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Tune Identifier:"^alcester_wesley$"

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ALCESTER

Meter: 7.7.7.7 Appears in 15 hymnals Composer and/or Arranger: Samuel S. Wesley, 1810-1876 Tune Key: D Major Incipit: 53215 16543 65432 Used With Text: Hallelujah! Raise, O Raise

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Hallelujah! Raise, O Raise

Author: Josiah Conder Meter: 7.7.7.7 Appears in 37 hymnals Lyrics: 1 Hallelujah! Raise, O raise to our God the song of praise; all his servants join to sing God our Savior and our King. 2 Blessed be forevermore that dread name which we adore: round the world his praise be sung through all lands, in ev'ry tongue. 3 O'er all nations God alone, higher than the heav'ns his throne; who is like to God Most High, infinite in majesty! 4 Yet to view the heav'ns he bends; yea, to earth he condescends; passing by the rich and great, for the low and desolate. 5 He can raise the poor to stand with the princes of the land; wealth upon the needy show'r: set him with the high in pow'r. 6 He the broken spirit cheers: turns to joy the mourner's tears; such the wonders of his ways; praise his name, forever praise! Topics: God Majesty of; God His Goodness; God Name of; God Praise of; Poor; Social Justice Scripture: Psalm 113 Used With Tune: ALCESTER
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Children of the heavenly King

Author: John Cennick (1718-1755) Appears in 1,184 hymnals Used With Tune: ALCESTER
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Lord, our Lord, Thy glorious name

Meter: 7.7.7.7 Appears in 37 hymnals Topics: God Sovereignty of Scripture: Psalm 8 Used With Tune: ALCESTER Text Sources: The United Presbyterian Church of North America Board of Publication, 1912

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Lamb of God, I Look to Thee

Author: Charles Wesley Hymnal: The Cyber Hymnal #3569 Meter: 7.7.7.7 Lyrics: 1. Lamb of God, I look to Thee; Thou shalt my Example be; Thou art gentle, meek, and mild; Thou wast once a little child. 2. Lord, I would be as Thou art; Give me Thine obedient heart; Thou art pitiful and kind, Let me have Thy loving mind. 3. Let me, above all, fulfill God my heav’nly Father’s will; Never His good Spirit grieve; Only to His glory live. Languages: English Tune Title: ALCESTER

Lord, our Lord, Thy glorious name

Hymnal: The Book of Praise #5 (1972) Meter: 7.7.7.7 Topics: God Sovereignty of Scripture: Psalm 8 Languages: English Tune Title: ALCESTER
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Hallelujah! Raise, O raise

Author: Josiah Conder, 1789-1855 Hymnal: Trinity Hymnal #49 (1961) Meter: 7.7.7.7 Lyrics: 1 Hallelujah! Raise, O raise To our God the song of praise; All his servants join to sing God our Saviour and our King. 2 Blessed be for evermore That dread Name which we adore: Round the world his praise be sung Through all lands, in ev'ry tongue. 3 O'er all nations God alone, Higher than the heav'ns his throne; Who is like to God most high, Infinite in majesty! 4 Yet to view the heav'ns he bends; Yea, to earth he condescends; Passing by the rich and great, For the low and desolate. 5 He can raise the poor to stand With the princes of the land; Wealth upon the needy show'r: Set him with the high in pow'r. 6 He the broken spirit cheers: Turns to joy the mourner's tears; Such the wonders of his ways; Praise his Name, for ever praise! Amen. Topics: God Divine Perfections of; God Glory of; God Goodness of; God Majesty of; God Praise of; Poor; Social Justice Scripture: Psalm 113 Languages: English Tune Title: ALCESTER

People

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Authors, composers, editors, etc.

