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Marie J. Post

1919 - 1990 Versifier of "Defend Me, LORD, from Those Who Charge Me" in Psalter Hymnal (Gray) Marie (Tuinstra) Post (b. Jenison, MI, 1919; d. Grand Rapids, MI, 1990) While attending Dutch church services as a child, Post was first introduced to the Genevan psalms, which influenced her later writings. She attended Calvin College, Grand Rapids, Michigan, where she studied with Henry Zylstra. From 1940 to 1942 she taught at the Muskegon Christian Junior High School. For over thirty years Post wrote poetry for the Grand Rapids Press and various church periodicals. She gave many readings of her poetry in churches and schools and has been published in a number of journals and poetry anthologies. Two important collections of her poems are I Never Visited an Artist Before (1977) and the posthumous Sandals, Sails, and Saints (1993). A member of the 1987 Psalter Hymnal Revision Committee, Post was a significant contributor to its array of original texts and paraphrases. Bert Polman

Claude Goudimel

1514 - 1572 Harmonizer of "GENEVAN 43" The music of Claude Goudimel (b. Besançon, France, c. 1505; d. Lyons, France, 1572) was first published in Paris, and by 1551 he was composing harmonizations for some Genevan psalm tunes-initially for use by both Roman Catholics and Protestants. He became a Calvinist in 1557 while living in the Huguenot community in Metz. When the complete Genevan Psalter with its unison melodies was published in 1562, Goudimel began to compose various polyphonic settings of all the Genevan tunes. He actually composed three complete harmonizations of the Genevan Psalter, usually with the tune in the tenor part: simple hymn-style settings (1564), slightly more complicated harmonizations (1565), and quite elaborate, motet-like settings (1565-1566). The various Goudimel settings became popular throughout Calvinist Europe, both for domestic singing and later for use as organ harmonizations in church. Goudimel was one of the victims of the St. Bartholomew's Day massacre of Huguenots, which occurred throughout France. Bert Polman

William Kuipers

1883 - 1933 Person Name: Rev. William Kuipers Versifier of "Send Forth, O Lord, of My Salvation" in Psalter Hymnal (Red) Born: 1883, Rochester, New York. Died: 1933, Passaic, New Jersey. Buried: Restlawn Cemetery, Grand Rapids, Michigan. Kuipers emigrated from Friesland to America, in the late 1880s, graduated from Calvin College, Grand Rapids, Michigan, and was ordained in the Christian Reformed Church. He served at the Second Christian Reformed Church of Fremont, Michigan (1914-19); Christian Reformed churches in Oakland, Michigan (1919-23); Dennis Avenue, Grand Rapids, Michigan (1923-27); and Summer Street, Passaic, New Jersey (1927-33). He wrote a number of poems, hymns, and psalm versifications. © The Cyber Hymnal™ (hymntime.com/tch)

Henry A. Bruinsma

1916 - 1991 Adapter of "HOLY HILL (Bourgeois)" in Psalter Hymnal (Blue) It was in Bruinsma's musical compositions that his brilliance was most displayed. “Henry’s personality was … embodied in his music: colorful, radiating charisma, magnetic in a nonverbal way,” niece Jane DeGroot said. Bruinsma displayed musical potential even before he was considered old enough to take music lessons, said his wife, Grace Hekman Bruinsma. The preschooler would eavesdrop on his older brother’s piano lessons. After the teacher left, Bruinsma would climb onto the piano bench to practice his brother’s lesson assignment. Later on, he chose to attend Ottawa Hills High School in Grand Rapids, Mich., for its music program. Following high school graduation in 1933, Bruinsma attended the University of Michigan for a degree in music. He stayed on to complete a Ph.D. in musicology, becoming the first musicologist to graduate from the University of Michigan. It was during his graduate work that Bruinsma wrote Scherzo on a Dutch Nursery Song. “He never lost his love for Dutch history or Dutch Reformed music,” Grace Bruinsma said. It was also during his time at U of M that Bruinsma began taking Grace to music concerts, and in 1939 they were married. Bruinsma began his time as a professor of music at Calvin College (1946-55). In addition to his teaching duties at the college, Bruinsma taught the first music and theology course at Calvin Seminary. He also chaired the first Conference on Liturgy of Music. However, not long after his time at Calvin, Bruinsma decided he was being called to move from teaching to education administration. Of note is his time at Ohio State University (1959-64), where he served as the director of the School of Music. He also held the position of executive committee member of the College of Education. Next, Bruinsma moved to what is now Arizona State University (1964-79), another notable mark in his education administration career. During that time, he served first as chair of the School of Music, then as founding dean of the College of Fine Arts. He is also known to have started the first religious studies program at Arizona State as part of the university’s interdisciplinary studies program. Due to the amount of time he spent in education administration, much of Bruinsma’s musical compositions were never published. After his death, Grace Bruinsma contacted Gerry Bouma of Morningside College in Sioux City, Iowa. Bouma and Henry Bruinsma had met in 1969 at a Grand Rapids Christian High School concert in Chicago. “For whatever reason, Henry and Grace treated us like we were their kids,” Bouma said. Grace asked Bouma to catalog and publish the 10,000 pages of Henry’s material. Taking a semester sabbatical, Bouma began his work. Bouma’s catalog of Bruinsma’s work can be found in the Heritage Hall Archives at the Hekman Library, Calvin College. The Archives also hosts additional works from Bruinsma’s time at Calvin. --Excerpted from Calvin Spark, Spring 2006 issue

Louis Bourgeois

1510 - 1561 Composer of "GENEVAN 43" Louis Bourgeois (b. Paris, France, c. 1510; d. Paris, 1561). In both his early and later years Bourgeois wrote French songs to entertain the rich, but in the history of church music he is known especially for his contribution to the Genevan Psalter. Apparently moving to Geneva in 1541, the same year John Calvin returned to Geneva from Strasbourg, Bourgeois served as cantor and master of the choristers at both St. Pierre and St. Gervais, which is to say he was music director there under the pastoral leadership of Calvin. Bourgeois used the choristers to teach the new psalm tunes to the congregation. The extent of Bourgeois's involvement in the Genevan Psalter is a matter of scholarly debate. Calvin had published several partial psalters, including one in Strasbourg in 1539 and another in Geneva in 1542, with melodies by unknown composers. In 1551 another French psalter appeared in Geneva, Eighty-three Psalms of David, with texts by Marot and de Beze, and with most of the melodies by Bourgeois, who supplied thirty four original tunes and thirty-six revisions of older tunes. This edition was republished repeatedly, and later Bourgeois's tunes were incorporated into the complete Genevan Psalter (1562). However, his revision of some older tunes was not uniformly appreciated by those who were familiar with the original versions; he was actually imprisoned overnight for some of his musical arrangements but freed after Calvin's intervention. In addition to his contribution to the 1551 Psalter, Bourgeois produced a four-part harmonization of fifty psalms, published in Lyons (1547, enlarged 1554), and wrote a textbook on singing and sight-reading, La Droit Chemin de Musique (1550). He left Geneva in 1552 and lived in Lyons and Paris for the remainder of his life. Bert Polman

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