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Tune Identifier:"^dear_savior_take_my_hand_in_doane$"

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YALE

Meter: 8.6.8.6 D Appears in 9 hymnals Composer and/or Arranger: William Howard Doane Tune Key: G Major Incipit: 55132 17614 65131 Used With Text: Dear Savior, Take My Hand

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Saviour, Take my Hand in Thine

Author: Rev. M. Lowrie Hofford Appears in 3 hymnals First Line: Dear Saviour, take my hand in Thine Lyrics: 1 Dear Saviour, take my hand in Thine, And lead me ev'ry day, That I may never take a step But in the shining way; I cannot on myself rely, I cannot walk alone; O Saviour, take my hand in Thine, And lead me as Thine own. 2 O Saviour, take my hand in Thine, ‘Tis oft a weary way; And I have never found myself Sufficient for the day; Upon Thy help I must rely My journey to pursue; O Saviour, take my hand in Thine, And daily strength renew. 3 O Saviour, take my hand in Thine, Thou only know’st the way; And Thou canst lead me in the path That ends in perfect day; Thy gentle hand will safely guide My pilgrim feet above, And thro' the everlasting years I’ll magnify Thy love. Scripture: Psalm 139:24 Used With Tune: [Dear Saviour, take my hand in Thine]
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Behold, He Comes, The Savior Comes

Author: Susannah Harrison Meter: 8.6.8.6 D Appears in 6 hymnals Lyrics: 1 Behold, He comes, the Savior comes, Dressed in His bright array; Awake, ye saints, and burst your tombs, And view the glorious day. 2 He comes, attended from on high With thousands, through the skies, His glory shines; and every eye Shall see Him with surprise. 3 Lo, in the clouds the Judge descends With His illustrious train; He severs sinners from His friends, And dooms to endless pain. 4 He comes to make His justice known, To vindicate His word: The guilty view Him on His throne, And wail before the Lord. 5 Till now they never sought His face. Nor wept for sin before: O how tremendous is their case! They weep to laugh no more. 6 Once they despised His glorious name, And set at naught His worth; But now they feel, with bitter shame, His fierce, vindictive wrath. 7 They now behold the saints rejoice, And mount above the skies; These praise the Lamb, with cheerful voice, And triumph as they rise. 8 Yes, and my soul shall bear her part In their melodious song, My Savior’s grace shall tune my heart, His love inspire my tongue. Used With Tune: YALE Text Sources: Songs in the Night (Ipswich, England: Punchard & Jermyn, 1780)
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The Son of God! The Lord Of Life!

Author: George Mogridge Meter: 8.6.8.6 D Appears in 5 hymnals Lyrics: 1 The Son of God! the Lord of Life! How wondrous are His ways! O for a harp of thousand strings, To sound abroad His praise! How passing strange, to leave the seat Of Heav’n’s eternal throne, And hosts of glittering seraphim, For guilty man alone! 2 And did He bow His sacred head, And die a death of shame? Let men and angels magnify And bless His holy name! O let us live in peace and love, And cast away our pride. And crucify our sins afresh. As He was crucified! 3 He rose again; then let us rise From sin, and Christ adore, And dwell in peace with all mankind, And tempt the Lord no more: The Son of God! the Lord of Life! How wondrous are His ways! O for a harp of thousand strings To sound abroad His praise! Used With Tune: YALE

Instances

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Dear Savior, Take My Hand

Author: M. Lowrie Hofford Hymnal: The Cyber Hymnal #10101 Meter: 8.6.8.6 D First Line: Dear Savior, take my hand in Thine Lyrics: 1 Dear Savior, take my hand in Thine And lead me every day, That I may never take a step But in the shining way; I cannot on myself rely, I cannot walk alone; O Savior, take my hand in Thine, And lead me as Thine own. 2 O Savior, take my hand in Thine, ’Tis oft a weary way; And I have never found myself Sufficient for the day; Upon Thy help I must rely My journey to pursue; O Savior, take my hand in Thine, And daily strength renew. 3 O Savior, take my hand in Thine, Thou only know’st the way; And Thou canst lead me in the path That ends in perfect day; Thy gentle hand will safely guide My pilgrim feet above, And thro’ the everlasting years I’ll magnify Thy love. Languages: English Tune Title: YALE
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Saviour, Take my Hand in Thine

