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[It passeth knowledge, that dear love of Thine]
Appears in 28 hymnals Composer and/or Arranger: Ira David Sankey, 1840-1908 Tune Key: C Major Incipit: 51176 65453 55234 Used With Text: It Passeth Knowledge
[It passeth knowledge, that dear love of Thine]
It Passeth Knowledge
Author: Mary Shekleton Appears in 35 hymnals First Line: It passeth knowledge, that dear love of Thine Used With Tune: [It passeth knowledge, that dear love of Thine]
It Passeth Knowledge
حب المخلص الورى الفادي
Appears in 7 hymnals Lyrics: 1 حبُّ المخلِّصِ الورى الفادي
سامٍ يفوقُ الوصفَ والإدراكْ
فالقلبُ مشتاقٌ لأن يدري
مستقصياَ في بحرِهِ إذْ ذاكْ عميقَهُ
2 نعمْ سمَتْ محبةُ الفادي
يا ليتَ كلَّ الناسِ تدريها
فتقتفي آثارَهُ طَوعاً
تابعةً كالضأنِ راعيها فتهتدي
3 حبُّ الذي قد ماتَ مصلوباً
عن إثمِنا أسمى من الشكرِ
معْ ذاك قلبي دائماً يصبو
أن يشكُرَ الفادي مدى الدهرِ مُرنِّما
4 حبٌّ عظيمٌ واسعٌ سامٍ
يأتي بعاصٍ جاهلٍ مثلي
إلى محب حبُّه أفضى
إلى عذاب الصلبِ من أجلي لغبطتي
5 فكيف أنسى حبَّ ذا الفادي
من ماتَ من أجلي فأحياني
من أجلِ ذا يُحبُّه قلبي
فهْوَ إذا رئيسُ إيماني ومُنيتي
6 متى نرى نور محيّاهُ
في دار خلدٍ زانها المجدُ
فترتوي النفسُ بمرآهُ
ودائماً أفواهنا تشدو تسبيحَهُ Used With Tune: IT PASSETH KNOWLEDGE
حب المخلص الورى الفادي
祢的大愛 (It passeth knowledge)
Author: Mary Shekleton Appears in 1 hymnal First Line: 你的大愛，過於人所能度 Used With Tune: [It passeth knowledge that dear love]
祢的大愛 (It passeth knowledge)
It Passeth Knowledge
Author: Mary Shekleton Hymnal: The Cyber Hymnal #3117 First Line: It passeth knowledge, that dear love of Thine Lyrics: 1. It passeth knowledge, that dear love of Thine!
My Jesus! Savior! yet this soul of mine
Would of that love, in all its depth and length,
Its height and breadth, and everlasting strength
Know more and more.
2. It passeth telling! that dear love of Thine!
My Jesus! Savior! yet these lips of mine
Would fain proclaim to sinners far and near
A love which can remove all guilty fear,
And love beget.
3. It passeth praises! that dear love of Thine!
My Jesus! Savior yet this heart of mine
Would sing a love so rich, so full, so free,
Which brought an undone sinner, such as me,
Right home to God.
4. But though I cannot tell, or sing, or know,
The fullness of Thy love while here below,
My empty vessel I may freely bring:
O Thou, who art of love the living spring,
My vessel fill.
5. I am an empty vessel—not one thought,
Or look of love to Thee I ever brought;
Yet I may come, and come again to Thee,
With this the empty sinner’s only plea—
Thou lovest me!
6. Oh! fill me Jesus Savior with Thy love;
Lead, lead me to the living fount above!
Thither may I in simple faith draw nigh
And never to another fountain fly,
But unto Thee.
