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O for a Thousand Tongues to Sing
Author: Charles Wesley Meter: 8.6.8.6 Appears in 1,748 hymnals Lyrics: 1 O for a thousand tongues to sing
my great Redeemer's praise,
the glories of my God and King,
the triumphs of his grace.
2 Jesus! the name that charms our fears,
that bids our sorrows cease,
'tis music in the sinner's ears,
'tis life and health and peace.
3 He breaks the power of canceled sin,
he sets the prisoner free;
his blood can make the foulest clean;
his blood availed for me.
4 He speaks, and listening to his voice,
new life the dead receive;
the mournful, broken hearts rejoice;
the humble poor believe.
5 My gracious Master and my God,
assist me to proclaim,
to spread through all the earth abroad
the honors of thy name. Topics: Jesus Christ God Incarnate; Forgiveness; Spiritual Freedom; Grace of Christ; Jesus Christ God Incarnate; Jesus Christ Names; Jesus Christ Redeemer; Music and Singing; Praise of Jesus Christ; Salvation Scripture: Psalm 35:28 Used With Tune: AZMON
O for a Thousand Tongues to Sing
Worthy the Lamb
Author: Watts Appears in 1,003 hymnals First Line: Come, let us join our cheerful songs Topics: Ascension of Christ; Christ Lamb; Christ Resurrection of; Communion of Saints; Exaltation of Christ; New Song Used With Tune: AZMON (DENFIELD)
Worthy the Lamb
O for a heart to praise my God
Author: C. Wesley Meter: 8.6.8.6 Appears in 1,165 hymnals Used With Tune: AZMON
O for a heart to praise my God
Azmon
Author: Isaac Watts Hymnal: Christian Hymns #59 (1935) First Line: I'm not ashamed to own my Lord Lyrics: 1 I'm not ashamed to own my Lord,
Nor to defend His cause;
Maintain the honors of His word,
The glory of His cross.
2 Jesus, my Lord, I know His name,
His name is all my trust;
Nor will He put my soul to shame,
Nor let my hope be lost.
3 Firm as His throne His promise stands,
And He can well secure
What I've committed to His hands
Till the decisive hour.
4 Then will He own my worthless name
Before His Father's face,
And in the new Jerusalem
Appoint for me a place. Languages: English Tune Title: AZMON
Azmon
Azmon
Hymnal: The Little Minstrel #115 (1867) First Line: God of my life, my morning song Lyrics: 1 God of my life, my morning song
To thee I cheerful raise,
Thine acts of love, 'tis good to sing,
And pleasant 'tis to praise.
2 Preserved by thy Almighty arm,
I passed the shades of night,
Serene and safe from every harm,
To see the morning light.
4 O let the same Almighty care
Through all this day attend;
From every danger, every snare,
My heedless steps defend. Languages: English Tune Title: AZMON
Azmon
Reginald Heber
1783 - 1826 Author of "O Savior, Whom This Holy Morn" in The Cyber Hymnal Reginald Heber was born in 1783 into a wealthy, educated family. He was a bright youth, translating a Latin classic into English verse by the time he was seven, entering Oxford at 17, and winning two awards for his poetry during his time there. After his graduation he became rector of his father's church in the village of Hodnet near Shrewsbury in the west of England where he remained for 16 years. He was appointed Bishop of Calcutta in 1823 and worked tirelessly for three years until the weather and travel took its toll on his health and he died of a stroke. Most of his 57 hymns, which include "Holy, Holy, Holy," are still in use today.