Samuel Sebastian Wesley

1810 - 1876 Person Name: Samuel Sebastian Wesley, 1810-1876 Harmonizer of "ALCESTER" in The Book of Praise Samuel Sebastian Wesley (b. London, England, 1810; d. Gloucester, England, 1876) was an English organist and composer. The grandson of Charles Wesley, he was born in London, and sang in the choir of the Chapel Royal as a boy. He learned composition and organ from his father, Samuel, completed a doctorate in music at Oxford, and composed for piano, organ, and choir. He was organist at Hereford Cathedral (1832-1835), Exeter Cathedral (1835-1842), Leeds Parish Church (1842­-1849), Winchester Cathedral (1849-1865), and Gloucester Cathedral (1865-1876). Wesley strove to improve the standards of church music and the status of church musicians; his observations and plans for reform were published as A Few Words on Cathedral Music and the Music System of the Church (1849). He was the musical editor of Charles Kemble's A Selection of Psalms and Hymns (1864) and of the Wellburn Appendix of Original Hymns and Tunes (1875) but is best known as the compiler of The European Psalmist (1872), in which some 130 of the 733 hymn tunes were written by him. Bert Polman

Anonymous

Person Name: Anon. Composer of "ALCESTER" in The Oxford Hymn Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.

John Cennick

1718 - 1755 Person Name: John Cennick, 1718-1755 Author of "Children of the heavenly King" in The Book of Praise John Cennick was born at Reading, Berkshire, in the year 1717. He became acquainted with Wesley and Whitefield, and preached in the Methodist connection. On the separation of Wesley and Whitefield he joined the latter. In 1745, he attached himself to the Moravians, and made a tour in Germany to fully acquaint himself with the Moravian doctrines. He afterwards ministered in Dublin, and in the north of Ireland. He died in London, in 1755, and was buried in the Moravian Cemetery, Chelsea. He was the author of many hymns, some of which are to be found in every collection. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872. ======================= Cennick, John, a prolific and successful hymnwriter, was descended from a family of Quakers, but brought up in the Church of England. He assisted J. Wesley and then G. Whitefield in their labours for a time, and then passed over to, and died as a minister of, the Moravian Church. Born at Reading, Dec. 12, 1718, he was for some time a land surveyor at Reading, but becoming acquainted with the Wesleys in 1739, he was appointed by J. Wesley as a teacher of a school for colliers' children at Kingswood in the following year. This was followed by his becoming a lay preacher, but in 1740 he parted from the Wesleys on doctrinal grounds. He assisted Whitefield until 1745, when he joined the Mora¬vians, and was ordained deacon, in London, in 1749. His duties led him twice to Germany and also to the North of Ireland. He died in London, July 4, 1755. In addition to a few prose works, and some sermons, he published:— (1) Sacred Hymns, for the Children of God in the Days of their Pilgrimage, Lond., J. Lewis, n.d. (2nd ed. Lond., B. Milles, 1741), Pts. ii., iii., 1742; (2) Sacred Hymns for the Use of Religious Societies, &c, Bristol, F. Farley, 1743; (3) A Collection of Sacred Hymns, &c, Dublin, S. Powell, 3rd ed., 1749; (4) Hymns to the honour of Jesus Christ, composed for such Little Children as desire to be saved. Dublin, S. Powell, 1754. Additional hymns from his manuscripts were published by his son-in-law, the Rev. J. Swertner, in the Moravian Hymn Book, 1789, of which he was the editor. There are also 16 of his hymns in his Sermons, 2 vols., 1753-4, some being old hymns rewritten, and others new. Many of Cennick's hymns are widely known, as, "Lo, He cometh, countless trumpets;" “Brethren, let us join to bless;" "Jesus, my all, to heaven is gone;" "Children of the heavenly King;" "Ere I sleep, for every favour;" "We sing to Thee, Thou Son of God;" and the Graces: " Be present at our table, Lord;" and "We thank Thee, Lord;" &c. Some of the stanzas of his hymns are very fine, but the hymns taken as a whole are most unequal. Some excellent centos might be compiled from his various works. His religious experiences were given as a preface to his Sacred Hymns, 1741. In addition to the hymns named, and others annotated under their first lines, the following are in common use:— 1. Be with me [us] Lord, where'er I [we] go. Divine Protection. [1741.] 2. Cast thy burden on the Lord. Submission. [1743.] 3. Not unto us, but Thee alone. Praise to Jesus. [1743.] 4. Thou dear Redeemer, dying Lamb. Priesthood of Christ. [1743.] 5. We sing to Thee, Thou Son of God. Praise to Jesus. [1743.] 6. When, 0 dear Jesus, when shall I? Sunday Evening. [1743.] --John Julian, Dictionary of Hymnology (1907)