7. And when my Jesus face to face I see,
When at His lofty throne I bow the knee,
Then of His love, in all its breadth and length,
Its height and depth, its everlasting strength,
My soul shall sing. Languages: English Tune Title: [It passeth knowledge, that dear love of Thine]
It Passeth Knowledge
It passeth Knowledge
Author: Mary Shekleton Hymnal: Redemption Hymnal #77 (2015) First Line: It passeth knowledge, that dear love of Thine Topics: Worship Aspiration Scripture: Ephesians 3:19 Languages: English Tune Title: IT PASSETH KNOWLEDGE
It passeth Knowledge
It Passeth Knowledge
Author: Mary Shekleton Hymnal: Gospel Hymns and Sacred Songs #73 (1875) First Line: It passeth knowledge, that dear love of Thine Scripture: Ephesians 3:19 Languages: English Tune Title: [It passeth knowledge, that dear love of Thine]
It Passeth Knowledge
Ira David Sankey
1840 - 1908 Person Name: Ira David Sankey, 1840-1908 Composer of "[It passeth knowledge, that dear love of Thine]" in The Cyber Hymnal Sankey, Ira David, was born in Edinburgh, Pennsylvania, in 1840, of Methodist parents. About 1856 he removed with his parents to New Castle, Pennsylvania, where he became a member of the Methodist Episcopal Church. Four years afterwards he became the Superintendent of a large Sunday School in which he commenced his career of singing sacred songs and solos. Mr. Moody met with him and heard him sing at the International Convention of the Young Men's Christian Association, at Indianapolis, and through Mr. Moody's persuasion he joined him in his work at Chicago. After some two or three years' work in Chicago, they sailed for England on June 7, 1872, and held their first meeting at York a short time afterwards, only eight persons being present. Their subsequent work in Great Britain and America is well known.
Mr. Sankey's special duty was the singing of sacred songs and solos at religious gatherings, a practice which was in use in America for some time before he adopted it. His volume of Sacred Songs and Solos is a compilation from various sources, mainly American and mostly in use before. Although known as Sankey and Moody’s Songs, only one song, "Home at last, thy labour done" is by Mr. Sankey, and not one is by Mr. Moody. Mr. Sankey supplied several of the melodies. The English edition of the Sacred Songs & Solos has had an enormous sale; and the work as a whole is very popular for Home Mission services. The Songs have been translated into several languages.
--John Julian, Dictionary of Hymnology (1907)
Pseudonymns:
Harry S. Lower
Rian A. Dykes
====================
Sankey, I. D., p. 994, i. During the past fifteen years Mr. Sankey's Sacred Songs and Solos have had a very large sale, which has justified him in increasing the number of songs and hymns, including " New Hymns and Solos," to 1200. In 1906 he published My Life and Sacred Songs (London : Morgan & Scott). In addition to the "Story of his Own Life," the work contains an account of the most popular of his solos, with interesting reminiscences of the spiritual awakening of many who were influenced through his singing of them in public. In this respect it corresponds in some measure with G. J. Stevenson's Methodist Hymn Book, &c, 1883 (p. 1094, i.). It is an addition to the Sacred Songs and Solos, which will be held in esteem by many. In addition to his hymn, noted on p. 994, ii., Mr. Sankey gives details of the following:—
1. Out of the shadow-land into the sunshine. [Heaven Anticipated.] Mr. Sankey's account of this hymn is:—
"I wrote this hymn specially for the memorial service held for Mr. Moody in Carnegie Hall, where 1 also sang it as a solo. It is the last sacred song of which I wrote both the words and music. The idea was suggested by Mr. Moody's last words, 'Earth recedes; heaven opens before me . . . God is calling me, and I must go.' On account of its peculiar association with my fellow-labourer in the Gospel for so many years, the words are here given in full."
The hymn follows on p. 185, in 3 stanzas of 4 lines and a chorus.
2. Rejoice! Rejoice! our King is coming, [Advent.] Mr. Sankey writes concerning this hymn:—
"During one of my trips to Great Britain on the SS. City of Rome a storm raged on the sea. The wind was howling through the rigging, and waves like mountains of foam were breaking over the bow of the vessel. A great fear had fallen upon the passengers. When the storm was at its worst, we all thought we might soon go to the bottom of the sea. The conviction came to me that the Lord would be with us iu the trying hour, and sitting down in the reading room, I composed this hymn. Before reaching England the tune had formed itself in my mind, and on arriving in London I wrote it out, and had it published in Sacred Songs and Solos, where it is No. 524 in the edition. of 1888.