-- Greg Scheer, 1995
====================
Heber, Reginald, D.D. Born at Malpas, April 21, 1783, educated at Brasenose College, Oxford; Vicar of Hodnet, 1807; Bishop of Calcutta, 1823; died at Trichinopoly, India, April 3, 1826. The gift of versification shewed itself in Heber's childhood; and his Newdigate prize poem Palestine, which was read to Scott at breakfast in his rooms at Brazenose, Oxford, and owed one of its most striking passages to Scott's suggestion, is almost the only prize poem that has won a permanent place in poetical literature. His sixteen years at Hodnet, where he held a halfway position between a parson and a squire, were marked not only by his devoted care of his people, as a parish priest, but by literary work. He was the friend of Milman, Gifford, Southey, and others, in the world of letters, endeared to them by his candour, gentleness, "salient playfulness," as well as learning and culture. He was on the original staff of The Quarterly Review; Bampton Lecturer (1815); and Preacher at Lincoln's Inn (1822). His edition of Jeremy Taylor is still the classic edition. During this portion of his life he had often had a lurking fondness for India, had traced on the map Indian journeys, and had been tempted to wish himself Bishop of Calcutta. When he was forty years old the literary life was closed by his call to the Episcopate. No memory of Indian annals is holier than that of the three years of ceaseless travel, splendid administration, and saintly enthusiasm, of his tenure of the see of Calcutta. He ordained the first Christian native—Christian David. His first visitation ranged through Bengal, Bombay, and Ceylon; and at Delhi and Lucknow he was prostrated with fever. His second visitation took him through the scenes of Schwartz's labours in Madras Presidency to Trichinopoly, where on April 3,1826, he confirmed forty-two persons, and he was deeply moved by the impression of the struggling mission, so much so that “he showed no appearance of bodily exhaus¬tion." On his return from the service
”He retired into his own room, and according to his invariable custom, wrote on the back of the address on Confirmation 'Trichinopoly, April 3, 1826.' This was his last act, for immediately on taking off his clothes, he went into a large cold bath, where he had bathed the two preceding mornings, but which was now the destined agent of his removal to Paradise. Half an hour after, his servant, alarmed at his long absence, entered the room and found him a lifeless corpse." Life, &c, 1830, vol. ii. p. 437.
Heber's hymns were all written during the Hodnet period. Even the great missionary hymn, "From Greenland's icy mountains," notwithstanding the Indian allusions ("India's coral strand," "Ceylon's isle"), was written before he received the offer of Calcutta. The touching funeral hymn, "Thou art gone to the grave," was written on the loss of his first babe, which was a deep grief to him. Some of the hymns were published (1811-16) in the Christian Observer, the rest were not published till after his death. They formed part of a ms. collection made for Hodnet (but not published), which contained, besides a few hymns from older and special sources, contributions by Milman. The first idea of the collection appears in a letter in 1809 asking for a copy of the Olney Hymns, which he "admired very much." The plan was to compose hymns connected with the Epistles and Gospels, to be sung after the Nicene Creed. He was the first to publish sermons on the Sunday services (1822), and a writer in The Guardian has pointed out that these efforts of Heber were the germs of the now familiar practice, developed through the Christian Year (perhaps following Ken's Hymns on the Festivals), and by Augustus Hare, of welding together sermon, hymnal, and liturgy. Heber tried to obtain from Archbishop Manners Sutton and the Bishop of London (1820) authorization of his ms. collection of hymns by the Church, enlarging on the "powerful engine" which hymns were among Dissenters, and the irregular use of them in the church, which it was impossible to suppress, and better to regulate. The authorization was not granted. The lyric spirit of Scott and Byron passed into our hymns in Heber's verse; imparting a fuller rhythm to the older measures, as illustrated by "Oh, Saviour, is Thy promise fled," or the martial hymn, "The Son of God goes forth to war;" pressing into sacred service the freer rhythms of contemporary poetry (e.g. "Brightest and best of the sons of the morning"; "God that madest earth and heaven"); and aiming at consistent grace of literary expression.. Their beauties and faults spring from this modern spirit. They have not the scriptural strength of our best early hymns, nor the dogmatic force of the best Latin ones. They are too flowing and florid, and the conditions of hymn composition are not sufficiently understood. But as pure and graceful devotional poetry, always true and reverent, they are an unfailing pleasure. The finest of them is that majestic anthem, founded on the rhythm of the English Bible, "Holy, Holy, Holy, Lord God Almighty." The greatest evidence of Heber's popularity as a hymnwriter, and his refined taste as a compiler, is found in the fact that the total contents of his ms. collection which were given in his posthumous Hymns written and adapted to the Weekly Church Service of the Year. London, J. Murray, 1827; which included 57 hymns by Heber, 12 by Milman, and 29 by other writers, are in common in Great Britain and America at the present time. [Rev. H. Leigh Bennett, M.A.]
