shall the old African blasphemer stop while he can speak!" The story of his sins and his conversion, published by himself, and the subject of lifelong allusion, was the base of his influence; but it would have been little but for the vigour of his mind (shown even in Africa by his reading Euclid drawing its figures on the sand), his warm heart, candour, tolerance, and piety. These qualities gained him the friendship of Hannah More, Cecil, Wilberforce, and others; and his renown as a guide in experimental religion made him the centre of a host of inquirers, with whom he maintained patient, loving, and generally judicious correspondence, of which a monument remains in the often beautiful letters of Cardiphonia. As a hymnwriter, Montgomery says that he was distanced by Cowper. But Lord Selborne's contrast of the "manliness" of Newton and the "tenderness" of Cowper is far juster. A comparison of the hymns of both in The Book of Praise will show no great inequality between them. Amid much that is bald, tame, and matter-of-fact, his rich acquaintance with Scripture, knowledge of the heart, directness and force, and a certain sailor imagination, tell strongly. The one splendid hymn of praise, "Glorious things of thee are spoken," in the Olney collection, is his. "One there is above all others" has a depth of realizing love, sustained excellence of expression, and ease of development. "How sweet the name of Jesus sounds" is in Scriptural richness superior, and in structure, cadence, and almost tenderness, equal to Cowper's "Oh! for a closer walk with God." The most characteristic hymns are those which depict in the language of intense humiliation his mourning for the abiding sins of his regenerate life, and the sense of the withdrawal of God's face, coincident with the never-failing conviction of acceptance in The Beloved. The feeling may be seen in the speeches, writings, and diaries of his whole life. [Rev. H. Leigh Bennett, M.A.] A large number of Newton's hymns have some personal history connected with them, or were associated with circumstances of importance. These are annotated under their respective first lines. Of the rest, the known history of which is confined to the fact that they appeared in the Olney Hymns, 1779, the following are in common use:— 1. Be still, my heart, these anxious cares. Conflict. 2. Begone, unbelief, my Saviour is near. Trust. 3. By the poor widow's oil and meal. Providence. 4. Chief Shepherd of Thy chosen sheep. On behalf of Ministers. 5. Darkness overspreads us here. Hope. 6. Does the Gospel-word proclaim. Rest in Christ. 7. Fix my heart and eyes on Thine. True Happiness. 8. From Egypt lately freed. The Pilgrim's Song. 9. He Who on earth as man was Known. Christ the Rock. 10. How blest are they to whom the Lord. Gospel Privileges. 11. How blest the righteous are. Death of the Righteous. 12. How lost was my [our] condition. Christ the Physician. 13. How tedious and tasteless the hours. Fellowship with Christ. 14. How welcome to the saints [soul] when pressed. Sunday. 15. Hungry, and faint, and poor. Before Sermon. 16. In mercy, not in wrath, rebuke. Pleading for Mercy. 17. In themselves, as weak as worms. Power of Prayer. 18. Incarnate God, the soul that knows. The Believer's Safety. 19. Jesus, Who bought us with His blood. The God of Israel. "Teach us, 0 Lord, aright to plead," is from this hymn. 20. Joy is a [the] fruit that will not grow. Joy. 21. Let hearts and tongues unite. Close of the Year. From this "Now, through another year," is taken. 22. Let us adore the grace that seeks. New Year. 23. Mary to her [the] Saviour's tomb. Easter. 24. Mercy, 0 Thou Son of David. Blind Bartimeus. 25. My harp untun'd and laid aside. Hoping for a Revival. From this "While I to grief my soul gave way" is taken. 26. Nay, I cannot let thee go. Prayer. Sometimes, "Lord, I cannot let Thee go." 27. Now may He Who from the dead. After Sermon. 28. 0 happy they who know the Lord, With whom He deigns to dwell. Gospel Privilege. 29. O Lord, how vile am I. Lent. 30. On man in His own Image made. Adam. 31. 0 speak that gracious word again. Peace through Pardon. 32. Our Lord, Who knows full well. The Importunate Widow. Sometimes altered to "Jesus, Who knows full well," and again, "The Lord, Who truly knows." 33. Physician of my sin-sick soul. Lent. 34. Pleasing spring again is here. Spring. 35. Poor, weak, and worthless, though I am. Jesus the Friend. 36. Prepare a thankful song. Praise to Jesus. 37. Refreshed by the bread and wine. Holy Communion. Sometimes given as "Refreshed by sacred bread and wine." 38. Rejoice, believer, in the Lord. Sometimes “Let us rejoice in Christ the Lord." Perseverance. 39. Salvation, what a glorious plan. Salvation. 40. Saviour, shine and cheer my soul. Trust in Jesus. The cento "Once I thought my mountain strong," is from this hymn. 41. Saviour, visit Thy plantation. Prayer for the Church. 42. See another year [week] is gone. Uncertainty of Life. 43. See the corn again in ear. Harvest. 44. Sinner, art thou still secure? Preparation for the Future. 45. Sinners, hear the [thy] Saviour's call. Invitation. 46. Sovereign grace has power alone. The two Malefactors. 47. Stop, poor sinner, stop and think. Caution and Alarm. 48. Sweeter sounds than music knows. Christmas. 49. Sweet was the time when first I felt. Joy in Believing. 50. Ten thousand talents once I owed. Forgiveness and Peace. 51. The grass and flowers, which clothe the field. Hay-time. 52. The peace which God alone reveals. Close of Service. 53. Thy promise, Lord, and Thy command. Before Sermon. 54. Time, by moments, steals away. The New Year. 55. To Thee our wants are known. Close of Divine Service. 56. We seek a rest beyond the skies. Heaven anticipated. 57. When any turn from Zion's way. Jesus only. 58. When Israel, by divine command. God, the Guide and Sustainer of Life. 59. With Israel's God who can compare? After Sermon. 60. Yes, since God Himself has said it. Confidence. 61. Zion, the city of our God. Journeying Zionward. -- John Julian, Dictionary of Hymnology (1907) ================= Newton, J., p. 803, i. Another hymn in common use from the Olney Hymns, 1779, is "Let me dwell on Golgotha" (Holy Communion). --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) ----- John Newton was born in London, July 24, 1725. His mother died when he was seven years old. In his eleventh year he accompanied his father, a sea captain, on a voyage. For several years his life was one of dissipation and crime. He was disgraced while in the navy. Afterwards he engaged in the slave trade. Returning to England in 1748, the vessel was nearly wrecked in a storm. This peril forced solemn reflection upon him, and from that time he was a changed man. It was six years, however, before he relinquished the slave trade, which was not then regarded as an unlawful occupation. But in 1754, he gave up sea-faring life, and holding some favourable civil position, began also religious work. In 1764, in his thirty-ninth year, he entered upon a regular ministry as the Curate of Olney. In this position he had intimate intercourse with Cowper, and with him produced the "Olney Hymns." In 1779, Newton became Rector of S. Mary Woolnoth, in London, in which position he became more widely known. It was here he died, Dec. 21, 1807, His published works are quite numerous, consisting of sermons, letters, devotional aids, and hymns. He calls his hymns "The fruit and expression of his own experience." --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 See also in: Hymn Writers of the Church =======================
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