Author: Rev. M. Lowrie Hofford Hymnal: Joyful Lays #146 (1884) First Line: Dear Saviour, take my hand in Thine Lyrics: 1 Dear Saviour, take my hand in Thine, And lead me ev'ry day, That I may never take a step But in the shining way; I cannot on myself rely, I cannot walk alone; O Saviour, take my hand in Thine, And lead me as Thine own. 2 O Saviour, take my hand in Thine, ‘Tis oft a weary way; And I have never found myself Sufficient for the day; Upon Thy help I must rely My journey to pursue; O Saviour, take my hand in Thine, And daily strength renew. 3 O Saviour, take my hand in Thine, Thou only know’st the way; And Thou canst lead me in the path That ends in perfect day; Thy gentle hand will safely guide My pilgrim feet above, And thro' the everlasting years I’ll magnify Thy love. Scripture: Psalm 139:24 Languages: English Tune Title: [Dear Saviour, take my hand in Thine]
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Saviour, Take My Hand

Author: M. Lowrie Hofford Hymnal: Select Gems #164 (1889) First Line: Dear Saviour, take my hand in Thine Languages: English Tune Title: [Dear Saviour, take my hand in Thine]

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Authors, composers, editors, etc.

George Mogridge

1787 - 1854 Author of "The Son of God! The Lord Of Life!" in The Cyber Hymnal Mogridge, George, commonly known as "Old Humphrey," and as "Peter Parley," was born at Ashted, near Birmingham, Feb. 17, 1787. He was engaged in business for some time, and then removed to London, and devoted himself to literature. His numerous writings were published by the R. T. S. He died Nov. 2, 1854, and his Memoirs were published by the Rev. C. Williams, in 1856. Some of his sacred pieces appeared in his work, My Pocket Book, 1851. One of these, "The Son of God, the Lord of Life" (Praise of Jesus), is in Spurgeon's Our Own Hymn Book, 1866. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907)

W. Howard Doane

1832 - 1915 Person Name: William Howard Doane Composer of "YALE" in The Cyber Hymnal An industrialist and philanthropist, William H. Doane (b. Preston, CT, 1832; d. South Orange, NJ, 1915), was also a staunch supporter of evangelistic campaigns and a prolific writer of hymn tunes. He was head of a large woodworking machinery plant in Cincinnati and a civic leader in that city. He showed his devotion to the church by supporting the work of the evangelistic team of Dwight L. Moody and Ira D. Sankey and by endowing Moody Bible Institute in Chicago and Denison University in Granville, Ohio. An amateur composer, Doane wrote over twenty-two hundred hymn and gospel song tunes, and he edited over forty songbooks. Bert Polman ============ Doane, William Howard, p. 304, he was born Feb. 3, 1832. His first Sunday School hymn-book was Sabbath Gems published in 1861. He has composed about 1000 tunes, songs, anthems, &c. He has written but few hymns. Of these "No one knows but Jesus," "Precious Saviour, dearest Friend," and "Saviour, like a bird to Thee," are noted in Burrage's Baptist Hymn Writers. 1888, p. 557. --John Julian, Dictionary of Hymnology, Appendix, Part II (1907) =================== Doane, W. H. (William Howard), born in Preston, Connecticut, 1831, and educated for the musical profession by eminent American and German masters. He has had for years the superintendence of a large Baptist Sunday School in Cincinnati, Ohio, where he resides. Although not a hymnwriter, the wonderful success which has attended his musical setting of numerous American hymns, and the number of his musical editions of hymnbooks for Sunday Schools and evangelistic purposes, bring him within the sphere of hymnological literature. Amongst his collections we have:— (1) Silver Spray, 1868; (2) Pure Gold, 1877; (3) Royal Diadem, 1873; (4) Welcome Tidings, 1877; (5) Brightest and Best, 1875; (6) Fountain of Song; (7) Songs of Devotion, 1870; (8) Temple Anthems, &c. His most popular melodies include "Near the Cross," "Safe in the Arms of Jesus," "Pass me Not," "More Love to Thee," "Rescue the Perishing," "Tell me the Old, Old Story," &c. - John Julian, Dictionary of Hymnology (1907)

Edward Caswall

1814 - 1878 Translator of "From The Far-Blazing Gate Of Morn" in The Cyber Hymnal Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry. --Annotations of the Hymnal, Charles Hutchins, M.A. 1872 ===================== Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:— (1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others. (2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858. (3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865. (4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections. --John Julian, Dictionary of Hymnology (1907) ====================== Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:— 1. Christian soul, dost thou desire. After Holy Communion. 2. Come, let me for a moment cast. Holy Communion. 3. O Jesu Christ [Lord], remember. Holy Communion. 4. Oft, my soul, thyself remind. Man's Chief End. 5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep." 6. The glory of summer. Autumn. 7. This is the image of the queen. B. V. M. His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:— 1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii. 2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i. 3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158. 4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i. 5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii. 6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii. 7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i. The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:— IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865. As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.] --John Julian, Dictionary of Hymnology, New Supplement (1907)