Of Bishop Heber's hymns, about one half are annotated under their respective first lines. Those given below were published in Heber's posthumous Hymns, &c, 1827. Some of them are in extensive use in Great Britain and America; but as they possess no special histories they are grouped together as from the Hymns, &c, 1827:—
1. Beneath our feet, and o'er our head. Burial.
2. Creator of the rolling flood. St. Peter's Day, or, Gospel for 6th Sunday after Trinity.
3. Lo, the lilies of the field. Teachings of Nature: or, Gospel for 15th Sunday after Trinity.
4. 0 God, by Whom the seed is given. Sexagesima.
6. 0 God, my sins are manifold. Forgiveness, or,
Gospel for 22nd S. after Trinity.
6. 0 hand of bounty, largely spread. Water into Wine, or, Gospel for 2nd S. after Epiphany.
7. 0 King of earth, and air, and sea. Feeding the Multitude; or, Gospel for 4th S. in Lent.
8. 0 more than merciful, Whose bounty gave. Good Friday.
9. 0 most merciful! 0 most bountiful. Introit Holy Communion.
10. 0 Thou, Whom neither time nor space. God unsearchable, or, Gospel for 5th Sunday in Lent.
11. 0 weep not o'er thy children's tomb. Innocents Day.
12. Room for the proud! Ye sons of clay. Dives and Lazarus, or, Gospel for 1st Sunday after Trinity.
13. Sit thou on my right hand, my Son, saith the Lord. Ascension.
14. Spirit of truth, on this thy day. Whit-Sunday.
15. The feeble pulse, the gasping breath. Burial, or, Gospel for 1st S. after Trinity.
16. The God of glory walks His round. Septuagesima, or, the Labourers in the Marketplace.
17. The sound of war in earth and air. Wrestling against Principalities and Powers, or, Epistle for 2lst Sunday after Trinity.
18. The world is grown old, her pleasures are past. Advent; or, Epistle for 4th Sunday in Advent.
19. There was joy in heaven. The Lost Sheep; or, Gospel for 3rd S. after Trinity.
20. Though sorrows rise and dangers roll. St. James's Day.
21. To conquer and to save, the Son of God. Christ the Conqueror.
22. Virgin-born, we bow before Thee. The Virgin Mary. Blessed amongst women, or, Gospel for 3rd S. in Lent.
23. Wake not, 0 mother, sounds of lamentation. Raising the Widow's Son, or, Gospel for 16th S. after Trinity.
24. When on her Maker's bosom. Holy Matrimony, or, Gospel for 2nd S. after Epiphany.
25. When through the torn sail the wild tempest is streaming. Stilling the Sea, or, Gospel for 4th Sunday after Epiphany.
26. Who yonder on the desert heath. The Good Samaritan, or, Gospel for 13th Sunday after Trinity.
This list is a good index of the subjects treated of in those of Heber's hymns which are given under their first lines, and shows that he used the Gospels far more than the Epistles in his work.
--John Julian, Dictionary of Hymnology (1907)
Reginald Heber
Thomas Haweis
1734 - 1820 Person Name: T. Haweis Author of "Enthroned on high, almighty Lord" in Songs of Joy and Gladness No. 2 Thomas Haweis (b. Redruth, Cornwall, England, 1734; d. Bath, England, 1820) Initially apprenticed to a surgeon and pharmacist, Haweis decided to study for the ministry at Oxford and was ordained in the Church of England in 1757. He served as curate of St. Mary Magdalen Church, Oxford, but was removed by the bishop from that position because of his Methodist leanings. He also was an assistant to Martin Madan at Locke Hospital, London. In 1764 he became rector of All Saints Church in Aldwinkle, Northamptonshire, and later served as administrator at Trevecca College, Wales, a school founded by the Countess of Huntingdon, whom Haweis served as chaplain. After completing advanced studies at Cambridge, he published a Bible commentary and a volume on church history. Haweis was strongly interested in missions and helped to found the London Mission Society. His hymn texts and tunes were published in Carmino Christo, or Hymns to the Savior (1792, expanded 1808).
