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DER TAG BRICHT AN
Appears in 17 hymnals Composer and/or Arranger: M. Vulpius, 1560-1616 Incipit: 15565 41321 13156 Used With Text: Lord, my weak thought in vain would climb
DER TAG BRICHT AN
Again, as evening's shadow falls
Author: Samuel Longfellow Appears in 163 hymnals Used With Tune: DER TAG BRICHT AN
Again, as evening's shadow falls
Come, O Creator Spirit blest!
Author: Edward Caswall Appears in 284 hymnals Used With Tune: DER TAG BRICHT AN
Come, O Creator Spirit blest!
My God, my God! and can it be
Author: F. W. Faber, 1814-63 Appears in 11 hymnals Used With Tune: DER TAG BRICHT AN
My God, my God! and can it be
Der Tag bricht an und zeiget sich
Author: Michael Weiße Hymnal: Antwort Finden in alten und neuen Liedern, in Worten zum Nachdenken und Beten #438 (2014) Lyrics: 1 Der Tag bricht an und zeiget sich.
O Herre Gott, wir loben dich,
wir danken dir, du höchstes Gut,
daß du uns die Nacht hast behüt';
2 bitten dich auch: behüt uns heut,
denn wir allhier sind Pilgerleut;
steh uns bei, tu Hilf und bewahr,
daß uns kein Übel widerfahr.
3 Regier du uns mit starker Hand,
auf daß dein Werk in uns erkannt,
dein Name durch glaubreich Gebärd
in uns heilig erweiset werd.
4 Hilf, daß der Geist Zuchtmeister bleib,
das arge Fleisch so zwing und treib,
daß es sich nicht gar ungestüm
erheb und fordre deinen Grimm.
5 Versorg uns auch, o Herre Gott,
auf diesen Tag, wie's uns ist not,
teil uns dein' milden Segen aus,
denn unser Sorg richtet nichts aus.
6 Gib deinen Segen unserm Tun
und unsrer Arbeit deinen Lohn
durch Jesus Christus, deinen Sohn,
unsern Herren vor deinem Thron. Topics: Glaube - Liebe - Hoffnung Morgen Languages: German Tune Title: [Der Tag bricht an und zeiget sich]
Der Tag bricht an und zeiget sich
Der Tag bricht an und zeiget sich
Author: Michael Weisse Hymnal: Evangelisches Kirchengesangbuch #333 (1969) Languages: German Tune Title: [Der Tag bricht an und zeiget sich]
Der Tag bricht an und zeiget sich
Again, as evening's shadow falls
Author: Samuel Longfellow Hymnal: The Harvard University Hymn Book #25 (1926) Languages: English Tune Title: DER TAG BRICHT AN
Again, as evening's shadow falls
Melchior Vulpius
1570 - 1615 Composer of "DER TAG BRICHT AN" in The Harvard University Hymn Book Born into a poor family named Fuchs, Melchior Vulpius (b. Wasungen, Henneberg, Germany, c. 1570; d. Weimar, Germany, 1615) had only limited educational opportunities and did not attend the university. He taught Latin in the school in Schleusingen, where he Latinized his surname, and from 1596 until his death served as a Lutheran cantor and teacher in Weimar. A distinguished composer, Vulpius wrote a St. Matthew Passion (1613), nearly two hundred motets in German and Latin, and over four hundred hymn tunes, many of which became popular in Lutheran churches, and some of which introduced the lively Italian balletto rhythms into the German hymn tunes. His music was published in Cantiones Sacrae (1602, 1604), Kirchengesangund Geistliche Lieder (1604, enlarged as Ein schon geistlich Gesanglmch, 1609), and posthumously in Cantionale Sacrum (1646).
Bert Polman
Melchior Vulpius
Anonymous
Person Name: Unknown Author of "Veni, creator Spiritus" in The Harvard University Hymn Book In some hymnals, the editors noted that a hymn's author is unknown to them, and so this artificial "person" entry is used to reflect that fact. Obviously, the hymns attributed to "Author Unknown" "Unknown" or "Anonymous" could have been written by many people over a span of many centuries.
Anonymous
Edward Caswall
1814 - 1878 Translator of "Come, O Creator Spirit blest!" in The Harvard University Hymn Book Edward Caswall was born in 1814, at Yately, in Hampshire, where his father was a clergyman. In 1832, he went to Brasenose College, Oxford, and in 1836, took a second-class in classics. His humorous work, "The Art of Pluck," was published in 1835; it is still selling at Oxford, having passed through many editions. In 1838, he was ordained Deacon, and in 1839, Priest. He became perpetural Curate of Stratford-sub-Castle in 1840. In 1841, he resigned his incumbency and visited Ireland. In 1847, he joined the Church of Rome. In 1850, he was admitted into the Congregation of the Oratory at Birmingham, where he has since remained. He has published several works in prose and poetry.