From Mr. Sankey's autobiographical sketch we gather that he was born at Edinburgh, in Western Pennsylvania, Aug. 28, 1840, joined Mr. Moody in 1871, and visited England for the first time in 1873. The original of the Sacred Songs, &c, of 23 pieces only, was offered as a gift to the London publishers of P. Phillips's Hallowed Song, and declined by them. It was subsequently accepted by Mr. K. O. Morgan, of Morgan & Scott, and is now a volume of 1200 hymns.
From a return kindly sent us by Messrs. Morgan & Scott, we find that the various issues of the Sacred Songs and Solos were:—
In 1873, 24 pp.; 1874, 72 pp. ; 1876, 153 hymns; 1877, 271 hymns; 1881, 441 hymns; 1888, 750 hymns; 1903, 1200 hymns.
In addition, The Christian Choir, which is generally associated with the Sacred Songs and Solos, was issued in 1884 with 75 hymns, and in 1896 with 281. The New Hymns & Solos, by the same firm, were published in 1888.
--John Julian, Dictionary of Hymnology, New Supplement (1907)
Ira David Sankey
Mary Shekleton
1827 - 1883 Person Name: Mary Shekleton, 1827-83 Author of "It passeth knowledge" in Complete Mission Praise Shekleton, Mary, was born in 1827, and died in Dublin, Sep. 28, 1883. She was for many years an invalid, during which time she wrote several hymns, which were printed in broadsheet form. Several of these are given in Chosen, Chastened, Crowned. Memorials of Mary Shekleton, late Secretary of the Invalid's Prayer Union, by her Sister, 1884, and are in common use:-(l) "It passeth knowledge, that dear love of Thine" (Love of Jesus), 1863; and (2), "One fervent wish, my God! it speaks the whole" (Desiring to know Jesus), 1867.
--John Julian, Dictionary of Hymnology, Appendix, Part II (1907)
Mary Shekleton
Shududi, As'ad
1826 - 1906 Person Name: اسعد الشدودي Author of "حب المخلص الورى الفادي" in كتاب الترانيم الروحية للكنائس الإنجيلية Asaad Ibrahim alShdudi, 1826-1906
A Lebanese-born Mathematician, who studied and later worked at the American University of Beirut.
أسعد إبراهيم الشدودي
Shududi, As'ad
Small Church Music
Editors: Mary Shekleton Description:
History
The SmallChurchMusic site was launched in 2006, growing out of the requests from those struggling
to provide suitable music for their services and meetings. Rev. Clyde McLennan was ordained in mid
1960’s and was a pastor in many small Australian country areas, and therefore was acutely aware of
this music problem. Having also been trained as a Pipe Organist, recordings on site (which are a subset
of the smallchurchmusic.com site) are all actually played by Clyde, and also include piano and piano
with organ versions.
About the Recordings All recordings are in MP3 format.
Churches all around the world use the recordings, with downloads averaging over 60,000 per
month.
The recordings normally have an introduction, several verses and a slowdown on the last verse.
Users are encouraged to use software: Audacity (http://www.audacityteam.org) or Song Surgeon (http://songsurgeon.com) to adjust the MP3 number of verses, tempo and pitch to suit their local needs.
Mobile App
We have partnered with the developer of the popular NetTracks mobile app to offer the Small Church Music collection as a convenient mobile app. Experience the beloved Small Church Music collection through this iOS app featuring nearly 10,000 high-quality hymn recordings that can be organized into custom setlists and downloaded for offline use—ideal for worship services without musicians, congregational practice, and personal devotion. The app requires a small fee to cover maintenance costs. Please note: While Hymnary.org hosts this music collection, technical support for the app is provided exclusively by the app developer, not by Hymnary.org staff.
LicensingCopyright notice: Rev. Clyde McLennan, performer in this collection, has assigned his performer rights in this collection to Hymnary.org. Non-commercial use of these recordings is permitted. For permission to use them for any other purposes, please contact manager@hymnary.org.
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