Bert Polman
============================
Haweis, Thomas, LL.B., M.D., born at Truro, Cornwall, 1732. After practising for a time as a Physician, he entered Christ's College, Cambridge, where he graduated. Taking Holy Orders, he became Assistant Preacher to M. Madan at the Lock Hospital, London, and subsequently Rector of All Saints, Aldwincle, Northamptonshire. He was also Chaplain to Lady Huntingdon, and for several years officiated at her Chapel in Bath. He died at Bath, Feb. 11, 1820. He published several prose works, including A History of the Church, A Translation of the New Testament, and A Commentary on the Holy Bible. His hymns, a few of which are of more than ordinary merit, were published in his
Carmina Christo; or, Hymns to the Saviour. Designed for the Use and Comfort of Those who worship the Lamb that was slain. Bath, S. Hayward, 1792 (139 hymns), enlarged. London, 1808 (256 hymns). In 1794, or sometime after, but before the enlarged edition was published, two hymns "For the Fast-day, Feb. 28, 1794," were added to the first edition. These were, "Big with events, another year," and "Still o'er the deep the cannon's roar."
The most popular and widely used of his hymns are, "Behold the Lamb of God, Who bore," &c.; "Enthroned on high, Almighty Lord"; and “O Thou from Whom all goodness flows." The rest, all being from Carmina Christo, first edition 1792, are:—
1. Dark was the night and cold the ground. Gethsemane.
2. From the cross uplifted high. Christ in Glory.
3. Great Spirit, by Whose mighty power. Whitsuntide.
4. Submissive to Thy will, my God. Resignation.
5. The happy morn is come. Easter.
6. Thou Lamb of God, that on the tree. Good Friday. The hymn, "Thy Head, the crown of thorns that wears," in Stryker & Main's Church Praise Book, N. Y., 1882, begins with st. ii. of this hymn.
7. To Thee, my God and Saviour, My heart, &c. Praise for Redemption.
--John Julian, Dictionary of Hymnology (1907)
Thomas Haweis
Henry Francis Lyte
1793 - 1847 Person Name: Lyte Author of "With joy we hail the sacred day" in The Brethren Hymnody Lyte, Henry Francis, M.A., son of Captain Thomas Lyte, was born at Ednam, near Kelso, June 1, 1793, and educated at Portora (the Royal School of Enniskillen), and at Trinity College, Dublin, of which he was a Scholar, and where he graduated in 1814. During his University course he distinguished himself by gaining the English prize poem on three occasions. At one time he had intended studying Medicine; but this he abandoned for Theology, and took Holy Orders in 1815, his first curacy being in the neighbourhood of Wexford. In 1817, he removed to Marazion, in Cornwall. There, in 1818, he underwent a great spiritual change, which shaped and influenced the whole of his after life, the immediate cause being the illness and death of a brother clergyman. Lyte says of him:—
"He died happy under the belief that though he had deeply erred, there was One whose death and sufferings would atone for his delinquencies, and be accepted for all that he had incurred;"
and concerning himself he adds:—
"I was greatly affected by the whole matter, and brought to look at life and its issue with a different eye than before; and I began to study my Bible, and preach in another manner than I had previously done."
From Marazion he removed, in 1819, to Lymington, where he composed his Tales on the Lord's Prayer in verse (pub. in 1826); and in 1823 he was appointed Perpetual Curate of Lower Brixham, Devon. That appointment he held until his death, on Nov. 20, 1847. His Poems of Henry Vaughan, with a Memoir, were published in 1846.
His own Poetical works were:—
(1) Poems chiefly Religious 1833; 2nd ed. enlarged, 1845. (2) The Spirit of the Psalms, 1834, written in the first instance for use in his own Church at Lower Brixham, and enlarged in 1836; (3) Miscellaneous Poems (posthumously) in 1868. This last is a reprint of the 1845 ed. of his Poems, with "Abide with me" added. (4) Remains, 1850.