--Annotations of the Hymnal, Charles Hutchins, M.A. 1872
=====================
Caswall, Edward, M.A., son of the Rev. R. C. Caswall, sometime Vicar of Yately, Hampshire, born at Yately, July 15, 1814, and educated at Brasenose College, Oxford, graduating in honours in 1836. Taking Holy Orders in 1838, he became in 1840 Incumbent of Stratford-sub-Castle, near Salisbury, and resigned the same in 1847. In 1850 (Mrs. Caswall having died in 1849) he was received into the Roman Catholic communion, and joined Dr. Newman at the Oratory, Edgbaston. His life thenceforth, although void of stirring incidents, was marked by earnest devotion to his clerical duties and a loving interest in the poor, the sick, and in little children. His original poems and hymns were mostly written at the Oratory. He died at Edgbaston, Jan. 2, 1878, and was buried on Jan. 7 at Redwall, near Bromsgrove, by his leader and friend Cardinal Newman. Caswall's translations of Latin hymns from the Roman Breviary and other sources have a wider circulation in modern hymnals than those of any other translator, Dr. Neale alone excepted. This is owing to his general faithfulness to the originals, and the purity of his rhythm, the latter feature specially adapting his hymns to music, and for congregational purposes. His original compositions, although marked by considerable poetical ability, are not extensive in their use, their doctrinal teaching being against their general adoption outside the Roman communion. His hymns appeared in:—
(1) Lyra Catholica, which contained 197 translations from the Roman Breviary, Missal, and other sources. First ed. London, James Burns, 1849. This was reprinted in New York in 1851, with several hymns from other sources added thereto. This edition is quoted in the indices to some American hymn-books as Lyra Cath., as in Beecher's Plymouth Collection, 1855, and others.
(2) Masque of Mary, and Other Poems, having in addition to the opening poem and a few miscellaneous pieces, 53 translations, and 51 hymns. 1st ed. Lon., Burns and Lambert, 1858.
(3) A May Pageant and Other Poems, including 10 original hymns. Lon., Burns and Lambert, 1865.
(4) Hymns and Poems, being the three preceding volumes embodied in one, with many of the hymns rewritten or revised, together with elaborate indices. 1st ed. Lon., Burns, Oates & Co., 1873. Of his original hymns about 20 are given in the Roman Catholic Crown of Jesus Hymn Book, N.D; there are also several in the Hymns for the Year, N.D., and other Roman Catholic collections.
--John Julian, Dictionary of Hymnology (1907)
======================
Caswall, E. , p. 214, ii. Additional original hymns by Caswall are in the Arundel Hymns, 1902, and other collections. The following are from the Masque of Mary, &c, 1858:—
1. Christian soul, dost thou desire. After Holy Communion.
2. Come, let me for a moment cast. Holy Communion.
3. O Jesu Christ [Lord], remember. Holy Communion.
4. Oft, my soul, thyself remind. Man's Chief End.
5. Sleep, Holy Babe. Christmas. Appeared in the Rambler, June 1850, p. 528. Sometimes given as "Sleep, Jesus, sleep."
6. The glory of summer. Autumn.
7. This is the image of the queen. B. V. M.
His "See! amid the winter's snow,” p. 1037, i., was published in Easy Hymn Tunes, 1851, p. 36. In addition the following, mainly altered texts or centos of his translations are also in common use:—
1. A regal throne, for Christ's dear sake. From "Riches and regal throne," p. 870, ii.
2. Come, Holy Ghost, Thy grace inspire. From "Spirit of grace and union," p. 945, i.
3. Hail! ocean star, p. 99, ii,, as 1873. In the Birmingham Oratory Hymn Book, 1850, p. 158.
4. Lovely flow'rs of martyrs, hail. This is the 1849 text. His 1873 text is "Flowers of martyrdom," p. 947, i.
5. None of all the noble cities. From "Bethlehem! of noblest cities," p. 946, ii.
6. O Jesu, Saviour of the World. From “Jesu, Redeemer of the world," p. 228, ii.
7. 0 Lady, high in glory raised. From "O Lady, high in glory, Whose," p. 945, i.
The Parochial Hymn Book, 1880, has also the following original hymns by Caswall. As their use is confined to this collection, we give the numbers only:—
IS os. 1, 2, 3, 159 (Poems, 1873, p. 453), 209 (1873, p. 288), 299, 324 (1873, p. 323), 357, 402, 554, 555, 558, 569 (1873, p. 334). These are from his Masque of Mary 1858. Nos. 156, 207 (1873, p. 296), 208 (1873, p. 297), 518. These are from his May Pageant, 1865.
As several of these hymns do not begin with the original first lines, the original texts are indicated as found in his Poems, 1873. [Rev. James Mearns, M.A.]
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Edward Caswall
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The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
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