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Search Results

Tune Identifier:"^bartimeus_read$"

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Tunes

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BARTIMEUS

Appears in 2 hymnals Tune Key: F Major or modal Incipit: 12325 32156 71653 Used With Text: Dread Jehovah, God of nations

Texts

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Dread Jehovah, God of nations

Appears in 147 hymnals Used With Tune: BARTIMEUS
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The cross of Christ

Appears in 1,537 hymnals First Line: In the Cross of Christ I glory Lyrics: 1 In the cross of Christ I glory, Towering o'er the wrecks of time; All the light of sacred story Gathers round its head sublime. 2 When the woes of life o'ertake me, Hopes deceive, and fears annoy; Never shall the cross forsake me; Lo! it glows with peace and joy. 3 When the sun of bliss is beaming Light and love upon my way, From the cross the radiance streaming Adds new luster to the day. 4 Bane and blessing, pain and pleasure, By the cross are sanctified; Peace is there, that knows no measure, Joys that through all time abide. Used With Tune: [In the Cross of Christ I glory]

Instances

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Published text-tune combinations (hymns) from specific hymnals
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Dread Jehovah, God of nations

Hymnal: New Hymn and Tune Book #A29 (1889) Languages: English Tune Title: BARTIMEUS
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The cross of Christ

Hymnal: The Morning Star #122 (1877) First Line: In the Cross of Christ I glory Lyrics: 1 In the cross of Christ I glory, Towering o'er the wrecks of time; All the light of sacred story Gathers round its head sublime. 2 When the woes of life o'ertake me, Hopes deceive, and fears annoy; Never shall the cross forsake me; Lo! it glows with peace and joy. 3 When the sun of bliss is beaming Light and love upon my way, From the cross the radiance streaming Adds new luster to the day. 4 Bane and blessing, pain and pleasure, By the cross are sanctified; Peace is there, that knows no measure, Joys that through all time abide. Tune Title: [In the Cross of Christ I glory]

People

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Authors, composers, editors, etc.

Daniel Read

1757 - 1836 Composer of "[In the Cross of Christ I glory]" in The Morning Star Daniel Read; b. 1757, Rehoboth, Mass.; d. 1837, New Haven, Conn.An American composer and a primary figure in early American classical music. He was one of the “Yankee Tunesmiths” (1st New England School of Music) when classical music was popular in Europe. Read was a private in Massachusetts militia and later a comb maker and owner of a general store in New Haven, CN. He was only the 3rd composer in the U. S. to put out a collection of his own music. His work, “The American Singing Book” went through 5 editions, making him the most popular composer in the nation. Others often plagarized his tunes in those days. Tunebook sales supplemented his general store income, including “The Columbian Harmonist” (3 volumnes) with 3 revisions, and “The New Haven Collection of Sacred Music” 1818. Read also published “The American Musical magazine” in 12 annual issues in 1786 and 1787. In later years he came to appreciate European music more and imitated that styling in devotional music. Some of Read's music is still being performed, and selections have been published in “The Sacred Harp”, 1991 Edition, and the “Stoughton Music Society” (Centennial Collection 1980). John Perry
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