Lyte's Poems have been somewhat freely drawn upon by hymnal compilers; but by far the larger portion of his hymns found in modern collections are from his Spirit of the Psalms. In America his hymns are very popular. In many instances, however, through mistaking Miss Auber's (q. v.) Spirit of the Psalms, 1829, for his, he is credited with more than is his due. The Andover Sabbath Hymn Book, 1858, is specially at fault in this respect. The best known and most widely used of his compositions are "Abide with me, fast falls the eventide;” “Far from my heavenly home;" "God of mercy, God of grace;" "Pleasant are Thy courts above;" "Praise, my soul, the King of heaven;" and "There is a safe and secret place." These and several others are annotated under their respective first lines: the rest in common use are:—
i. From his Poems chiefly Religious, 1833 and 1845.
1. Above me hangs the silent sky. For Use at Sea.
2. Again, 0 Lord, I ope mine eyes. Morning.
3. Hail to another Year. New Year.
4. How good, how faithful, Lord, art Thou. Divine care of Men.
5. In tears and trials we must sow (1845). Sorrow followed by Joy.
6. My [our] rest is in heaven, my [our] rest is not here. Heaven our Home.
7. 0 Lord, how infinite Thy love. The Love of God in Christ.
8. Omniscient God, Thine eye divine. The Holy Ghost Omniscient.
9. The leaves around me falling. Autumn.
10. The Lord hath builded for Himself. The Universe the Temple of God.
11. Vain were all our toil and labour. Success is of God.
12. When at Thy footstool, Lord, I bend. Lent.
13. When earthly joys glide swift away. Ps. cii.
14. Wilt Thou return to me, O Lord. Lent.
15. With joy we hail the sacred day. Sunday.
ii. From his Spirit of the Psalms, 1834.
16. Be merciful to us, O God. Ps. lvii.
17. Blest is the man who knows the Lord. Ps. cxii.
18. Blest is the man whose spirit shares. Ps. xli.
19. From depths of woe to God I cry. Ps. cxxxx.
20. Gently, gently lay Thy rod. Ps. vi.
21. Glorious Shepherd of the sheep. Ps. xxiii.
22. Glory and praise to Jehovah on high. Ps. xxix.
23. God in His Church is known. Ps. lxxvi.
24. God is our Refuge, tried and proved. Ps. xlvi.
25. Great Source of my being. Ps. lxxiii.
26. Hear, O Lord, our supplication. Ps. lxiv.
27. How blest the man who fears the Lord. Ps.cxxviii.
28. Humble, Lord, my haughty spirit. Ps. cxxxi.
29. In this wide, weary world of care. Ps. cxxxii.
30. In vain the powers of darkness try. Ps.lii.
31. Jehovah speaks, let man be awed. Ps. xlix.
32. Judge me, O Lord, and try my heart. Ps. xxvi.
33. Judge me, O Lord, to Thee I fly. Ps. xliii.
34. Lord, I have sinned, but O forgive. Ps. xli.
35. Lord, my God, in Thee I trust. Ps. vii.
36. Lord of the realms above, Our Prophet, &c. Ps.xlv.
37. Lone amidst the dead and dying. Ps. lxii.
38. Lord God of my salvation. Ps. lxxxviii.
39. Lord, I look to Thee for all. Ps. xxxi.
40. Lord, I would stand with thoughtful eye. Ps. lxix.
41. Lord, my God, in Thee I trust. Ps. vii.
42. My God, my King, Thy praise I sing. Ps. cviii.
43. My God, what monuments I see. Ps. xxxvi.
44. My spirit on [to] Thy care. Ps. xxxi.
45. My trust is in the Lord. Ps. xi.
46. Not unto us, Almighty Lord [God]. Ps. cxv.
47. O God of glory, God of grace. Ps. xc.
48. O God of love, how blest are they. Ps. xxxvii.
49. O God of love, my God Thou art. Ps. lxiii.
50. O God of truth and grace. Ps. xviii.
51. O had I, my Saviour, the wings of a dove. Ps. lv.
52. O how blest the congregation. Ps. lxxxix.
53. O how safe and [how] happy he. Ps. xci.
54. O plead my cause, my Saviour plead. Ps. xxxv.
55. O praise the Lord, 'tis sweet to raise. Ps. cxlvii.
56. O praise the Lord; ye nations, pour. Ps. cxvii.
57. O praise ye the Lord With heart, &c. Ps. cxlix.
58. O that the Lord's salvation. Ps. xiv.
59. O Thou Whom thoughtless men condemn. Ps. xxxvi.
60. Of every earthly stay bereft. Ps. lxxiv.
61. Our hearts shall praise Thee, God of love. Ps. cxxxviii.
62. Pilgrims here on earth and strangers. Ps. xvi.
63. Praise for Thee, Lord, in Zion waits. Ps. lxv.
64. Praise to God on high be given. Ps. cxxxiv.
65. Praise ye the Lord, His servants, raise. Ps. cxiii.
66. Redeem'd from guilt, redeem'd from fears. Ps. cxvi.
67. Save me by Thy glorious name. Ps. liv.
68. Shout, ye people, clap your hands. Ps. xlvii.
69. Sing to the Lord our might. Ps. lxxxi.
70. Strangers and pilgrims here below. Ps. cix.
71. Sweet is the solemn voice that calls. Ps. cxxii.
72. The Church of God below. Ps. lxxxvii.
73. The Lord is King, let earth be glad. Ps. xcvii.
74. The Lord is on His throne. Ps. xciii.
75. The Lord is our Refuge, the Lord is our Guide. Ps. xlvii.
76. The mercies of my God and King. Ps. lxxxix.
77. The Lord Who died on earth for men. Ps. xxi.
78. Tis a pleasant thing to fee. Ps. cxxxiii.
79. Thy promise, Lord, is perfect peace. Ps. iii.
80. Unto Thee I lift mine [my] eyes. Ps. cxxiii.
81. Whom shall [should] we love like Thee? Ps. xviii.
Lyte's versions of the Psalms are criticised where their sadness, tenderness and beauty are set forth. His hymns in the Poems are characterized by the same features, and rarely swell out into joy and gladness.
--John Julian, Dictionary of Hymnology (1907)
==================
Lyte, Henry Francis, p. 706, i. Additional versions of Psalms are in common use:--
1. Lord, a thousand foes surround us. Psalms lix.
2. Praise, Lord, for Thee in Zion waits. Psalms lxv.
3. The Christian like his Lord of old. Psalms cxl.
4. The Lord of all my Shepherd is. Psalms xxiii.
5. The Lord of heaven to earth is come. Psalms xcviii.
6. Thy mercy, Lord, the sinner's hope. Psalms xxxvi.
7. To Thee, O Lord, in deep distress. Psalms cxlii. Sometimes given as "To God I turned in wild distress."
8. Uphold me, Lord, too prone to stray. Psalms i.
9. When Jesus to our [my] rescue came. Psalms cxxvi. These versions appeared in the 1st edition of Lyte's Spirit of the Psalms, 1834. It must be noted that the texts of the 1834, the 1836, and the 3rd ed., 1858, vary considerably, but Lyte was not responsible for the alterations and omissions in the last, which was edited by another hand for use at St. Mark's, Torquay.
Lyte's version of Psalms xxix., "Glory and praise to Jehovah on high" (p. 706, ii., 22), first appeared in his Poems, 1st ed., 1833, p. 25. Read also No. 39 as "Lord, I look for all to Thee."
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Henry Francis Lyte
Small Church Music
Editors: Charles Wesley Description:
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions. All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) (see http://scm-audacity.weebly.com for more information) to adjust the MP3 number of verses, tempo
and pitch to suit their local needs.
Copyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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Small Church Music
Christian Classics Ethereal Hymnary
Publication Date: 2007 Publisher: Grand Rapids, MI: Christian Classics Ethereal Library
Christian Classics Ethereal Hymnary
The Baptist Standard Hymnal
Publication Date: 1924 Publisher: Sunday School Publishing Board, National Baptist Convention, U.S.A. Publication Place: Nashville
The Baptist Standard Hymnal
